Eros Volúsia

Heros Volúsia Machado (1 June 1914 — 1 January 2004), known as Eros Volúsia was a Brazilian dancer and actress. Her dancing style blended classical ballet to Afro-Brazilian dancing traditions.[1]

Eros Volúsia
Eros Volúsia as Salome (1943)
Born
Heros Volúsia Machado

(1914-06-01)June 1, 1914
Rio de Janeiro, Brazil
DiedJanuary 1, 2004(2004-01-01) (aged 89)
OccupationDancer, actress
Parent(s)Gilka Machado Rodolfo Machado

Volúsia participated in several movies in Brazil and Hollywood, among them the 1942 film Rio Rita, starring Abbott and Costello.[2]

Biography

Volúsia was born in Rio de Janeiro, in 1914; her parents were the poets Gilka Machado and Rodolfo Machado.[3] Volúsia entered the ballet school in 1928, where she studied under Maria Olenewa.[4] She also attended the umbanda terreiro of João da Luz, where she had her first contact with Afro-Brazilian dances.[4]

In 1929, Volúsia made her first presentation at Theatro Municipal, dancing samba barefooted.[4] She would make another presentations in the following years, invited by cultural salonists like Paschoal Carlos Magno.[5] In the spirit of Brazilian modernism Volúsia researched Amerindian and African dances in order to create a "national dance" (bailado nacional).

In 1935 she participated of her first Brazilian film, Favela dos Meus Amores. She would be featured in other four films in Brazil.[5]

On 22 September 1941 she was featured at the cover of Life magazine. The following year she participated in a musical act in the MGM film Rio Rita, with Abbott and Costello. She would be compared to Carmen Miranda by local media.[3]

Filmography
Year Title Role Notes
1935Favela dos Meus Amores
1937Samba da Vida
1942Rio RitaEros Volusia
1943Caminho do Céu
1944Romance ProibidoDançarina
1949Pra Lá de Boa(final film role)

References
  1. Inc, Time (1941-09-22). LIFE. Time Inc.
  2. III, Harris M. Lentz (2005-04-20). Obituaries in the Performing Arts, 2004: Film, Television, Radio, Theatre, Dance, Music, Cartoons and Pop Culture. McFarland. ISBN 9780786452095.
  3. Sadlier, Darlene J. (2010-10-01). Latin American Melodrama: Passion, Pathos, and Entertainment. University of Illinois Press. ISBN 9780252092329.
  4. Pereira, Roberto (2003). A formação do balé brasileiro: nacionalismo e estilização (in Portuguese). FGV Editora. ISBN 9788522504503.
  5. Mancebo Zenicola, Denise. "Eros Volúsia Performance, poéticas criativas e afirmação identitária".
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