Amy Feldman
Amy Feldman (born 1981) is an American abstract painter from Brooklyn, New York.
Amy Feldman | |
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Born | 1981 (age 39–40) New Windsor, New York, U.S. |
Nationality | American |
Known for | Painting |
Education
Amy Feldman received a BFA degree in painting from the Rhode Island School of Design in Providence, Rhode Island in 2003.[1] She then attended Rutgers University in New Brunswick, New Jersey where she received an MFA in Painting in 2008.[1] She subsequently attended the Skowhegan School of Painting and Sculpture for a nine-week residency in 2009.
Feldman is the recipient of a Guggenheim Foundation Grant (2018)[2] and Joan Mitchell Foundation Grant (2013).[1][3]
Work
Feldman's work has been shown in galleries and museums since 2008. Her work is planned, casualist and spontaneously painted with loosely geometric, graphic gestures in whites to dark grays on various whites to gray grounds.[4][5] The stark contrast between figure and ground in Feldman's paintings is initially arresting, then subsequently complicated, exploratory, and meditative.[6] Feldman's bold, urgent, and large scale abstract paintings are often anthropomorphic and darkly humorous with psychologically charged imagery.[7][8][9][10] Her stripped down abstract sign system addresses, among other things, topology, morphology, and the perception and transmission of information. Feldman's artistic influences range from Cubism to the works of Henri Matisse,[11] Jean Arp, Ellsworth Kelly, Shirley Jaffe, Mary Heilmann[12] and Robert Ryman.[13]
Feldman's work is in the permanent collections of the Museum of Contemporary Art[14] in Chicago, the Sheldon Museum of Art[15] in Lincoln, Nebraska, the Hall Art Foundation | Schloss Derneburg Museum[16] in Derneburg, Germany, and the Vanhaerents Art Collection[17] in Brussels, Belgium. She lives and works in Brooklyn, New York.
Further reading
- Rafael Rivas, Giving a F@*%: Forms of Feminism in Response to Riot Grrrls, Museum of Contemporary Art, Chicago, May 23, 2017’’
- Osman Can Yerebakan, Amy Feldman - Nerve Reserve, Artspeak, May 6, 2017
- Christoph Schreier, "Painting as Pictorial Art New York Painting in the 21st Century", Kunstmuseum Bonn, Hirmer, 2015
- Barry Schwabsky, "The Zeitgeist of No Zeitgeist", The Nation, January 26, 2015
- Amanda Dalla Villa Adams, Amy Feldman, Artforum, 2015
- Michael Wilson, Amy Feldman, Artforum, 2014
- Howard Hurst, "Who Has the Cure for "Zombie Formalism"?", Hyperallergic, December 17, 2014
- Raphael Rubinstein, "Amy Feldman's Condensed Poetics", catalogue essay for solo exhibition: High Sign, 2014
- Barry Schwabsky, "Great Gray", catalogue essay for solo exhibition: Stark Types, 2013
- Jonathan Curiel, Amy Feldman's New Western Vistas, The San Francisco Weekly, Mar 20, 2013
- Nirmala Nataraj, "Amy Feldman Melds Poise, Rough Edges", The San Francisco Chronicle, March 6, 2013
- Gregory Lind, "Amy Feldman", catalogue essay for solo exhibition: Raw Graces, 2013
- Amanda Parmer, "Amy Feldman: Blackston", Art in America, October 2012, Issue No. 9, p. 174-175
- Roberta Smith, "Art in Review, Amy Feldman: Dark Selects", The New York Times, Friday July 13, 2012
- Stephen Westfall, "Tough Love", catalogue essay for solo exhibition: Dark Selects, 2012
References
- "Work by Amy Feldman". RISD Alumni. 2019. Retrieved 2020-05-10.
- "John Simon Guggenheim Memorial Foundation Fellowship". gf.ord. Retrieved 10 May 2020.
- "Joan Mitchell Foundation". joanmitchellfoundation.org. Retrieved 10 May 2020.
- Butler, Sharon L. (June 3, 2011). "ABSTRACT PAINTING: The New Casualists". brooklynrail.org. Retrieved July 5, 2020.
- Jonathan Curiel, Amy Feldman's New Western Vistas, The San Francisco Weekly, Mar 20, 2013
- Christoph Schreier, New York Painting, Kunstmuseum Bonn, Hirmer Publishers, 2015ISBN 978-3777424194)
- Roberta Smith, Art in Review, Amy Feldman: Dark Selects, The New York Times, July 13, 2012
- Amanda Palmer, Amy Feldman: Blackston, Art in America, Issue No. 9, pp. 174–175, October 2012
- Francesco Spampinato, "Art Record Covers", Taschen, 2017 ISBN 978-3836540292
- Anthony Barnett and Ian Brinton, "Snow lit rev, no. 6", Allardyce, Barnett, Publishers, April 30, 2018 ISBN 978-0907954569
- Raphael Rubinstein, "Matisse Etc. (part 2)", The Silo, December 1, 2014
- Nirmala Nataraj, "Amy Feldman Melds Poise, Rough Edges", The San Francisco Chronicle, March 6, 2013
- Vittorio Colaizzi, "Robert Ryman", Phaidon Press, September 4, 2017 ISBN 978-0714849348
- Museum of Contemporary Art, Chicago, IL
- Sheldon Museum of Art, Lincoln, NE
- Schloss Derneburg Museum, Derneberg, Germany
- Vanhaerents Art Collection, Brussels, Belgium