Brothers (Yu novel)

Brothers (simplified Chinese: 兄弟; pinyin: Xiōngdì) is the longest novel written by the Chinese novelist Yu Hua, in total of 76 chapters, separately published in 2005 for the part 1 (of the first 26 chapters) and in 2006 for part 2 (of the rest 50 chapters) by Shanghai Literature and Art Publishing House.[1] It has over 180 thousand characters in Chinese, more than the 100 thousand characters that were originally planned for the book. It intertwines tragedy and comedy, and Yu Hua himself admits that the novel is personally his favorite literary work.[2] Brothers has experienced great success with nearly 1 million copies sold in China. While reception among Chinese critics was generally negative,[3] the novel was shortlisted for the Man Asian Literary Prize and awarded France's Prix Courrier International in 2008.[4] It was translated into English by Eileen Cheng-yin Chow and Carlos Rojas in 2009.[5]

Brothers

Volume 1, First Chinese edition
Author	Yu Hua
Original title	兄弟（Xiong Di）
Translator	Eileen Cheng-yin Chow & Carlos Rojas
Country	China
Language	Chinese
Publisher	Pantheon Books (English); Shanghai Literature (Chinese)
Publication date	2005 (Part 1); 2006 (Part 2)
Published in English	2009
Pages	656
ISBN	978-0-375-42499-1

The story of the novel revolves around the step-brotherhood between Baldy Li and Song Gang who are the protagonists. Their life that has been of absurd and tragedy throughout China's history from the 1960s to the early period of Chinese Economic Reform serves for the main plot. The division of the novel into two parts is contextually on the basis of the death of Li Lan who is the biological mother of Baldy Li and the step-mother of Song Gang. The first part mainly focuses on their life of childhood, especially during the Cultural Revolution period with the collapse of their reorganized family and the tragedy of Song Fanping who is the biological father of Song Gang and the Step-father of Baldy Li. The second part mainly focuses on their life of adulthood with different living trajectories, especially during the early period of Chinese Economic Reform that is of the mixture of absurd and tragedy.[6]

Background

As shown in the translator's preface, even though Brothers was published in 2005 and 2006, Yu Hua "originally conceived of the idea for the novel as early as 1995".[7] The process of his writing was not well-off at the beginning. However, during his seven-month trip to the United States and France in 2003, he was "inspired" to go back to the project while China was stuck in the "beauty-pageant fever". The "Miss World competition", "Tourism Queen International pageant", "National Contest of the Beauty of the Gray-headed for contestants over fifty-five", and "Miss Artificial Beauty pageant for plastic surgery recipients" are representative of the trend of absurdity in China that encouraged Yu Hua for the continuation of the novel that is of the reality of absurdity. Turns out, the reality of absurdity is demonstrated in the novel, especially in Part 2 with a fictional event called "National Virgin Beauty Competition".[8]

Yu Hua had expressed in an interview with Zhang Qinghua that he wanted to express some level of chaos in Brothers, which had characterized his writing throughout the 1980s to the present.[9] The Cultural Revolution plays a major role in the novel, particularly in Part 1. The brothers have to navigate their way through the chaotic times of the political movement that happened in this time period. Yu Hua himself came of age during the Cultural Revolution. He said in the interview, “The Cultural Revolution was my formative experience, from the age of seven to seventeen, which of course would leave a significant impact”.[10] His view of violence also heavily influenced the writing of the book.[11] He mentioned that the scene where Song Fanping - one of the main characters in the novel - was being beaten to death, was influenced by his own witness of an individual being beaten to death by the head of the revolutionary committee.[12] The background of the author and of the Cultural Revolution with violence is significant because much of what happens in the book reflects the chaos that accompanied it.

Plot Summary

Brothers describes the step-brotherhood between Baldy Li and Song Gang. Their life of childhood and adolescence accompanied by Li Lan and Song Fanping as a reorganized family with rising and falling during the Culture Revolution Period is depicted in part 1. Their life of adulthood with different living trajectories and destines during the early period of China's Opening-up is depicted in Part 2.[13]

Part 1.[14]

Before the birth of Baldy Li, his biological father falls the cesspool and drown himself while peeping at women’s butts in a latrine. When Baldy Li becomes a teenager, he is caught and marched by Poet Zhao and Writer Liu because of peeking five women’s butts in a latrine. The mother of Baldy Li, Li Lan, is ashamed, resulting in her bitter muttering about his son – “A chip off the old block”. Even though Baldy Li’s good name is ruined, he begins to sell his glimpse of the naked bottom of Lin Hong, who is the most beautiful woman in Liu Town, in exchange of house-special noodles.

