'Salem's Lot

'Salem's Lot is a 1975 horror novel by American author Stephen King. It was his second published novel. The story involves a writer named Ben Mears who returns to the town of Jerusalem's Lot (or 'Salem's Lot for short) in Maine, where he lived from the age of five through nine, only to discover that the residents are becoming vampires. The town is revisited in the short stories "Jerusalem's Lot" and "One for the Road", both from King's story collection Night Shift (1978). The novel was nominated for the World Fantasy Award in 1976[1] and the Locus Award for the All-Time Best Fantasy Novel in 1987.[2]

For other uses, see Salem's Lot (disambiguation).
'Salem's Lot
First edition cover
AuthorStephen King
Cover artistDave Christensen
CountryU.S.
LanguageEnglish
GenreHorror
PublishedOctober 17, 1975
PublisherDoubleday
Media typePrint (Hardcover)
Pages439
ISBN978-0-385-00751-1
OCLC848489
813.54
LC ClassPS3561.I483

In two separate interviews in the 1980s, King said that, of all his books, 'Salem's Lot was his favorite. In his June 1983 Playboy interview, the interviewer mentioned that because it was his favorite, King was planning a sequel,[3] but King has said on his website that because The Dark Tower series already continued the narrative in Wolves of the Calla and Song of Susannah, he felt there was no longer a need for a sequel.[4] In 1987 he told Phil Konstantin in The Highway Patrolman magazine: "In a way it is my favorite story, mostly because of what it says about small towns. They are kind of a dying organism right now. The story seems sort of down home to me. I have a special cold spot in my heart for it!"[5]

The book is dedicated to King's daughter Naomi.

Plot

Ben Mears, a writer who spent part of his childhood in Jerusalem's Lot, Maine, has returned after 25 years. He quickly becomes friends with high-school teacher Matt Burke and strikes up a passionate romantic relationship with Susan Norton, a young college graduate. Ben has returned to the town to write a book about the long-abandoned Marsten House, where he had a bad experience as a child. Mears learns that the house—the former home of Depression-era hitman Hubert "Hubie" Marsten—has been purchased by Kurt Barlow, ostensibly an Austrian immigrant who has arrived in the Lot to open an antique store. Barlow is supposedly on an extended buying trip; only his business partner, Richard Straker, is seen in public. The truth, however, is that Barlow is an ancient vampire, and Straker is his human familiar.

The duo's arrival coincides with the disappearance of a young boy, Ralphie Glick, and the death of his brother Danny, who becomes the town's first vampire, turned by Barlow. Barlow also turns town dump custodian Dud Rogers and telephone repairman Corey Bryant. Danny turns other locals into vampires, including Mike Ryerson, Randy McDougall, Jack Griffen, and his own mother, Marjorie Glick. Danny fails, however, to turn his classmate Mark Petrie, who resists him successfully by holding a plastic cross in Danny's face. Within several days, many of the townspeople are turned. To fight the spread of the new vampires, Ben and Susan are joined by Matt and his doctor, Jimmy Cody, along with Mark and the local priest, Father Callahan. Susan is captured by Barlow, who turns her. She is eventually staked through the heart by Ben.

When Father Callahan and Mark head over to Mark's parents' house to explain the danger that the family is in, the power is suddenly cut off, and Barlow appears. After killing Mark's parents by smashing their heads together, Barlow briefly takes the boy hostage. Callahan pulls out his cross in an attempt to drive him off, and for a time, it works until Barlow challenges him to throw the cross away. Callahan, not having faith enough to do so, is soon overwhelmed by Barlow, who takes the now-useless cross and snaps it in two. Barlow then forces Callahan to drink his vampire blood, making him "unclean". When Callahan tries to re-enter his church, he receives an electric shock, preventing him from going inside. Callahan then leaves Jerusalem's Lot.

Jimmy is killed when he falls from a rigged staircase and is impaled by knives set up by the vampires. Ben and Mark succeed in destroying the master vampire Barlow, but are lucky to escape with their lives and are forced to leave the town to the now-leaderless vampires. The novel's prologue, which is set shortly after the end of the story proper, describes Ben and Mark's flight across the country to a seaside town in Mexico, where they attempt to recover from their ordeal. Mark is received into the Catholic Church by a friendly local priest and confesses for the first time what they have experienced. The epilogue has the two returning to the town a year later, intending to renew the battle. Ben, knowing that there are too many hiding places for the vampires, deliberately starts a brush fire in the woods near the town with the intent of destroying both it and the Marsten House once and for all.

