Andrew Catlin
Andrew Catlin is an English photographer, artist, director, cinematographer and filmmaker. His work has been widely published, and is included in numerous collections, books, exhibitions and archives.
Andrew Catlin | |
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Andrew Catlin (1990) photographed by Steve Pyke | |
Born | 1960 (age 60–61) London, England |
Nationality | British |
Citizenship | British |
Education | Durham University |
Occupation | Photographer, artist, director, cinematographer |
Years active | 1981–present |
Children | Alexander, Felix |
Parent(s) | Harry Catlin, Joan Catlin |
Awards | Prince Philip Prize |
Website | www.andrewcatlin.com |
History
Catlin grew up equally intrigued by both arts and science. His father was a drama producer at the BBC, his mother a senior staff member at the Royal College of Art. His childhood was spent in London in the 1960s, during a time of great political and social change.
In 1978, he was awarded the Prince Philip Prize for Zoology by the Zoological Society of London[1] for a research project completed while at school. After attending University College School in London, he continued his studies with a psychology degree at Durham University before returning to London to do a research degree in Learning and Development at University College London.
During this time he also developed his growing interest in photography. Early work for NME, Melody Maker, Smash Hits, and Spin quickly extended to other publications, and commissions from record companies, musicians, designers and artists internationally. His work appeared on numerous record sleeves, books and magazine covers. He was one of the photographers chosen to document the Live Aid concert in 1985 and was the largest single contributor to the subsequent exhibition and book.[2]
During the 1980s he began directing music videos.[3] During a visit to Japan while working with Bryan Adams, he was experimenting with a Super-8 movie camera, when Adams asked if he would film one of his live songs. The stark black and white clip that followed was reviewed by Chrissy Iley in Direction Magazine as a great debut. His second video, for the Cowboy Junkies track, Blue Moon was given a feature in Direction: "Blue Moon surprised me, impressed me, and I'm hard to impress, especially with performance videos. Its approach is not clinical or technical or corporate. But its flickered lights and sepia faces strike a mood that few directors of the three-minute clip even bother to think necessary. The facial expressions are important to him, and are carefully monitored with his portraiture eye. Fortunately, MTV shared my view and put it on heavy rotation."(Chrissy Iley). Again self-taught, Catlin built on this early experience to create numerous music videos and films in the role of director or director of photography, and sometimes both.
Catlin was Director of Photography for Elements of Mine, a film by Egyptian Director Khaled El Hagar which was awarded First Prize in the Toronto Moving Pictures Festival (MoPix Award 2004).
He had long standing working relationships and collaborations with Simon Hilton, Stefania Malmsten, Seamus McGarvey, Susanne Freytag, Carole Morin, Propaganda, New Order, Bryan Adams, Jesus and Mary Chain, Joan Armatrading, Paul Davis, Blacks Club, Ian McCulloch (Echo & the Bunnymen), Tim Soar, Danny Pope, Susheela Raman, WOMAD, The Pogues, Shane MacGowan, Primal Scream, 23 Skidoo, Last Few Days, The Sugarcubes, The Pixies, Tanya Donnelly.[4]
In 2008, drawing together experience from photography, filmmaking and graphic design, he began a project called "The Matrix Series", exploring graphic compositions with complex multi-frame narratives. Each piece was shot as a set of images designed to interact in multiple dimensions, combining elements of time, movement, rhythm, narrative and graphic structure, while remaining within an essentially documentary framework. One of the first collectors to acquire a print was fashion designer Paul Smith for his HQ shop in London's Floral Street. In his essay, “Nine Hastings Photographers” Vasileios Kantas proposes that "Andrew Catlin’s imagery formations could be considered as a study on perception. His matrix suggests a unique syntax, of which the visual elements have been formed partly coincidentally - the subject’s actions - and partly in a controllable way - the photographer’s decisions. The way the sub-frames are selected and positioned in the matrix is preconceived, though it does not serve the linearity of time which seems to be loosened, if not abolished. The display of the sub-frames allows different reading strategies, seemingly serving many goals simultaneously." Sean O'Hagan (journalist), photography writer for The Observer, notes "In his Matrix series, he has somehow merged the rigorously formal with the luminously observational. Whereas the likes of Blossfeldt and the Bechers created visual typologies, arranging plants and industrial water towers respectively in grids that echo the natural and man-made sameness of their subjects, Catlin has used the grid format to render a series of what he calls “critical” moments. The resulting images are both formally detached and acutely observational, ordered yet intimate. Their intimacy is amplified by the cumulative power of each arrangement of critical moments into a matrix of observation"..."The Matrix Series explores rhythm, space and time to provide a unique way to see.” elaborates Catlin, “Each is a collection of moments, separately composed but directly connected.” The notion of rhythm is, I think, crucially important here. A rhythm, is a way of measuring time in music, and there is something musical in these matrixes, a minimalist set of repetitions and variations that Steve Reich or Philip Glass might instinctively recognise. He has created something both hybrid and singular: time suspended, time passing, time measured in still, unfolding moments. Time arranged in mathematical rhythm, in musical sequence, in critical moments. Andrew Catlin is a photographer with a scientific eye. He is obsessive, meticulous and rigorous, but also a quiet, unobtrusive observer of the everyday sublime. It shines brightly though his big pictures."