Li Lan was extremely stressed and afraid of losing face due to the death of her husband, resulting in the long-term migraines after giving birth to Baldy Li. She shuts the door to the public and becomes isolated while raising Baldy Li. Song Fanping – the man who is always nice to Li Lan and brings the shit-covered dead body of the father of Baldy Li back to her – is an exception. When Song Fanping’s wife passes away and Baldy Li is about seven, Li Lan and Song Fanping get married. Song Fanping, Li Lan, Baldy Li, and Song Gang – the son of Song Fanping make up a family.

One year after their marriage, Li Lan’s migraines get worse. Song Fanping asks Li Lan to go to Shanghai for better medical treatment. Song Fanping takes care of Baldy Li and Song Gang himself. With the arrival of the Cultural Revolution, Song Fanping is overthrown because he is born into the landowning class, then tortured and locked up in a warehouse. The kids have to take care of themselves while being bullied by their peers.

Song Fanping escapes from the warehouse and tries to pick Li Lai up in Shanghai as he promised, but he is beaten and tortured to death by the Red Guards at the bus depot of Liu Town. “How can people be this vicious?”, says Mama Su, who witnesses Song Fanping’s death.

No one deal with the death of Song Fanping for Baldy Li and Song Gang, except a man named Tao Qing who helps the kids bring Song Fanping’s dead body to their home. When Li Lan comes back from Shanghai and notices the death of her husband, she remains strong and handles his death. Song Gang is picked up by his grandfather, then lives in the countryside.

Li Lan remains loyal and steadfast for seven years after the death of Song Fanping. By the time Baldy Li is caught because of peeking five women’s butts in a latrine like his father, Li Lan worries about Baldy Li’s future and realizes that she is dying. She then takes care of Baldy Li’s orphan aid with Tao Qing and prepares her death affairs and visits Song Fanping’s grave for the Qingming holiday. She is accompanied by both Baldy Li and Song Gang at the very last moment of her life. She requests Song Gang to take care of Baldy Li. Song Gang makes his promise.

Part 2.[15]

Soon after Li Lan’s death, Song Gang’s grandfather passes away as well. Song Gang then moves back to Liu Town and lives with Baldy Li. Baldy Li works at the Good Works Factory, and Song Gang works at the metal factory.

When Baldy Li is appointed factory director, he decides to woo Lin Hong with Song Gang’s assistance. Lin Hong is sick of Baldy Li’s notorious reputation but interested in Song Gang’s grace and elegance. Song Gang also has a feeling for Lin Hong. Eventually, Song Gang and Lin Hong get married. The following day of Their marriage, Baldy Li goes to the hospital for a vasoligation with the goal of demonstrating his loyalty and steadfastness to Lin Hong.

Baldy Li gets heart-broken but produces profit miracle one after another at the Good Works Factory. He then resigns and decides to run his own processing business. After he collects money for capital accumulation from several people in Liu Town and requires them for business preparation, he goes to Shanghai to seek business opportunities. However, he fails. When he comes back to Liu Town, he cannot make a living but asks Song Gang for relief. Lin Hong is unhappy about the reunion of Song Gang and Baldy Li, thus Song Gang breaks his connection with Baldy Li once more.

Baldy Li wants to go back working at the Good Works Factory, but his request is rejected due to his unauthorized resignation. He thus protests in front of the county government building with scrap accumulation. By accident, he begins to make money via selling the accumulated scraps and gets rich, then starts to run “junk suits” business to become richer.

In the following five years, Baldy Li becomes a real man of wealth by running a real estate business in Liu Town. Nonetheless, Song Gang becomes unemployed. Even though he tries hard to make a living to support his family, he is seriously sick as his lungs are ruined. While Song Gang struggles with money-making, Baldy Li engages in a lawsuit with women who slept with Baldy Li and claim that he is the biological father of their kids. The farce at court ends up with the demonstration of Baldy Li’s vasoligation that helps him win the lawsuit. After the farce, Writer Liu publishes a report to praise Baldy Li, resulting in making Baldy Li as a successful entrepreneur nation-widely. Liu Town is, therefore, known as Baldy Li’s Town.

Song Gang compromises with Lin Hong to ask Baldy Li for employment. Baldy Li offers nothing to Song Gang but secretly gives money to Lin Hong and requests her to send Song Gang for medical treatment.

