Blackfriars Rotunda

The Blackfriars Rotunda was a building in Southwark, near the southern end of Blackfriars Bridge across the River Thames in London, that existed from 1787 to 1958 in various forms. It initially housed the collection of the Leverian Museum after it had been disposed of by lottery. For a period it was home to the Surrey Institution. In the early 1830s it notoriously was the centre for the activities of the Rotunda radicals. Its subsequent existence was long but less remarkable.

Street view of the Rotunda as Leverian Museum.

James Parkinson and the Leverian collection
Further information: Leverian collection
The environment of the Rotunda (in the terrace of houses partially hidden to the left end) is shown in this panorama of 1792, from the top of the nearby Albion Mills.
Panorama detail; the portico of the street entrance to the Rotunda stands out.

James Parkinson came into possession of the collection of Sir Ashton Lever quite by chance: Lever put it up as a lottery prize, Parkinson's wife bought two tickets, gave one away, and died before the time the lottery draw was carried out.

Construction of the Rotunda

After trying to run the museum in its old location in Leicester Square, but finding the rent too much, Parkinson with other investors put up the Rotunda Building; it was of his own design, was constructed by James Burton, and was opened in 1787.[1]

The Rotunda building was circular and in brick; the roof was conical and in slate.[2] It was located on the south side of the Thames, and at the time was in the county of Surrey. The dimensions were later given as 120 feet by 132 feet, i.e. 1760 square yards;[3] originally the area was under 1000 square yards, however.[1] It was located on Great Surrey Street, fronting on the Georgian terrace there (and was only later properly known as 3 Blackfriars Road, the street name being changed in 1829[4]). The layout is believed to be documented only by a single surviving sketched floor plan.[5]

The Leverian collection was moved in from Leicester House in 1788.[6] At the time the nearby buildings on Albion Place were industrial: the British Glass Warehouse by the side of the river (in business from 1773), and the Albion Mills over the street (burned down in 1791).[7]

Parkinson as museum owner

Parkinson made serious efforts to promote the collection as a commercial venture.

Leverian Museum admission ticket.

A catalogue and guide was printed in 1790.[8] He also had George Shaw write an illustrated scientific work.[9]

Leverian Museum collection in the Rotunda. Engraving by William Skelton after Charles Reuben Ryley.

Parkinson had some success in getting naturalists to attend the museum, which was easier at the time to visit than the British Museum. A visitor in 1799, Heinrich Friedrich Link, was complimentary.[10]

Disposal of the collection

As well as trying to build it up as a business, Parkinson also tried to sell the contents at various times. One attempt, a proposed purchase by the government, was wrecked by the adverse opinion of Sir Joseph Banks.[1] In the end, for financial reasons, Parkinson sold the collection in lots by auction in 1806.[11] Among the buyers were Edward Donovan, Edward Stanley, 13th Earl of Derby, and William Bullock; many items went to other museums, including the Imperial Museum of Vienna.[12]

Adaptation for the Surrey Institution
Further information: Surrey Institution

When the Surrey Institution was being proposed, around 1807, the Rotunda Building (as it was then known) was adapted to the Institution's needs by Joseph T. Parkinson, son of James Parkinson. The Institution ran into financial difficulties, and was closed down in 1823.

Furnaces at the Surrey Institution, from a chemistry book of 1822.

The building was adapted to public lectures, in a large theatre. There were other public rooms:

Adjoining the theatre and near the inclosed part appropriated to the lecturer, is the chemical laboratory, in which convenience, compactness, and elegance are united. Contiguous to it is the committee-room. On the other side of the theatre is the library, which is sixty feet in length, with a gallery on three sides, and an easy access to it by a flight of steps.[13]

Interior view, 1820.

Later uses
Further information: Rotunda radicals

The building from 1823 was used in a variety of ways until 1855, when it was put to ordinary business use,[14] as the Royal Albion pub.[15]

In the 1820s it was a wine and concert room.[16] It also hosted a diorama (a peristrephic panorama as described at the time), and a book about its representation of the Greek War of Independence was published in 1828.[17][18] Under the title Old Rotunda Assembly Rooms the Rotunda is also written into the early history of music hall, for the performances of variety acts offered there in 1829, including the extemporiser Charles Sloman.[19][20]

In 1831 it was described as the Surrey Rotunda on Albion Place (the area south of Blackfriars Bridge, with the industrial buildings) leading to Albion Street.[21] In May or June 1830 Richard Carlile took over the Rotunda, and it became a centre for radical lectures and meetings. There were also waxworks and wild beasts.[16]