Background

While teaching a high school Fantasy and Science Fiction course at Hampden Academy, King was inspired by Dracula, one of the books covered in the class. "One night over supper I wondered aloud what would happen if Dracula came back in the twentieth century, to America. 'He'd probably be run over by a Yellow Cab on Park Avenue and killed,' my wife said. (In the Introduction to the 2004 audiobook recording that Stephen King read himself, he says it was he who said, "Probably he'd land in New York and be killed by a Taxi Cab, like Margaret Mitchell in Atlanta" and that it was his wife who suggested a rural setting for the book.[6]) That closed the discussion, but in the following days, my mind kept returning to the idea. It occurred to me that my wife was probably right – if the legendary Count came to New York, that is. But if he were to show up in a sleepy little country town, what then? I decided I wanted to find out, so I wrote 'Salem's Lot, which was originally titled Second Coming."[7] Though King initially planned to title the novel Second Coming, he changed it to Jerusalem's Lot on the advice of his wife, novelist Tabitha King, who thought the original title sounded too much like a "bad sex story." King's publishers then shortened it to the current title, thinking the author's choice sounded too religious. King's paperback publisher bought the book for $550,000.

King expands on this thought of the 20th-century vampire in his essay for Adeline Magazine, "On Becoming a Brand Name" (February 1980): "I began to turn the idea over in my mind, and it began to coalesce into a possible novel. I thought it would make a good one, if I could create a fictional town with enough prosaic reality about it to offset the comic-book menace of a bunch of vampires." Yet the inspirations for 'Salem's Lot go back even farther. In Danse Macabre, a non-fiction overview of the modern horror genre, King recalls a dream he had when he was eight years old. In the dream, he saw the body of a hanged man dangling from the arm of a scaffold on a hill. "The corpse bore a sign: ROBERT BURNS. But when the wind caused the corpse to turn in the air, I saw that it was my face - rotted and picked by birds, but obviously mine. And then the corpse opened its eyes and looked at me. I woke up screaming, sure that a dead face would be leaning over me in the dark. Sixteen years later, I was able to use the dream as one of the central images in my novel 'Salem's Lot. I just changed the name of the corpse to Hubie Marsten."

King first wrote of Jerusalem's Lot in the short story "Jerusalem's Lot", penned in college, but not published until years later in the short story collection Night Shift. In a 1969 installment of "The Garbage Truck", a column King wrote for the University of Maine at Orono's campus newspaper, King foreshadowed the coming of 'Salem's Lot by writing: "In the early 1800s a whole sect of Shakers, a rather strange, religious persuasion at best, disappeared from their village (Jeremiah's Lot) in Vermont. The town remains uninhabited to this day."[8]

Politics during the time influenced King's writing of the story. The corruption in the government was a significant factor in the inspiration of the story. Of this he recalls,

I wrote 'Salem's Lot during the period when the Ervin committee was sitting. That was also the period when we first learned of the Ellsberg break-in, the White House tapes, the connection between Gordon Liddy and the CIA, the news of enemies lists, and other fearful intelligence. During the spring, summer and fall of 1973, it seemed that the Federal Government had been involved in so much subterfuge and so many covert operations that, like the bodies of the faceless wetbacks that Juan Corona was convicted of slaughtering in California, the horror would never end ... Every novel is to some extent an inadvertent psychological portrait of the novelist, and I think that the unspeakable obscenity in 'Salem's Lot has to do with my own disillusionment and consequent fear for the future. In a way, it is more closely related to Invasion of the Body Snatchers than it is to Dracula. The fear behind 'Salem's Lot seems to be that the Government has invaded everybody.[9]

Illustrated edition
Illustrated edition cover

In 2005, Centipede Press released a deluxe limited edition of 'Salem's Lot with black and white photographs by Jerry Uelsmann and the two short stories "Jerusalem's Lot" and "One for the Road", as well as over 50 pages of deleted material. The book was limited to 315 copies, each signed by Stephen King and Jerry Uelsmann. The book was printed on 100# Mohawk Superfine paper, it measured 9 by 13 inches (23 cm × 33 cm), was over 4 1⁄4 in (11 cm) thick, and weighed more than 13 pounds (5.9 kg). The book included a ribbon marker, head and tail bands, three-piece cloth construction, and a slipcase. An unsigned hardcover edition limited to 600 copies, was later released. Both the signed and unsigned editions were sold out.[10] In an interview with the printed trade journal Fine Books & Collections, King said of the illustrated folio version of his 'Salem's Lot, "I think it's beautiful!"[11] A trade edition was later released.

