Ataka (play)

Ataka (安宅, Ataka) is a Japanese Noh play written in 1465 by Kanze Kojiro Nobumitsu.

Ataka
安宅
Written byKanze Nobumitsu
Category4th — miscellaneous
Charactersshite Musashibō Benkei
waki Togashi
kokata Minamoto no Yoshitsune
kyogen follower of Togashi
Placebarrier at Ataka in the Kaga region
Time12th Century
SourcesGikei-ki

It has been described as a masterpiece of genzai noh,[1] a type of Noh play in which the story deals with events in the real world.[2] It is also distinguished from the conventional Noh drama, which is noted for its focus on the idealized beauty of yugen, through its use of songs and dances to highlight dramatic tension.[3] Ataka, along with the two other mainstays of classic repertory of Noh - Izutsu and Atsumori - had a continuous performance tradition that spanned five to six centuries.[4]

Kanze Nobumitsu was a playwright and actor from the Muromachi period, and is considered one of the last important playwrights of the golden age of Noh. Some of his other famous plays are Momijigari, Dōjōji, Funa benkei and Rashōmon.

Ataka has served as the basis for several successful kabuki plays, including Kanjinchō,[5] and the film The Men Who Tread on the Tiger's Tail, directed by Kurosawa Akira.

Synopsis
Umewaka Manzaburo performing a scene from Ataka, 1931

Minamoto no Yoshitsune falls out of favor with his brother, the Shogun Minamoto no Yoritomo, and escapes with his followers to Mutsu Province, disguised as priests. They head for a temple called Tōdai-ji (a local branch of the Tōdai-ji buddhist temple in Nara), but are stopped along the way by a suspicious guard.

The recitation of a fake "subscription list that monks would normally carry" on a mission to rebuild the temple, by Yoshitsune's companion Benkei, convinces the guard to let them pass.[6]

Influence

Ataka was first adapted into kabuki in Kanjinchō (1702)m, which was written by playwright Namiki Gohei III.[5] This is in fact the first time a Noh play was adapted into kabuki.[7] This is considered a shosagoto or dance piece that eventually became part of the so-called "the eighteen favorites".[3] The later version of Kanjinchō (1840) is one of the most often performed plays in the modern kabuki repertoire.[8]

Another famous kabuki adaptation of Ataka is Gohiiki Kanjinchō (1773), considered "a magnificent example of the flamboyantly masculine aragoto acting style".[9]

Akira Kurosawa's film The Men who Tread on the Tiger's Tail is partly based on Ataka.[10][11] Made in 1945, the film was banned by the occupying Supreme Commander of the Allied Powers (SCAP) due to its portrayal of feudal values. It was later released after the signing of the Treaty of San Francisco in 1952.[12]

References
  1. "Ataka". The Noh.com. Retrieved 2018-01-07.
  2. "Genzai Noh". The Noh.com. Retrieved 2018-01-07.
  3. McDonald, Keiko I. (1994). Japanese Classical Theater in Films. Cranbury, NJ: Associated University Presses, Inc. pp. 173. ISBN 0838635024.
  4. Miller, Barbara Stoler (1994). Masterworks of Asian Literature in Comparative Perspective: A Guide for Teaching. Armonk, NY: M.E. Sharpe. p. 501. ISBN 1563242575.
  5. Bowers, Faubion (2013-01-08). Japanese Theatre. Tuttle Publishing. ISBN 9781462912186.
  6. Morris, Ivan (1975). The Nobility of Failure. Holt, Rinehart and Winston. pp. 89–93. ISBN 9780030108112.
  7. Kabuki Plays on Stage II: Villainy and Vengeance, 1773-1799. (2002) p. 244-245.
  8. "Kanjinchō". Kabuki21. Retrieved 2018-01-07.
  9. Kabuki Plays on Stage II: Villainy and Vengeance, 1773-1799. (2002) p. 244-245.
  10. "The Men Who Tread on the Tiger's Tail". Cinelogue. Retrieved 2017-12-27.
  11. "The Men Who Tread on the Tiger's Tail". Toho Kingdom. Retrieved 2017-12-27.
  12. "Banned! Criterion's Forbidden Films". The Criterion Collection. Retrieved 2018-01-07.
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