Focale

The focale (plural focalia), also known as a sudarium ("sweat cloth"),[1] was a woolen or linen scarf worn by ancient Roman military personnel. It protected the neck from chafing by the armor.[2] The focale is depicted widely in military scenes from Roman art, such as the relief sculpture on the Arch of Septimius Severus in the Roman Forum[3] and Trajan's Column.[4] It is shown loosely knotted in the front, but is sometimes visible with the ends tucked inside the cuirass.[5]

Focalia worn by cavalry troopers and some infantry on a panel from Trajan's Column
Focale on a Roman military reenactor

In Latin literature, focale is a general word for a scarf or wrapping for the throat.[6] A focale was one of the gifts that might be given for the December festival of Saturnalia, according to Martial.[7] In one of his satires, Horace lists focalia among the "badges of illness" (insignia morbi).[8] In describing the correct attire for public speaking, Quintilian advises against wearing a focale, unless required by poor health.[9]

Although a sudarium often is used as a handkerchief, it can be worn like the focale as a neckerchief.[10] When Suetonius describes the overly casual attire of Nero, the emperor is barefoot, unbelted, and dressed in evening wear (synthesis), with a sudarium around his neck.[11] In late antiquity, orarium (Greek orarion) might be synonymous with focale, as in the description of military attire in the Vision of Dorotheus, and in a papyrus (dated 350–450 AD) listing military clothes.[12]

The focale is sometimes seen as one of the precursors of the necktie.[13] Cesare Vecellio (1530–1606) mentions the focale, calling it a cravata (cravat), as worn by Roman soldiers in his book on the history of fashion.[14] It has been compared to the amice (amictus) worn by Roman Catholic priests, which is depicted from the 6th century onward, as in the Ravenna mosaics.[15]

References
  1. Jason R. Abdal, Four Days in September: The Battle of Teutoburg (Trafford, 2013), p. 167.
  2. Nic Fields, The Roman Army of the Principate 27 BC-AD 117 (Osprey, 2009), p. 25.
  3. Richard Brilliant, "The Arch of Septimius Severus in the Roman Forum," Memoirs of the American Academy 29 (1967), pp. 139, 142, 155, 156, 158, 184, 186, 190, 197, 203, 210.
  4. John Hungerford Pollen, A Description of the Trajan Column (London, 1874), p. 111.
  5. Abdal, Four Days in September, p. 167; Liza Cleland, Glenys Davies, and Lloyd Llewellyn-Jones, entry on "scarf," Greek and Roman Dress from A to Z (Routledge, 2007), p. 166.
  6. Antoine Mongez, "Recherches sur les habillemens des anciens," Histoire et mémoires de l'Institute Royal de France 4 (1818), pp. 295–295.
  7. Martial 14.137 (142).
  8. Horace, Satires 2.8.255; article on "Dress," A Concise Dictionary of Greek and Roman Antiquities, edited by F. Warre Cornish (London, 1898), p. 259.
  9. Quintilian 11.3.144. Legwarmers (fascias quibus crura vestiuntur) and earmuffs (aurium ligamenta) are likewise to be avoided.
  10. Mongez, "Recherches sur les habillemens des anciens," p. 295.
  11. Suetonius, Nero 51; Mongez, "Recherches sur les habillemens des anciens," p. 295.
  12. SB VI.9570.5; Jan Bremmer, "An Imperial Palace Guard in Heaven: The Date of the Vision of Dorotheus," Zeitschrift für Papyrologie und Epigraphik 75 (1988), p. 86.
  13. Daniel K. Hall, How to Tie a Tie: Choosing, Coordinating, and Knotting Your Neckwear (Sterling, 2008), p. 8.
  14. Oscar Lenius, The Well-Dressed Gentleman (LIT Verlag Münster, 2010), p. 93.
  15. Charles Panati, Sacred Origins of Profound Things (Arkana, 1996), n.p.; Mongez, "Recherches sur les habillemens des anciens," p. 296.
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