Baldy Li gets less and less famous from his nation-wide image of a successful entrepreneur. He decides to hold an Inaugural National Virgin Beauty Competition to make his reputation great again. The so-called hymen economy springs up along with the competition. The Liu Town, which is also known as the Baldy Li’s Town, is now named as Virgin Beauty Town.

Song Gang leaves Liu Town with Wandering Zhou – a charlatan who makes a profit during the competition by selling fake hymen. They go to Shanghai, then travel to southern China. To make money, they try to sell different products, and Song Gang even has a breast surgery to better sell the Boobs bust-enhancing cream. Their cooperative charlatan journey ends up with Wandering Zhou’s drop out for taking care of his new-born daughter in Liu Town.

While Song Gang is still on his journey, Baldy Li pays a Russian painter for a giant portrait and asks Lin Hong to unveil the portrait. Eventually, they cheat on Song Gang.

Song Gang comes back to Liu Town and hears the affair between Baldy Li and Lin Hong. After the consideration for days, Song Gang releases and believes that Lin Hong should be with Baldy Li since the beginning. He writes two letters – one for Lin Hong and another for Baldy Li – and he kills himself on the railway.

Baldy Li and Lin Hong notice the death of Song Gang when they sleep together. They are too late to regret it. On the next day, they receive Song Gang’s letters. The letter to Lin Hong demonstrates Song Gang’s love to her, and the letter to Baldy Li can be concluded by the last line: “even if heaven and earth were to be turned upside down, we would still be brothers…even if we are separated by life and death, we will still be brothers”.

Three years after Song Gang’s death, people change in Liu Town. Lin Hong becomes a pimp and runs her prostitution business. Baldy Li decides to go outer space with the goal of placing Song Gang’s ashes in orbit to allow him traveling between the moon and stars.

Themes

Yu Hua revisits themes of death, violence, and family that he has touched on in his earlier works.[16] There are several other themes that are apparent throughout Brothers, a prominent theme would be suffering, which is prevalent in Baldy Li's early life, especially with all of his misfortunes that both of his parents and his stepfather died when he was very young. This also demonstrates how it is a novel of survival, as Baldy Li and his family initially came from nothing, forcing Baldy Li to fight for his success as an entrepreneur. It is also considered a coming of age novel as it outlines Baldy Li's life from his early childhood to his later life. There is also love woven throughout the story, not just romantic love but also brotherly and parental love.[17]

The Cultural Revolution seems to be a close friend of Yu Hua for his novelistic creation. In Part 1, the death, violence, and tragedy are written in relation to the well-known political movements of the 60s to 70s. However, Yu Hua, instead of depicting the cruelty of the movement itself, demonstrates more about relentless humanity during the movement.[18] “They are not human!","How can people be this vicious?" - says Mama Su as the character who witnesses Song Fanping's death - might represent what Yu Hua wants to point out here.[19][20] That said, Yu Hua incarnates as Mama Su, to lash out the ruthlessness of people (human nature) during the Cultural Revolution.

Farce is massively depicted in the novel, especially in Part 2.[21] Some novelistic events such as the lawsuit between Baldy Li and the women with whom he slept, the Virgin Beauty Competition with the hymen economy, and Song Gang’s breast surgery with the goal of selling the boobs bust-enhancing cream are all farce.[22] The events of farce can be seen as the demonstration of absurdity, and the absurdity is the basis of the real-world scenario.[23] For instance, Yu Hua’s depiction of the Virgin Beauty Competition was inspired by the real-life farce of “beauty-pageant fever” during China’s early opening-up.[24] This is to say, the novel of massive farce is the combination of both reality and absurdity to demonstrate the distorted and money-oriented human nature during the early period of China’s opening up.[25]

Characters

Main Characters.[26]

