Ellie Ga

Ellie Ga (born 1976 in New York City) is an American artist, writer and performer.[1] Ga produces narratives in the form of video installations, performances and artist’s books.[2] She received an MFA from the Hunter College in New York, NY and a BA from Marymount Manhattan College, NY.[1] Ga is represented by Bureau, New York.[3] She lives and works in Stockholm, Sweden.[3]

Ellie Ga
Born1976 (age 44–45)
New York
NationalityAmerican
Education
  • Hunter College, New York,
  • Marymount Manhattan College
Known forMultidisciplinary Art (video, performance)

Work

Introducing Ga's work in a 2018 interview, Anna Della Subin writes: "Ellie Ga is an artist of the intrepid. Charting a course from Patagonia to the North Pole, she voyages through histories, mythologies and languages, navigating the role of the artist on a precarious planet. Her points of latitude are chance meetings, accidents and coincidences."[4]

Ga’s writing is closely tied to her performative practice.[5] In an essay on Ellie Ga's work, Lauren O'Neill-Butler writes, "her lyrical essays—her voiceovers and written texts—are as equally concerned with humans as they are with the lives, histories, and migrations of objects, particularly the lost meaning of symbols."[6]

She is a founding editor of Ugly Duckling Presse.[7] In 2018, she worked with Siglio Press to produce the book Square Octagon Circle.[8] Max L. Feldman, in a 2018 Hyperallergic review of Square Octagon Circle, described her working process as similar to that of a "conceptual archaeologist."[9]

Of the artist, critic Jennifer Kabat wrote for Frieze, "Ellie Ga’s essays – which manifest as performances and installations – guide you on expeditions to the Arctic or through Egypt searching for the first lighthouse."[10]

Ga's work Gyres 1-3 premiered in the 2019 edition of the Whitney Biennial at the Whitney Museum of American Art.[11]

Selected works

Gyres - 2019 (single channel video installation)

Strophe, A Turning - 2017 (2 channel video installation)

Eureka, A Lighthouse Play - 2015 (performance)

Four Thousand Blocks - 2014 (3 channel video installation)

Measuring the Circle - 2014 (video)

The Fortunetellers - 2011 (performance)

Reading the Deck of Tara - 2011 (performance)

Selected writings

Square Octagon Circle, Siglio Press, 2018 (ISBN 978-1-938221-18-7)

North Was Here, Ugly Ducking Presse, 2018 (ISBN 978-1-946433-14-5)

Dialogue (with Marcelline Delbecq), 2018 Shelter Press (ISBN 978-2-36582-021-9)

Three Arctic Booklets, Ugly Duckling Presse (limited edition), June 7, 2010.

Classification of A Spit Stain, Ugly Duckling Presse, February 15, 2009 (ISBN 978-1-933254-45-6).

The Fortunetellers

From 2007 to 2009 Ga was a part of the Tara expedition drifting through the Arctic pack ice.[12] Based on the expedition Ga produced a series of works called The Fortunetellers. Among the works in the series are the performances The Fortunetellers and Reading the Deck of Tara.[13] The Tara is a sailboat designed to withstand the pressure of the polar ice cap.[14] Stuck, with little ability to communicate with the outside world, the near constant darkness weighed upon the boat's passengers. Ga, in her account of their eventual release from the ice, describes seeing light for the first time: “At that moment," she writes in the Square Octagon Circle, "a lighthouse blinking in the distance became a symbol for our anxieties about the future: it marked our return to civilization.”[15] The series included performances, installations and videos, and was shown at The New Museum in February 2013.[16] Ga was selected to be a member of the Tara expedition based on her eighteen month residency at the New York Explorers Club where she began exploring incomplete paper trails and documentation related to historical explorations.[17]

Square Octagon Circle

Square Octagon Circle is a 14-piece multimedia project and book. The purpose of the project is to determine what the Lighthouse of Alexandria looked like. The lighthouse is one of the lost seven wonders of the world.[9]

In 2011, Ga studied marine archeology at the University of Alexandria’s Centre for Maritime Archaeology and Underwater Cultural Heritage in Alexandria Egypt.[17] This was the basis for a series of videos and performances about the submerged ruins of the ancient Lighthouse of Alexandria, including the video installations Four Thousand Blocks and Measuring the Circle,[18] and the performance Eureka, A Lighthouse Play produced by the Curtis R. Priem Experimental Media and Performing Arts Center (EMPAC) in 2014.[19] A comprehensive exhibition of the works in Square Octagon Circle was shown at Le Grand Café, Saint-Nazaire in 2015.[20]

Strophe, A Turning

From 2014-2017 Ga was the recipient of a fellowship from the Swedish Research Council.[21] Initially her research project was centered on ocean drift and more specifically the narratives and history of the message in a bottle.[22] The project developed into the video installation Strophe, A Turning.[23]

In their presentation text of Strophe, A Turning for the 2018 edition of the Clandestino Festival, The Museum of World Culture in Gothenburg writes: "...her own willingness to drift and follow uncertain turns carries her unexpectedly to the Greek islands of Symi and Lesvos, during the summer of 2015. Ga decides to join a team of volunteers aiding asylum seekers and refugees—a definitive turning point at which she is forced to wrestle not only with the poetics of accidental drift and the new discoveries it beckons, but with urgent political and humanitarian realities."[24]