From 1833 to 1838 it operated as the Globe Theatre; under John Blewitt it was called a "musick hall",[22] and in 1838 the Rotunda was again a concert room.[16] George Jacob Holyoake was teaching and lecturing there in 1843.[23] At a later point it was the Britannia Music Hall. After an illegal cock fight was discovered, the Rotunda finally lost its entertainment licence, in 1886.[22]

In 1912 the Rotunda was in use as a warehouse.[2] The structure was damaged during World War II, and had been patched up by 1950.[4] It was demolished in 1958.[24]

References
  • Christina Parolin (2010), Radical Spaces: Venues of popular politics in London, 1790–c. 1845; Google Books.

Notes
  1. Torrens, H. S. "Parkinson, James (bap. 1730, d. 1813), land agent and museum proprietor". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/21370. (Subscription or UK public library membership required.)
  2. 'The borough of Southwark: Introduction', A History of the County of Surrey: Volume 4 (1912), pp. 125-135. URL: http://www.british-history.ac.uk/report.aspx?compid=43041 Date accessed: 14 March 2012.
  3. Edward Wedlake Brayley, John Britton, A Topographical History of Surrey (1841), p. 320; Google Books.
  4. British History Online: Sir Howard Roberts and Walter H. Godfrey (editors), Survey of London: volume 22: Bankside (the parishes of St. Saviour and Christchurch Southwark) (1950), pp. 115-121.
  5. Parolin, p. 188; Google Books.
  6. Pastscape, Leicester House. Archived August 19, 2016, at the Wayback Machine
  7. Thomas Allen, The History and Antiquities of London, Westminster, Southwark, and parts adjacent vol. 4 (1829), p. 543; Google Books.
  8. Leverian Museum (London, England) (1790). A companion to the museum, (late Sir Ashton Lever's): removed to Albion Street, the Surry end of Black Friars Bridge. Retrieved 14 March 2012.
  9. Museum Leverianum containing select specimens from the museum of Sir Ashton Lever (1792-1796).
  10. J. A. Bartle, Differences between British and French Organization of Zoological Exploration in the Pacific 1793–1840, Tuatara: Vol. 32, April 1993.
  11. Survey of London: volumes 33 and 34: St Anne Soho (1966), pp. 441-72, from British History Online
  12. The Ibis, Series 3, Volume 3, Osbert Salvin, 1873, accessed 29 August 2010
  13. William Henry Pyne, William Combe, Rudolph Ackermann, Thomas Rowlandson, Augustus Pugin, Microcosm of London; or, London in miniature vol. 3 (1904), p. 158; archive.org.
  14. Old and New London volume 6, Edward Walford, Cassell & Company, page 382
  15. London Gazette, 19 April 1855 (PDF)
  16. British History Online, Old and New London: Volume 6 by Edward Walford (1878) pp. 368-383.
  17. Alison Griffiths, Shivers Down Your Spine: cinema, museums, and the immersive view (2008), p. 55; Google Books.
  18. Rotunda, Great Surrey Street (London) (1828). Description of the historical, peristrephic or revolving dioramic panorama: now exhibiting, in the Rotunda, ... illustrative of all the principal events that have occurred during the war between the Turks and Greeks, ... in eleven successive views, ... ending with the ... Battle of Navarino [etc.]. W. Robarts. Retrieved 14 March 2012.
  19. Charles Douglas Stuart, A. J. Park, The Variety Stage; a history of the music halls from the earliest period to the present time (1895), pp. 46–7; archive.org.
  20. answers.com, Oxford Companion to the Theatre: Charles Sloman.
  21. James Elmes, A Topographical Dictionary of London and Its Environs (1831), p. 7; archive.org.
  22. Phyllis Hartnoll and Peter Found. "Rotunda, The." The Concise Oxford Companion to the Theatre. 1996. Encyclopedia.com. (March 14, 2012). http://www.encyclopedia.com/doc/1O79-RotundaThe.html
  23. Edward Royle, Victorian Infidels: the origins of the British secularist movement, 1791-1866 (1974), p. 90; Google Books.
  24. Parolin, p. 278, Google Books.
  • P. J. P. Whitehead, A Guide to the Dispersal of Zoological Material from Captain Cook's Voyages, Pacific Studies, Vol 2, No 1 (1978); PDF. Numerous identifications of purchasers from the Leverian collection sale.

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.