• Baldy Li（李光头）: Li Lan's biological son and Song Gang's younger stepbrother. His real name is “Li Guang.” As a child, he gets caught while peeping at women's bottoms at a restroom. Through various events in the story (part1 & part2), he eventually becomes the richest merchant in the Liu town and the nation's premier tycoon.
• Song Gang（宋钢）: Song Fanping's biological son, Baldy Li's elder stepbrother and Lin Hong's devoted husband. His loyal and stubborn characteristics are partly opposite to those of Baldy Li. Throughout the story, he endures injury, illness, and hardships while trying to earn money for Lin Hong. He follows Wondering Zhou out of Liu Town in the hope of making a fortune. Upon returning to Liu Town, he learns of Lin Hong's affair with Baldy Li and commits suicide at the train track.
• Lin Hong（林红）: The Liu Town no. 1 beauty. Her butt is peeped by young Baldy Li along with three other women's. She becomes Baldy Li's "loved one" in part 2, but she marries Song Gang and stays as a devoted wife until she gets sexual affairs with Baldy Li while Song Gang is out of town. After Song Gang's death, she opens a beauty salon and turns it into a prostitution business.
• Li Lan（李兰）: Baldy Li's biological mother. She is initially widowed when her first husband (Baldy Li's biological father) drowned in a cesspool, peeping women's bottoms. After a brief happy marriage with Song Fanping, she becomes widowed again when her second husband (Song Fanping) is beaten to death by the revolutionaries while she is in Shanghai to get her migraine treated. Dies of uremia at her old age.
• Song Fanping（宋凡平）, Song Gang's biological father, and Baldy Li's stepfather. Initially a widower, he remarries Li Lan, with whom he shows his devoted love to until death. He is locked up by the revolutionaries during the Cultural Revolution for owning land, and is eventually beaten to death as he escapes the detainment warehouse to pick up Li Lan from Shanghai. He is remembered as a “real man” by the people of Liu Town.

Other Characters.[27]

• Success Liu（刘成功）: Has many nicknames including Writer Liu, CEO Liu, Deputy Liu and PR Liu, which reflects his transition into various roles throughout his life. As a teen, he bullies Baldy Li and Song Gang with Victory Zhao and Sun Wei. He is later beaten to hospitalization by grown-up Baldy Li. He contributes to Baldy Li's business and helps him gain nationwide fame by writing a tortured love story about him. Eventually becomes Baldy Li's spokesman.
• Victory Zhao（赵胜利）: Also known as Poet Zhao. An opportunistic character. He catches a young Baldy Li peeping on women's butts. In his jealousy towards Success Liu, from benefiting from Baldy Li's success, he becomes an assistant to Wandering Zhou. However, he eventually fails to gain Wandering Zhou's trust to continue working as his assistant.
• Sun Wei（孙伟）: Initially a friend of Success Liu and Victory Zhao, and a bully to Baldy Li. Later he becomes friends with Baldy Li when his former friends isolate him for being a landlord's son during the Cultural Revolution. Later murdered by the revolutionaries.
• Tao Qing（陶青）: A man of good will. He carries Song Fanping's corpse for the young Baldy Li and Song Gang. Remembering Li Lan's plea to take care of her son, he hires Baldy Li into the welfare factory he built. Later promoted to the higher government position becoming the County Governor.
• Wandering Zhou（周游）: Inspired by Baldy Li's success, he sets off to find business opportunities and returns with fake hymens for the virgin beauty contestants. He accompanies Song Gang to sell products and eventually returns to Liu Town without Song Gang upon learning that Missy Su gave birth to his daughter. Later changes his own nickname to “Wanderless Zhou”(周不游）.
• Little Scissors Guan（小关剪刀）: Also inspired by Baldy Li, he leaves Liu Town and never returns. Runs into Song Gang in Hainan Island and advises Song Gang to go back before he loses interest in returning.
• Yanker Yu（余拔牙）: First appears as the best dentist in the Liu town. During the cultural revolution period, classified patients' teeth as good teeth and anti-revolutionary teeth. He becomes a remarkable stockholder of Baldy Li's company, interested in traveling around the world and do protesting.
• Ice Pops Wang（王冰棍）: Liu town's ice pops seller, not very rich at the beginning. He became another remarkable stockholder of Baldy Li's company, a conservative people criticized by Dentist Yu who doesn't know fashion trends.
• Blacksmith Tong（童铁匠）: Liu town's blacksmith who is relatively smarter than the other characters, also a man who want Lin Hong's butt story. He became a big supermarket owner after failing to cooperate with Baldy Li's company through stock purchasing. When he gets old, he becomes a long-term custom of Lin Hong's salon (prostitution place).
• Mama Su（苏妈）: A kind buddhism-belif woman who offers several helps to Baldy Li and his family, a traditional snack food restaurant owner.

Adaptation

Unlike To Live that has been adapted for a film (To Live) and a Television series (Fugui), there is currently no adaptation of the same kinds for Brothers, possibly due to its novelistic absurdity and the political sensitive of speaking about Cultural Revolution. Yet, Brothers was adopted for a stage play, starring by Xu Zheng who plays Baldy Li.[28] Even though Xu Zheng is quite famous in China and the show was quite successful in Shanghai, the stage play is lesser known to the public. The novel was also adapted for a stage play in Japan in 2016 that Yu Hua attended the performance and praised the success of the adopted play.[29] The cross-national adaptation indicates the increasing influence and significance of the novel on the international stage of literature.