Critical reception

In the short story anthology A Century of Great Suspense Stories, editor Jeffery Deaver noted that King

singlehandedly made popular fiction grow up. While there were many good best-selling writers before him, King, more than anybody since John D. MacDonald, brought reality to genre novels. He’s often remarked that 'Salem's Lot was 'Peyton Place meets Dracula,' and so it was. The rich characterization, the careful and caring social eye, the interplay of story line and character development announced that writers could take worn themes such as vampires and make them fresh again.[12]

Adaptations

Film and television

In 1979, 'Salem's Lot was adapted to a two-part television miniseries of the same name. It stars David Soul as Ben Mears, and was nominated for three Primetime Emmy Awards and an Edgar Award.[13] It was filmed on location in Ferndale, California.[14] A truncated two-hour version was also released in cinemas in some countries.

In 1987, Larry Cohen directed the feature A Return to Salem's Lot,[15] a sequel to the 1979 miniseries.

In 2004, TNT premiered a new version of 'Salem's Lot starring Rob Lowe, which also received a Primetime Emmy nomination.[16]

In 2018, the eighth episode of the Castle Rock TV series (centered around the fictional town created by King) entitled "Past Perfect" was aired, which briefly showed a present-day bus stop in Jerusalem's Lot. A traffic sign indicated that the town was located 24 miles away from Castle Rock.[17] The Marsten House is featured in the show's second season.

On April 23, 2019, New Line Cinema announced that a theatrical film based on the novel would be made, with Gary Dauberman and James Wan producing. Dauberman wrote the screenplay for It and It Chapter Two. No release date for the film has been set.[18] Dauberman was confirmed as director on April 10, 2020.[19]

Radio

The novel was adapted in the U.K. as a radio drama on BBC Radio 4 in 1995.[20]

References
  1. "1976 Award Winners & Nominees". Worlds Without End. Archived from the original on 2009-07-25. Retrieved 2011-06-12.
  2. "Bibliography: 'Salem's Lot". isfdb Science Fiction. Retrieved December 23, 2013.
  3. "Playboy Interview: Stephen King". Playboy Philippines. Archived from the original on December 3, 2013. Retrieved December 23, 2013.
  4. "Frequently Asked Questions". StephenKing.com. Retrieved December 23, 2013.
  5. Phil Konstantin. "An Interview with Stephen King". Articles Written by Phil Konstantin. Archived from the original on April 12, 2014. Retrieved December 23, 2013.
  6. Introduction to "'Salem's Lot", Simon & Schuster, Inc., 2004.
  7. StephenKing.com: 'Salems Lot Archived 2007-08-15 at the Wayback Machine
  8. "The Stephen King Companion" Beahm, George Andrews McMeel press 1989, p. 267
  9. "The Fright Report", Oui Magazine, January 1980, p. 108
  10. Official Centipede Press webpage
  11. Goodman, Richard (July–August 2006). "Centipede Press". Fine Books & Collections: 20–21.
  12. A Century of Great Suspense Stories, edited by Jeffrey Deaver [Pg. 290]/Publisher: Berkley Hardcover (2001) ISBN 0425181928
  13. "Salem's Lot Awards Page". imdb.com.
  14. Hesseltine, Cassandra. "Complete Filmography of Humboldt County". Humboldt Del Norte Film Commission. Humboldt Del Norte Film Commission. Retrieved 12 October 2017.
  15. A Return to Salem's Lot, 1987-05-01, retrieved 2015-08-16
  16. Salem's Lot, 2004-06-20, retrieved 2015-08-16
  17. Squires, John. "You May Have Missed It, But "Castle Rock" Briefly Took Us Into Salem's Lot This Week". Bloody Disgusting.com. Retrieved 26 August 2019.
  18. Verhoeven, Beatrice. "Gary Dauberman to Adapt Stephen King's 'Salem's Lot,' James Wan to Produce". thewrap.com. TheWrap.
  19. https://www.hollywoodreporter.com/heat-vision/annabelle-comes-home-filmmaker-gary-dauberman-direct-stephen-kings-salems-lot-1289603
  20. Joshi, S. T. (2010). Encyclopedia of the Vampire. p. 271.
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