Current projects include photography, music videos and documentaries, art direction, films, exhibitions and books. Catlin maintains an eclectic involvement in photography, film, video, education, art direction, directorships, music, internet and art.
Catlin was quoted on photography in Varsity Magazine:[5] "For me a great photograph needs to have a sense of intrigue. There needs to be a reason to revisit it again and again. Unanswered questions that make further exploration of the image an imperative. Reinterpretation through imagination, consideration and connection. If a picture doesn't have the depth to engage in these ways – if it doesn't make you think and reflect – it may have great visual or emotional impact, but it is superficial.
"A photographer must first see. An act of observation, study and recognition. Second, record. The act of composition, a feeling for light, interpretation. Thirdly, reflect. Consider in more depth the meaning of the image. Edit from a sequence; perhaps change the colour, density, contrast or light in the picture to adjust balance, weight and emphasis within the frame. Some photographers crop, others never do as a matter of principle.
"It doesn't matter. You must arrive at an image you continue to learn from long after it was taken. Something that draws you in and allows you to explore the dynamics of the situation you reacted to and recorded, perhaps quite instinctively, in greater depth. 'The contemplation of things as they are is in itself a nobler thing than a whole harvest of invention.' (Francis Bacon)"
His photography is held in major collections and archives worldwide, including The National Portrait Gallery in London[6] and the Schwules Museum in Berlin.[7]
Selected exhibitions and collections
- The Diorama (London) - Last Few Days
- National Portrait Gallery (London) Collection
- Live Aid Exhibition (London) (1985)
- L'Escargot (London)[8]
- Browns (London)
- Electro Gallery (St. Leonards)
- Schwules Museum (Berlin)
- SoCo Gallery (Hastings)
- British Council Touring Exhibition (international)
- NME (London)
- The Photographers' Gallery (London)
- National Portrait Gallery (London) - She Bop (2003)
- Paul Smith Collection (London)
- National Portrait Gallery (London) - Benjamin's Britain (2006)
- National Portrait Gallery (London) - Four Corners (2007)
- The Enterprise (London) (2009)
- F-ish Gallery (Hastings) (2011)
- Bodelwyddan Castle - Made in 1988 Exhibition (2013)
- Lucy Bell Gallery (2013)
- Trinity 7 Gallery (Hastings) (2014)
- The Gallery (Liverpool) - Marc Almond: Addicted to Excess (2017)
- Beningbrough Hall (York) - Making Her Mark (2017)
- Lucy Bell Gallery - Contact Sheets (2018)
- National Portrait Gallery London - Contemporary Portraits (2019)
- Coastal Currents (2019)
- Lucy Bell Gallery - Friends of Derek (2020)
Books: photography credits
- Live Aid: The Official Book (1985), paperback
- King Ink by Nick Cave (1988), hardcover
- Bryan Adams by Bryan Adams and Andrew Catlin (1995), editions: hardcover, paperback
- A Drink with Shane MacGowan (paperback & hardback) by Shane MacGowan (author), Victoria Mary Clarke (2005), editions: hardcover, paperback
