Farhana Sheikh

Farhana Sheikh is a British-Pakistani teacher, novelist and playwright.

Farhana Sheikh

Life

Farhana Sheikh was born in Lahore,[1] and brought up in Putney.[2] A teacher and writer, she published her only novel, The Red Box, in 1991. The Red Box is set in East London in the mid-1980s. The novel is 'an investigation into diaspora British-Asian identities through the narratives of three women'. [3] It centres on a young Anglo-Pakistani woman, Raisa, and two school students, Nasreen and Tahira. The narrative 'is loosely organised around the meetings of these three women as part of Raisa's academic research project enabling Sheikh to explore the memories, expectations and identities of the women and their families'. [4][5][6] The novel 'charts the memories, lives and fantasies of these women' and 'takes as its subject matter the legitimacy of political identification and affiliations' and 'contests what it means to be British'. [3]

Farhana Sheikh is also a playwright, who has worked particularly with the London Bubble Theatre Company and its Artistic Director Jonathan Petherbridge. With Adrian Jackson, she co-wrote Mincemeat,[7] a wartime thriller, performed by Cardboard Citizens and broadcast on BBC Radio 3 in 2010. [8] She wrote the libretto for the oratorio, Gilgamesh, by Thomas Johnson. Her adaptation [2] of Gulliver’s Travels has been described as ‘the most successful’ in the history of the stage. [9]

Works
  • The Red Box, 1991. London: Women's Press, 1991.
  • Tales from the Arabian Nights, 1994.
  • The Adventures of Sinbad the Sailor, 1994.
  • Once Upon a Time, Very Far From England. 1997.
  • Gilgamesh, a play 2000.
  • Punchkin Enchanter, 2003.
  • Gilgamesh, an oratorio. libretto, 2005.
  • Home, 2005.
  • The Flood, 2008.
  • (with Adrian Jackson) Mincemeat. London: Oberon Books, 2009.
  • Tales from the Arabian Nights, revised. 2017.
  • Gulliver's Travels: a play by Farhana Sheikh after Jonathan Swift. Brown Dog Books, 2020.

References
  1. Alison Donnell, ed. (2002). "Sheikh, Farhana". Companion to Contemporary Black British Culture. Routledge. pp. 525–6. ISBN 978-1-134-70024-0.
  2. Farhana Sheikh (2020). Gulliver's Travels: a play by Farhana Sheikh after Jonathan Swift. Brown Dog Books. p. 5. ISBN 978-1-83952-118-8.
  3. Low, Gail Ching-Liang (2000). 'Crossing Boundaries: rethinking/teaching identity' in Sara Ahmed et al 'Transformations: thinking through feminism'. London: Routledge. p. 165. ISBN 9780415220675.
  4. Geoffrey Nash (2012). Writing Muslim Identity. A&C Black. pp. 27–9. ISBN 978-1-4411-3666-4.
  5. Ranasinha, Ruvani (2016). Mary Eagleton; Emma Parker (eds.). The History of British Women's Writing, 1970-Present: Volume Ten. Springer. pp. 235–7. ISBN 978-1-137-29481-4.
  6. Roy, Bidhan Chandra (2013). A Passage to Globalism; Globalization, Identities, and South Asian Diasporic Fiction in Britain. New York: Peter Lang US. ISBN 1433120267.
  7. Clapp, Susannah (28 June 2009). "Review". The Observer. Retrieved 19 December 2020.
  8. Sheikh, Farhana (2010). "Working on Mincemeat". Changing English. 17 (2): 153–160.
  9. Kosok, Heinz (2002). 'The Captain's Ultimate Island: Gulliver’s Travels on the Stage' in Anglistentag 2001 Wien: Proceedings, eds Dieter Kostovsky, Gunther Kaltenböck, and Susanne Reichl. Trier: Wissenschaftlicher Verlag Trier. ISBN 3884765515.
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