Award

A French distinction – “Courrier International Prize of the Best Foreign Book” (“Prix Courrier International du Meilleur Livre Étranger” in French) – was awarded to Yu Hua in October 2008 for Brothers. The prize aims to reward a French-translated publication in the form of “an essay, a story or a novel…which would be a testimony of human condition in a given part of the world”.[30] This award indicates that Brothers is of representativeness and the significance of showing China’s human condition throughout history.

Reception

Due to the particularly politically sensitive subject matter and vulgar language, Yu Hua's novel received generally harsh reviews from Chinese literary critics, despite selling nearly one million copies in China. Inversely, the novel managed to receive critical acclaim from English speaking countries, after being released in January 2009.

Positive Commentary in the Eyes of Chinese Reviewers[31]

• “Brothers seems to be filled with vulgar language, yet it is indeed an artistic expression combined with human beings’ extreme depression and indulgence” – by Hong Zhigang
• “…Brothers…is an exact and excellent example of realism, unfolding before readers the reality both straightforwardly and euphemistically” – by Chen Sihe (Professor of Literature at Fudan University)

David Barboza of The New York Times noted in September 2006 that while many in China had panned the novel, others had "praised the work as a compelling picture of an increasingly materialistic, self-indulgent and even unhinged society. 'I basically disagree with the critics,' said Liu Kang, a professor of Chinese cultural studies at Duke University. 'This is a tremendous book. And Yu Hua is really one of the best Chinese contemporary writers.'"[3]

Positive Commentary in the Eyes of Anglophone Reviewers[32]

• In the eyes of Anglophone reviewers, Brothers is praised as “a masterful novel” with the “combination of broad caricature and earnest realism, vulgarity and pointed satire” via “boundless imagination”, “tremendous narrative technique”, “and Yu Hua’s flair for the macabre”. To make a long story short, the subject matter, the writing technique, and the plot imagination of the novel are all laudable.

Negative Commentary in General[33]

• Most critics, whether in the eyes of Chinese or Anglophone reviewers, attack Brothers “as vulgar, simplistic, and immoral” with “numerous contents…that cannot hold water”. Others condemn the novel “as lowbrow and crass”, which is as “rough and absurd…as a tear-jerking soap opera” with a “trashy, Hollywood-style portrait of the country”. The writing strategies such as “artificial plotting”, “hyperbolic, facetious or overemphatic tone”, and “flat characterization” are also criticized. Even though both Chinese and English reviewers share the similarity of criticism, Chinese critics are way more than English critics.