- Pogue Mahone Kiss My Arse: The Story of the Pogues (hardcover) by Carol Clerk (2007), editions: hardcover, paperback
- It Crawled from the South: An R.E.M. Companion by Marcus Gray, editions: hardcover, paperback
- Wire: Everybody Loves a History by Kevin S. Eden (1991), editions: softcover ISBN 9780946719075
- Nick Cave by Maximilian Dax (1999), hardcover
- Tape Delay: Confessions from the Eighties Underground by Charles Neal (2001), editions: softcover ISBN 0946719020
- They're Not Laughing Now by Alexander Brattell and Andrew Catlin (2010), editions: hardcover
- Vel by Andrew Catlin, Susheela Raman and Sam Mills (2011), editions: hardcover
- The Jesus and Mary Chain, by Andrew Catlin, Jim Reid and Julie Reid (2012), editions: hardcover
- Here Comes Everybody: The Story of the Pogues, by James Fearnley (2014), editions: softcover ISBN 057125540X, 9780571255405
- Marc Almond's Visual Tome, by Ian David Monroe (2014), editions: hardcover
- Marc Almond - Trials of Eyeliner, by Alex Petridis (2016), editions: hardcover
- Sinéad O'Connor 48, by Andrew Catlin (2017), editions: hardcover
- Shane MacGowan Threescore, by Andrew Catlin (2018), editions: hardcover
Record covers: selected photography credits
Title | Artist | Year | Comment |
---|---|---|---|
18 Til I Die | Bryan Adams | 1999 | Photography |
So Far So Good | Bryan Adams | 1993 | Photography |
Please Forgive Me | Bryan Adams | 1993 | Photography |
All I Want is You | Bryan Adams | 1991 | Photography |
Waking Up the Neighbours | Bryan Adams | 1991 | Photography |
20th Century Masters: The Millennium Collection: Best Of Joan Armatrading | Joan Armatrading | 2000 | Photography |
Happiness | Lisa Germano | 1993 | Photography |
Wishful Thinking | Propaganda | 2012 | Photography |
25: The Greatest Hits [CD/DVD] | Simply Red | 2008 | Photography |
25: The Greatest Hits [Single Disc] | Simply Red | 2009 | Photography |
331⁄3 | Susheela Raman | 2007 | Art Direction, Photography |
Actually | Pet Shop Boys | 2001 | Photography |
Anthology | Bryan Adams | 2005 | Photography |
Anthology [2007] | Bryan Adams | 2007 | Photography |
Automatic | The Jesus and Mary Chain | 1989 | Photography, Portraits |
Automatic [DualDisc] | The Jesus and Mary Chain | 2006 | Portraits |
Babi Yar/Drill FACT 266 | Steve Martland | 1989 | Photography |
Balinese Dancer | Chuck Prophet | 1993 | Photography |
Barbed Wire Kisses | The Jesus and Mary Chain | 1988 | Photography |
The Best of Aztec Camera | Aztec Camera | 2001 | Photography |
The Best of Nick Cave & the Bad Seeds | Nick Cave | 1998 | Photography |
The Best of Nick Cave & the Bad Seeds [Bonus CD] | Nick Cave | 2001 | Photography |
Big Blue Ball | Big Blue Ball | 2008 | Photography |
Big Cock | King Kurt | 1986 | Photography |
The Brit Box: UK Indie, Shoegaze, and Brit-Pop Gems of the Last Millennium | Various Artists | 2007 | Photography |
Brother Aldo | Chuck Prophet | 1990 | Design, Photography |
Burnin' the Ice | Die Haut | 1983 | Photography |
Campfire Songs: The Popular, Obscure and Unknown Recordings of 10,000 Maniacs | 10,000 Maniacs | 2004 | Photography |
Capital Letters: The Best of Ruefrex | Ruefrex | 2005 | Photography |