Gyres

Gyres, is a single channel video installation that premiered at the 2019 Whitney Biennial.[25] The installation consists of Gyres 1-3, a triptych of short videos.[26] Ga’s voice-over narrates as collected images are arranged and re-arranged on a light box surface, weaving together experiences of loss and grief, the transient nature and meaning of personal items displaced by disasters.[27]

Presenting Gyres 1-3, The Whitney Museum writes: "Ga’s narration interweaves seemingly disparate accounts and retellings, blending history, research, and autobiography. She encounters beachcombers who gather the aftermath of the 2011 tsunami in Japan; an oceanographer who studies the debris from container spills; and the histories of resistance, migration, and ritual offerings on the Greek islands of the Aegean Sea."[28]

Collections

Albright-Knox Art Gallery

Fluentum Collection

Fondation Galeries Lafayette

FRAC Franche-Comté

Hessel Museum of Art

Solomon R. Guggenheim Museum

Whitney Museum of American Art

Exhibitions

2019 Whitney Biennial, New York, NY

2017 Strophe, A Turning, Bureau, New York, NY

2015 The Fortunetellers, Frac Franche Comté, Besancon, France

2015 Carré Octagone Cercle, Le Grand Café, France

2014 It Was Restored Again, Albright-Knox Art Gallery, Buffalo, NY

2014 Pharos, M-Museum, Leuven, Belgium

2014 Four Thousand Blocks, Bureau, New York, NY

References
  1. "Collection Online - Ellie Ga". Guggenheim. Retrieved January 9, 2019.
  2. "Ellie Ga: It Was Restored Again". Albright-Knox Art Gallery.
  3. "Bureau - Artists - Ellie Ga". Bureau-inc.com. Retrieved 11 April 2019.
  4. Della Subin, Anna (2018). "In Praise of Drift". Tank Magazine. Issue 77.
  5. Weinstein, Tresca (May 6, 2015). "Artist Ellie Ga brings "live essays" to EMPAC stage". Times Union. Retrieved January 9, 2019.
  6. O'Neill-Butler, Lauren (July 27, 2013). "Ellie Ga: Square, Octagon, Circle". Grand Arts. Retrieved March 21, 2019.
  7. "Ugly Duckling Presse - History". Ugly Duckling Presse. Retrieved January 16, 2019.
  8. Feldman, Max L. (November 18, 2018). "Ellie Ga's Empire of Texts". Hyperallergic.
  9. "Ellie Ga's Empire of Texts". Hyperallergic. 2018-11-18. Retrieved 2019-03-30.
  10. "In Focus: Ellie Ga". frieze.com. Retrieved 2019-03-30.
  11. "Whitney Biennial 2019". Whitney Museum of American Art. Retrieved March 21, 2019.
  12. "Ellie Ga - Explore to understand, share to bring about change". Tara Expeditions. Retrieved January 8, 2019.
  13. O'Neill-Butler, Lauren (March 2011). "Lauren O'Neill-Butler on Ellie Ga". Artforum.
  14. "The mission". Archived from the original on 2007-02-14. Retrieved 29 April 2019.
  15. "Square Octagon Circle". Siglio Press. Retrieved 2019-03-30.
  16. "Walking Drifting Dragging". newmuseum.org. Retrieved 29 April 2019.
  17. Hunt, Will (April 5, 2014). "Submerged Ruins: An Interview with Visual Artist Ellie Ga". The American Reader.
  18. Kabat, Jennifer (September 24, 2015). "In Focus: Ellie Ga - Alchemy, travel and the essay". Frieze. Issue 174.
  19. "Eureka, a lighthouse play". EMPAC. Retrieved January 9, 2019.
  20. Prouteau, Eva. "Ga Le Grand Café - Saint-Nazaire - Centre d'art contemporain". www.grandcafe-saintnazaire.fr. Retrieved 29 April 2019.
  21. "SweCRIS".
  22. A. Kramer, Kaitlyn (5 October 2017). "ELLIE GA: Strophe, A Turning". The Brooklyn Rail. October 2017.
  23. "The Film Club spring 2018 - Ellie Ga". Moderna Museet. Retrieved January 9, 2019.
  24. "Clandestino Festival - Filmvisning & Samtal: Strophe, a Turning - Världskulturmuseet". varldskulturmuseerna.se. Retrieved 11 April 2019.
  25. "Ellie Ga - Gyres 2019". bureau-inc.com. Retrieved 27 October 2019.
  26. Cotter, Holland (16 May 2019). "The Whitney Biennial: Young Art Cross-Stitched With Politics". The New York Times. Retrieved 27 October 2019.
  27. Aldridge, Taylor Renee (19 September 2019). "'We Ourselves Are Our Prize': Lasting Works in the Whitney Biennial Evoke Toni Morrison and Ancestry Through the Ages". ARTnews.
  28. "Partial View: Whitney Biennial 2019 - Whitney Museum of American Art". whitney.org. Retrieved 27 October 2019.
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