References

1. Rea, Christopher (2011). "Review of Brothers: A Novels". MCLC Resource Center. MCLC Resource Center Publication. Retrieved November 3, 2019.
2. “On Brothers and Chaotic Aesthetics: An Interview with Yu Hua” Yu, Hua.“On Brothers and Chaotic Aesthetics: An Interview with Yu Hua”." Contemporary Literary Criticism, edited by Lawrence J. Trudeau, vol. 410, Gale, 2017. Literature Resource Center.
3. Barboza, David (2006-09-04). "A Portrait of China Running Amok". The New York Times. ISSN 0362-4331. Retrieved 2020-08-06. "Many critics here have lashed out at Mr. Yu, who has long been one of China’s most respected novelists, for producing what one called a trashy, Hollywood-style portrait of the country."
4. Yu, Hua. "Short story: Boy in the twilight by Yu Hua". Retrieved 2018-03-21.
5. Yu, Hua. Brothers: A Novel. Translated by Eileen Cheng-yin Chow and Carlos Rojas, Anchor Books 2009.
6. Yu, Hua. Brothers: A Novel. Translated by Eileen Cheng-yin Chow and Carlos Rojas, Anchor Books, 2009.
7. Yu, Hua. Brothers: A Novel. Translated by Eileen Cheng-yin Chow and Carlos Rojas, Anchor Books, 2009.
8. Yu, Hua. Brothers: A Novel. Translated by Eileen Cheng-yin Chow and Carlos Rojas, Anchor Books, 2009.
9. Zhang, Qinghua (2011). "On Brothers and Chaotic Aesthetics: An interview with Yu Hua". Chinese Literature Today: 81.
10. Zhang, Qinghua (2011). "On Brothers and Chaotic Aesthetics: An interview with Yu Hua". Chinese Literature Today: 81.
11. Zhang, Qinghua (2011). "On Brothers and Chaotic Aesthetics: An interview with Yu Hua". Chinese Literature Today: 81.
12. Zhang, Qinghua (2011). "On Brothers and Chaotic Aesthetics: An interview with Yu Hua". Chinese Literature Today: 81.
13. Yu, Hua. Brothers: A Novel. Translated by Eileen Cheng-yin Chow and Carlos Rojas, Anchor Books, 2009.
14. Yu, Hua. Brothers: A Novel. Translated by Eileen Cheng-yin Chow and Carlos Rojas, Anchor Books, 2009.
15. Yu, Hua. Brothers: A Novel. Translated by Eileen Cheng-yin Chow and Carlos Rojas, Anchor Books, 2009.
16. "Brothers: A Novel". MCLC Resource Center. 2014-08-08. Retrieved 2018-03-22.
17. Yu, Hua. Brothers: A Novel. Translated by Eileen Cheng-yin Chow and Carlos Rojas, Anchor Books, 2009.
18. Zhang, D; Li, H; Li,P (2017). "探究余华长篇小说《兄弟》的创作风格" [Exploring the Writing Style of Yu Hua's Brothers]. Mei Yu SHi Dai (in Chinese) (10): 98–99. doi:10.16129/j.cnki.mysdx.2017.10.031.
19. Zhang, D; Li, H; Li,P (2017). "探究余华长篇小说《兄弟》的创作风格" [Exploring the Writing Style of Yu Hua's Brothers]. Mei Yu SHi Dai (in Chinese) (10): 98–99. doi:10.16129/j.cnki.mysdx.2017.10.031.
20. Yu, Hua. Brothers: A Novel. Translated by Eileen Cheng-yin Chow and Carlos Rojas, Anchor Books, 2009.
21. Rea, Christopher (2011). "Review of Brothers: A Novels". MCLC Resource Center. MCLC Resource Center Publication. Retrieved November 3, 2019.
22. Yu, Hua. Brothers: A Novel. Translated by Eileen Cheng-yin Chow and Carlos Rojas, Anchor Books, 2009.
23. Li, Yunfeng (2012). "用荒诞叙说真实—余华小说《兄弟》解读" [Narrating the Truth with Absurdity]. Journal of Hunan Industry Polytechnic (in Chinese). 12 (6): 90–91. doi:10.13787/j.cnki.43-1374/z.2012.06.014.
24. Yu, Hua. Brothers: A Novel. Translated by Eileen Cheng-yin Chow and Carlos Rojas, Anchor Books, 2009.
25. Li, Yunfeng (2012). "用荒诞叙说真实—余华小说《兄弟》解读" [Narrating the Truth with Absurdity]. Journal of Hunan Industry Polytechnic (in Chinese). 12 (6): 90–91. doi:10.13787/j.cnki.43-1374/z.2012.06.014.
26. Yu, Hua. Brothers: A Novel. Translated by Eileen Cheng-yin Chow and Carlos Rojas, Anchor Books, 2009.
27. Yu, Hua. Brothers: A Novel. Translated by Eileen Cheng-yin Chow and Carlos Rojas, Anchor Books, 2009.
28. 赵, 纲 (2007-05-29). "余华小说《兄弟》上海首演上座率满百" [Over Hundreds of Attendance at the Stage Play Adopted from Yu Hua's Brothers]. Ren Min Wang (in Chinese). China. Retrieved 2019-11-03.
29. 甘, 璐摄 (2016-04-02). "余华《兄弟》搬上话剧舞台 日本人演绎中国故事" [The Stage Play Adopted from Yu Hua's Brothers' - Chinese Story Played in Japan]. Teng Xun Wen Hua (in Chinese). China. Retrieved 2019-11-03.
30. Rabut, Isabelle; Pino, Angel (2019). ""Brothers", and the reception of Yu Hua in France". Asia Pacific Translation and Intercultural Studies. 6 (2): 99–110. doi:10.1080/23306343.2019.1673280.
31. Quan, Yubin (2015). "Yu Hua's brothers in and out of China: A critical review". English on Campus (17): 247–249. Retrieved 2019-11-03.
32. Quan, Yubin (2015). "Yu Hua's brothers in and out of china: A critical review". English on Campus (17): 247–249. Retrieved 2019-11-03.
33. Quan, Yubin (2015). "Yu Hua's brothers in and out of china: A critical review". English on Campus (17): 247–249. Retrieved 2019-11-03.