Chains Changed | Throwing Muses | 1987 | Photography |
Cleaner Light | Kristin Hersh | 1999 | Portraits |
Collection, Pt. 2 | Christy Moore | 1997 | Photography |
Coming Home | Yungchen Lhamo | 1998 | Photography |
Complete Studio Albums Box | Sugarcubes | 2006 | Photography |
Crock of Gold | Shane MacGowan | 1997 | Photography |
Church of the Holy Spook | Shane MacGowan | 1994 | Photography/Design |
That Woman's Got Me Drinking | Shane MacGowan | 1994 | Photography/Design |
Candleland | Ian McCulloch | 1989 | Photography |
Proud to Fall | Ian McCulloch | 1989 | Photography |
Mysterio | Ian McCulloch | 1989 | Photography |
Bedbugs and Ballyhoo | Echo and the Bunnymen | 1988 | Photography |
Love | The Cult | 2009 | Photography |
Darklands | The Jesus and Mary Chain | 1987 | Photography |
Stories of Johnny | Marc Almond | 1985 | Photography |
Don Juan Demarco [Soundtrack] | Various Artists | 1995 | Photography |
End of the Millennium Psychosis Blues | That Petrol Emotion | 1988 | Photography |
Essential Pogues | The Pogues | 1991 | Photography |
Fairytale of New York | The Pogues | 2012 | Photography |
Sally Maclennane | The Pogues | 1985 | Photography |
Final Flame | That Petrol Emotion | 2000 | Photography/Art Direction |
First of a Million Kisses/Ay Fond Kiss/Mirmama | Fairground Attraction | 2002 | Cover Photo |
Forbidden City | Electronic | 1996 | Photography |
George Best | The Wedding Present | 1987 | Photography |
George Best Plus [George Best Plus] | The Wedding Present | 1997 | Photography |
Griller | Ut | 1989 | Photography |
Here Today, Tomorrow | The Sugarcubes | 1989 | Photography |
Hips and Makers | Kristin Hersh | 1994 | Photography |
Hips and Makers | Your Ghost | 1993 | Photography |
Hollywood Town Hall | The Jayhawks | 1992 | Photography |
Waiting for the Sun | The Jayhawks | 1992 | Photography |
Honey's Dead | The Jesus and Mary Chain | 1992 | Photography |
Inconsiderate Bitch | Lisa Germano | 1994 | Photography |
Into the Blues | Joan Armatrading | 2007 | Photography |
Islands | Mike Oldfield | 1987 | Photography |
It Was the Best of Times | Supertramp | 1999 | Photography |
Just Like Everybody [LTM] | 23 Skidoo | 2008 | Photography |
Just Say Anything | Just Say Yes | 1991 | Photography |
La Candela Viva | Totó La Momposina | 1993 | Photography |
Live 1987 | The Wedding Present | 2007 | Photography |
Live Aid [DVD Boxed Set] | Various Artists | 2004 | Photography |
Live! Live! Live! | Bryan Adams | 1995 | Photography |
Lonely, Cryin', Only [#1] | Therapy? | 1998 | Photography |
Love Bites & Bruises: Wonder Stuff Anthology | The Wonder Stuff | 2001 | Photography |
The Lost Are Found | Claudia Brücken | 2012 | Photography |
Love Trap | Susheela Raman | 2003 | Photography |
Vel | Susheela Raman | 2010 | Photography & Design |
Ghost Gamelan | Susheela Raman | 2018 | Photography & Design |
Lovelife | Lush | 1996 | Portraits |
Lovesongs for Underdogs | Tanya Donelly | 1997 | Photography |
Lovesongs for Underdogs [Japan] | Tanya Donelly | 1998 | Photography |
Merge | Arthur Baker | 1989 | Photography |
Mirmama | Eddi Reader | 1991 | Photography |
Mysterio | Ian McCulloch | 1992 | Photography |
