Alireza Shojaian

Alireza Shojaian (Persian: علیرضا شجاعيان‎; September 12, 1988) is a Paris based Iranian painter and visual activist.

Alireza Shojaian
Born(1988-09-12)September 12, 1988
Tehran, Iran
NationalityIranian
EducationIslamic Azad University
Known forPainting
Notable work
 Hamed Sinno et un de ses fréres, Sweet blasphemy series
MovementQueer art
Websitewww.alirezashojaian.com

Early life and education

Shojaian was born in Tehran to a Muslim family; he began to draw at an early age. At the age of 16 he was exposed to nude art for the first time when he saw Velasquez' Venus at her mirror in an art magazine that was obtained in the Iranian black market. Unlike all other bareskinned images and paintings in magazines circulating in Iran, the nude body of Venus was not covered over by censoring black ink. Shojaian's reproduction of Velasquez' work was his first canvas painting.[1] At the age of 23, Shojaian came out as gay to his university professor, who was sympathetic and encouraged him not to censor himself; her intervention enabled Shojaian to explore his sexual identity through his work and to document LGBT persons' experience in Iran.[1][2] Shojaian obtained his bachelor's degree in fine arts and painting from the Islamic Azad University in 2014. He was not allowed to complete his master's degree for choosing Queer Art as the subject of his thesis and final project. Shojaian kept his work hidden throughout his university years and did not exhibit in Iran.[3][4][5][6][7]

Travel

The sanctions against Iran prevented Shojaian from moving to the United States and Europe; he met a Lebanese patron in Iran who encouraged him to move to Beirut. Shojaian settled in the more liberal Beirut in February 2017 where he was able to develop his work and held two solo exhibitions in 2017 and 2018. Shojaian was offered an opportunity by the French embassy in Lebanon to participate in a project for the Académie des beaux-arts, following which he moved to Paris.[3][4][5][6][7]

Sociopolitical activism

Shojaian depicts his subjects nude or semi-nude in intimate and vulnerable positions, he states that his work aims to fight societal prejudice against LGBT people while making space for non-heteronormative masculine identities.[1][8][9] Shojaian stated sexual identity is politized in a number of countries including Iran where human bodies are censored and controlled, and sexual identity is scrutinized and politicized.[1] Shojaian did not feel safe in Iran where uncloseted gay persons suffer from state-sponsored oppression and face execution.[1]

While still in the university, Shojaian painted two nude works titled Salad season 1 and 2 where he alludes to self-subjugated genital mutilation as a symbol of not accepting his sexual identity under the oppressive Iranian regime. The paintings were not allowed in public and were veiled for the private viewing of his university professor.[10][2]

The Hexagon Series explore the final moments of one of Shojaian’s friends who was murdered by a Jihadi stranger posing as a sex date.[11]

Hamed Sinno et un de ses fréres, 2018.

In 2017, after traveling to Lebanon, Shojaian collaborated with Lebanese queer bellydancer and artist Khansa in a series of sensual and controversial nude portraits exhibited in Beirut under the title of Sweet blasphemy.[9][12][13]

One of Shojaian's better known pieces depicts Mashrou' Leila's frontman Hamed Sinno pinching the nipple of Anubis, the ancient Egyptian god of funerary rites. In the painting, Anubis wears a rainbow colored Usekh collar alluding to the pride flag.[9][14] The work references and draws inspiration from a painting by an unknown painter, titled Gabrielle d’Estrées et une de ses soeurs, that depicts the mistress of Henry IV of France.[15] The collaboration with Sinno was a statement against systematic state-led persecution of LGBT minorities in Egypt. Shojaian painted the piece after the September 22, 2017 Mashrou' Leila Cairo concert during which the pride flag was flown. The Cairo pride flag incident resulted in the arrest of a number of concert-goers.[9][14][15] In a 2020 interview, Shojaian paid tribute to Sarah Hegazi, a LGBT activist and one of the concert attendees who raised the pride flag. Hegazi committed suicide after having experienced traumatic incarceration and mistreatment in Egypt.[9]

References
  1. "Alireza Shojaian, l'artiste iranien qui sublime et politise le corps masculin" [Alireza Shojaian, the Iranian artist who sublimates and politicizes the male body]. TÊTU (in French). Archived from the original on 2020-07-20. Retrieved 2020-07-20.
  2. ""دعوت الله أن أستيقظ وقد تغيرت ميولي الجنسية"" ["I prayed to God to wake up and be heterosexual"]. BBC News عربي (in Arabic). 2019-02-07. Archived from the original on 2020-07-21. Retrieved 2020-07-21.
  3. "Sweet Blasphemy by Alireza Shojaian". My Kali. 2018-11-19. Archived from the original on 2020-07-01. Retrieved 2020-07-01.
  4. "The Sweet Blasphemy of Alireza Shojaian". www.advocate.com. 2020-06-01. Archived from the original on 2020-06-14. Retrieved 2020-07-01.
  5. "Alireza shojaian, the painter with a man story in polygons-Interview". New Eastern Politics. 2017-10-19. Retrieved 2020-07-01.
  6. "'Sweet Blasphemy', une ode à la beauté de l'homme" [‘SWEET BLASPHEMY’, AN ODE TO MAN'S BEAUTY]. AgendaCulturel (in French). 2018-02-09. Archived from the original on 2020-07-21. Retrieved 2020-07-01.
  7. Ezzeddine, Rawan (2018-02-09). "علي رضا شجاعيان... في مدار الحبّ الحسّي" [Alireza Shojaian ... in the orbit of sensual love]. الأخبار (in Arabic). Archived from the original on 2020-07-07. Retrieved 2020-07-07.
  8. "Tracing Voices". www.tracingvoices.com. Archived from the original on 2020-07-01. Retrieved 2020-07-01.
  9. Zaramella, Nicole (2020-06-22). "Alireza Shojaian, the Painter of Middle Eastern Queer Men | Il Grande Colibrì". Archived from the original on 2020-07-01. Retrieved 2020-07-01.
  10. Forsell, Vincent (May 2019). In plain sight: queer symbolism encoded in the works of Marsden Hartley, Robert Rauschenberg, and Jasper Johns (PDF) (MA). Temple University. Retrieved 2020-07-20.
  11. Stergakis, Alexis (2018-11-30). "Portraits of Queer Love and Life in the Middle East". Queer Here. Archived from the original on 2020-07-23. Retrieved 2020-07-23.
  12. O'Regan, Kirsten (2017-12-18). "The Lebanese Belly Dancer Who's 'Too Queer' for His Country". www.vice.com. Archived from the original on 2020-07-20. Retrieved 2020-07-20.
  13. Waked, Christiane (2020-02-16). "Entrevista al pintor iraní Alireza Shojaian" [Alireza Shojaian, the artist who defies conformity.]. The Political Room (in Spanish). Archived from the original on 2020-07-23. Retrieved 2020-07-23.
  14. Vartanian Collier, Lizzy (2018-09-18). "Pinched and Prodded". Khabar Keslan. Archived from the original on 2020-07-21. Retrieved 2020-07-01.
  15. Annegret, Erhard (2018-09-21). "Lebenskünstler in prekärer Lage, ringen die Libanesen dem Leben so vieles ab – auch für Kunst reicht ihr Mut" [Artists living in a precarious situation, the Lebanese wrestle so much from life - their courage is also sufficient for art]. Neue Zürcher Zeitung (in German). Archived from the original on 2020-07-20. Retrieved 2020-07-20.
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