Birthday Celebration by Five Daughters

Birthday Celebration by Five Daughters (五女拜壽) is a Chinese Yue opera play written by Gu Xidong (顾锡东) in 1982, set in the Ming dynasty before and after the fall of Yan Song.[1] There is some similarity between the story and that of King Lear, although Gu Xidong never acknowledged any Shakespearean influence. The story emphasizes the importance of traditional Confucian values such as filial piety, which like traditional theatre had been attacked and suppressed during the Cultural Revolution (1966–1976).[2]

In 1984, the stage production of the newly founded, female-only Zhejiang Xiaobaihua Yue Opera Troupe was made into a film directed by Lu Jianhua (陆建华) and Yu Zhongxiao (于中效). This film was a massive national hit, winning Best Opera Film (a brand new category) at the 5th Golden Rooster Awards, and catapulting the young Zhejiang Xiaobaihua actresses like He Ying (何英), He Saifei, Dong Kedi, Mao Weitao, Fang Xuewen (方雪雯) and Tao Huimin (then all aged 18–24) into the national spotlight. The idea that this film began China's "celebrity era" has even been forwarded.[3]

From 1984 to 2004, Zhejiang Xiaobaihua alone performed the play close to 600 times, including some staged in Hong Kong (1983–84), Singapore (1986), Thailand (1992), and Taiwan (1993).[4] When the stars of the 1984 film reunited in 2004 for a New Year's Eve performance in Hangzhou, CCTV-11 decided to air the performance live — the first Yue opera live broadcast in CCTV history.[5]

The play has been transplanted into many other Chinese opera genres, including Yu opera, Huangmei opera, Cantonese opera, Qinqiang, Taiwanese opera, Wuju, Wuxi opera, and Teochew opera. In 2003, it was adapted into a TV series starring Ning Jing, Li Qian, and Fu Yiwei.

References

  1. "Birthday Celebration by Five Daughters". Zhejiang Xiaobaihua Yue Opera Troupe.
  2. Lei, Bi-qi Beatrice (January 2008). "Vision and Revision of Filial Piety: Analogues and Adaptations of King Lear in Chinese Opera" (PDF). Journal of Theater Studies (National Taiwan University): 253–282.
  3. Xu Jinping (徐锦萍) (July 2010). "当代中国电影明星制度的萌芽——从明星集群效应看电影版越剧《五女拜寿》" [The Beginning of the Celebrity System in Contemporary Chinese Films: An Examination of the Yue Opera Film Birthday Celebration by Five Daughters from the Viewpoint of the Multiple Celebrity Effect]. Home Drama (戏剧之家) (in Chinese). p. 203.
  4. Feng Jie (冯洁) (March 2010). "《五女拜寿》与"小百花"" [Birthday Celebration by Five Daughters and "Xiaobaihua"]. Chinese Theatre (中国戏剧) (in Chinese). pp. 20–24.
  5. "越剧《五女拜寿》演播室直播实录" [Transcript from the Studio during Live Broadcast of the Yue Opera Birthday Celebration by Five Daughters] (in Chinese). 2005-03-21.


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.