Dug For Love | Ian McCulloch | 1992 | Photography |
Candleland | Ian McCulloch | 1992 | Photography |
Proud to Fall | Ian McCulloch | 1992 | Photography |
Never Loved Elvis | The Wonder Stuff | 1991 | Photography |
Never Loved Elvis [Bonus Tracks] | The Wonder Stuff | 2000 | Photography |
Patrol | Steve Martland | 1994 | Photography |
Picture Book [Bonus DVD] | Simply Red | 2008 | Photography |
Please/Further Listening 1984–1986 [Bonus CD] | Pet Shop Boys | 2001 | Photography |
The Power of Negative Thinking: B-Sides & Rarities | The Jesus and Mary Chain | 2007 | Photography |
Blues from a Gun | The Jesus and Mary Chain | 1989 | Photography |
Teethgrinder | Therapy? | 1992 | Photography |
Nurse | Therapy? | 1992 | Photography |
Semi-Detached | Therapy? | 1998 | Photography |
Sidewalking | The Jesus and Mary Chain | 1988 | Photography |
Automatic | The Jesus and Mary Chain | 1989 | Photography |
POWER TO THE PEOPLE AND THE BEATS – Public Enemy's Greatest Hits [Edited Version] | Public Enemy | 2005 | Photography |
Power to the People and the Beats – Public Enemy's Greatest Hits [Explicit Version] | Public Enemy | 2005 | Photography |
Pretty Deep [#1] | Tanya Donelly | 1997 | Photography |
Pretty Deep [#2] | Tanya Donelly | 1997 | Photography |
Provision | Scritti Politti | 1988 | Photography |
Real Sugar | Paban Das Baul | 1997 | Photography |
Retro | New Order | 2002 | Photography |
Retro [Bonus CD] | New Order | 2002 | Photography |
Ricks Road | Texas | 1993 | Photography |
Rum Sodomy & The Lash [Expanded] [Bonus Tracks] | The Pogues | 2005 | Photography |
Salt Rain | Susheela Raman | 2001 | Photography |
The Same Sky | Horse | 1990 | Cover Photo |
Saturday Morning: Cartoons' Greatest Hits | Various Artists | 1995 | Photography |
Semi-Detached [Bonus Tracks] | Therapy? | 2000 | Photography |
Seven Songs [LTM] | 23 Skidoo | 2008 | Images |
23 Skidoo | 23 Skidoo | 1983 | Photography |
Sharks Patrol These Waters | Various Artists | 1995 | Photography |
The Shouting Stage | Joan Armatrading | 1988 | Photography |
Sky Motel | Kristin Hersh | 1999 | Portraits |
Slave to Love: Best of the Ballads | Bryan Ferry | 2000 | Cover Photo |
Slave to Love: Best of the Ballads [Japan] | Bryan Ferry | 2000 | Cover Photo |
Square the Circle | Joan Armatrading | 1992 | Photography |
Still Burning | Mike Scott | 1997 | Photography |
The Snake | Shane MacGowan | 1995 | Photography/Art Direction |
The Snake [Bonus Track] | Shane MacGowan | 2000 | Photography |
So Far So Good | Bryan Adams | 1993 | Photography/Art Direction |
The Sound of the Smiths [Deluxe Edition] | The Smiths | 2008 | Photography |
Sounds of the Eighties: 1986 | Various Artists | 1994 | Photography |
Tommy (1985–1987) | The Wedding Present | 1988 | Photography |
The Culling Is Coming | 23 Skidoo | 1983 | Photography |
Language | 23 Skidoo | 1984 | Photography |
Trilogy | The Pogues | 2006 | Photography |
Bedbugs & Ballyhoo [LP] | Echo & the Bunnymen | 1988 | Photography |
The Very Best of Echo & the Bunnymen: More Songs to Learn and Sing [CD/DVD] | Echo & the Bunnymen | 2007 | Photography |
Volume Two [World's End Ltd.] | Various Artists | 1991 | Photography |
Voyage | Christy Moore | 1989 | Photography |
Wave of Mutilation: Best Of Pixies | Pixies | 2004 | Photography |
Where is My Mind? | Pixies | 2004 | Photography |
All Shall Be Well | Virginia Astley | 1992 | Photography |
Had I The Heavens | Virginia Astley | 1996 | Photography |
Way Down Below Buffalo Hell | Way Down Below Buffalo... | 1993 | Photography |
A Week or Two in the Real World | Various Artists | 1995 | Photography |
Wildest Dreams | Tina Turner | 1996 | Photography |
The Stars We Are | Marc Almond | 2002 | Photography |
Sweet Ride | Belly | 2002 | Photography |
This Is It | Faith No More | 2003 | Photography |
Nurse | Therapy | 1992 | Photography |
Teethgrinder | Therapy | 1992 | Photography |
Bryan Adams Wembley 1996 | Bryan Adams | 2016 | Photography |
The First Kiss of Love | Cronin | 2016 | Photography |
Tomorrow Never Knows | Susheela Raman | 2016 | Photography |
The Queen Between | Susheela Raman | 2014 | Photography |
The Sound of the Smiths | The Smiths | 2008 | Photography |
Bring the Noise/Sophisticated | Public Enemy | 1988 | Photography |
Selected music videos: director of photography credits
- David Holmes: "69 Police" (2000)
- Medal: ‘Porno Song’ (1999)
- Medal: ‘Up Here For Hours’ (1999)
- Delakota: '555' (1998)
- Delakota: 'C’mon Cincinnati' (1998)
- Ether: ‘Best Friend’ (1999)
- Satellite Beach: ‘Psycho’ (1998)
- Ether: ‘She Could Fly’ (1998)
- Iron Maiden: 'The Angel & The Gambler' (1998)
- Radiator: ‘I Am’ (1997)
- Ether: ‘If You If Really Want To Know’ (1997)
- Naimee Coleman: 'Care About You' (1996)
- Eternal: 'Secrets' (1996)
- Planet Claire: ‘Say’ (1996)
- Planet Claire: ‘21’ (1996)
- World Domination Enterprises: 'Company News' (1988)
- World Domination Enterprises: 'Can't Live Without My Radio' (1988)
- That Petrol Emotion: 'Detonate' (1993)
- Ed Harcourt: 'Black Feathers' (2009)
- William Orbit: 'Hello Waveforms' (2006)
- Princess Diana Tribute: 'We Are the World' (1997)
Selected music videos: director credit
- Aref Durvesh: 'Outerindia One' (dir/DOP: Andrew Catlin) (2009)
- Susheela Raman: 'Ganapati' (dir/DOP: Andrew Catlin) (2001)
- Susheela Raman: 'Salt Rain' (dir/DOP: Andrew Catlin) (2001)
- Susheela Raman: 'Maya' (dir/DOP: Andrew Catlin) (2002)
- Susheela Raman: 'Orphea' (dir/DOP: Andrew Catlin) (2010)
- Susheela Raman: 'Tomorrow Never Knows' (dir/DOP: Andrew Catlin) (2016)
- Susheela Raman: 'Annabel' (dir/DOP: Andrew Catlin) (2018)
- Susheela Raman: 'Tanpa Nama' (dir/DOP: Andrew Catlin) (2018)
- Susheela Raman: 'Ghost' (dir/DOP: Andrew Catlin) (2019)
- Susheela Raman: 'Going Down' (dir/DOP: Andrew Catlin) (2019)
- Susheela Raman: 'Spoons' (dir/DOP: Andrew Catlin) (2019)
- Susheela Raman: 'Sphinx' (dir/DOP: Andrew Catlin) (2019)
- Susheela Raman: 'Beautiful Moon' (dir/DOP: Andrew Catlin) (2019)
- Doros Quintet: 'Cherubim' (dir/DOP: Andrew Catlin) (2015)
- Deacon Blue: 'Love and Regret' (dir/DOP: Andrew Catlin) (1989)
- Pogues: 'Rainy Night in Soho' (dir/DOP: Andrew Catlin) (1991)
- Kinky Machine: 'Supernatural Giver' (dir: Andrew Catlin) (1992)
- Fin: "Sweet Obsession" (dir: Andrew Catlin) (1992)
- Pooka: "City Sick" (dir: Andrew Catlin) (1993)
- Scalaland: ‘Snow White Lies’ (dir/DOP: Andrew Catlin) (1995)
- Scalaland: ‘Call Me’ (dir/DOP: Andrew Catlin) (1995)
- Bryan Adams: 'Please Forgive Me' (dir: Andrew Catlin) (1993)
- Bryan Adams: 'Straight from the Heart '(5 screen version) (dir: Andrew Catlin) (1993)
- Bryan Adams: 'Summer of '69' (Live) (dir: Andrew Catlin) (1993)
- Bryan Adams: 'Run To You' (Live) (dir: Andrew Catlin) (1992)
- Bryan Adams: 'Into the Fire' (dir/DOP: Andrew Catlin) (1988)
- Bryan Adams: 'When the Night Comes' (dir: Andrew Catlin) (1993)
- Bryan Adams: 'Cmon Everybody' (dir: Andrew Catlin) (1993)
- Bryan Adams: 'Let's Make a Night to Remember' (dir: Andrew Catlin) (1996)
- C.C.: 'All Right' (dir/DOP: Andrew Catlin) (1995)
- C.C.: 'Beautiful' (dir/DOP: Andrew Catlin) (1995)
- C.C. 'Shelter' (dir/DOP: Andrew Catlin) (1995)
- C.C.: 'Roots Scared' (dir/DOP: Andrew Catlin) (1995)
- Linda Eder 'From This Moment On' (dir/DOP: Andrew Catlin) (1989)
- Cowboy Junkies: 'Blue Moon' (dir/DOP: Andrew Catlin) (1988)
- Green on Red 'The Quarter' (dir/DOP: Andrew Catlin) (1989)
- Green on Red 'Little Things' (dir/DOP: Andrew Catlin) (1989)
- Green on Red 'Arrested' (dir/DOP: Andrew Catlin) (1989)
Music longforms / concerts
- Bryan Adams: ‘When The Night Comes’ (Live) (dir: Andrew Catlin)
- Susheela Raman: ‘The Queen Elizabeth Hall’ (Live) 2012 (dir: Andrew Catlin)
- Susheela Raman: ‘Barbican’ (Live) 2017 (dir: Andrew Catlin)
- Susheela Raman: ‘Souq Waqif’ (Recording) 2019 (dir: Andrew Catlin)
- Susheela Raman: ‘Montpellier’ (Live) 2019 (dir: Andrew Catlin)
Films and documentaries: directing credits
- Bryan Adams: Waking Up the World CBC Documentary (1993) (dir: Andrew Catlin)
- Bryan Adams: Waking Up The World DVD Release (2003) (dir: Andrew Catlin)
Films and documentaries: director of photography credits
- Elements of Mine:[9] (dir: Khaled El Hagar/Norbert Servos)
- Winner First Prize – Moving Pictures Festival, Toronto (MoPix Award 2004)
- Gumball 3000:[10] documentary of First European rally/race. (1999) (dir. Simon Hilton)
References
- "Zoological Society of London Prince Philip Award Winners" (PDF). ZSL. 13 July 1978. Retrieved 17 November 2017.
- "(13 July 1985) : Live Aid the Greatest Show on Earth". Live Aid. 13 July 1985. Retrieved 23 November 2013.
- "Andrew Catlin technician videography". mvdbase.com. Retrieved 23 November 2013.
- "Andrew Catlin on MSN Music". Music.msn.com. Archived from the original on 2 December 2013. Retrieved 23 November 2013.
- Julia Lichnova (18 February 2011). "Varsity Photo Competition – The Shortlist and Winners | Varsity Blogs". Blogs.varsity.co.uk. Archived from the original on 3 December 2013. Retrieved 23 November 2013.
- "National Portrait Gallery – Person – Andrew Catlin". Npg.org.uk. 27 April 1988. Retrieved 23 November 2013.
- "Schwules Museum*". Schwulesmuseum.de. Retrieved 23 November 2013.
- "Lescargot Restaurant". Lescargotrestaurant.co.uk. Retrieved 28 June 2019.
- "Boomtownmedia: Elements Of Mine". Boomtownmedia.de. Archived from the original on 10 February 2013. Retrieved 23 November 2013.
- "Official Website". Gumball3000. Archived from the original on 13 May 2007. Retrieved 23 November 2013.
External links
Media related to Andrew Catlin at Wikimedia Commons