Franz Blei

Franz Blei (pseudonyms: Medardus, Dr. Peregrinus Steinhövel, Amadée de la Houlette, Franciscus Amadeus, Gussie Mc-Bill, Prokop Templin, Heliogabal, Nikodemus Schuster, L. O. G., Hans Adolar; January 18, 1871, Vienna – July 10, 1942, Westbury, Long Island, New York) was an essayist, playwright and translator. He was also noted as a bibliophile, a critic, an editor in chief and publisher, and a fine wit in conversation. He was a friend and collaborator of Franz Kafka.[1]

Franz Blei
Blei in 1918
Born(1871-01-18)January 18, 1871
Vienna
DiedJuly 10, 1942(1942-07-10) (aged 71)
Westbury, New York, US
EducationWestbury
Occupation
  • Essayist
  • Playwright
  • Translator

Life

He was the son of a shoemaker and trained as an architect. As a member of the Jewish literati, he was at great risk in Nazi-occupied Europe and eventually succeeded after a lengthy odyssey in reaching the USA in 1941 where he settled in New York City.

Work

He translated into German work by Walt Whitman, Oscar Wilde and Molière among others and also published his own monograph on the paintings of the symbolist Felicien Rops. He was also a prolific editor of small-press journals.

Kafka said of him: "Franz Blei is much cleverer, and greater, than what he writes." (Janouch, 1971. "Conversations With Kafka").

Amethyst and The Opals

From December 1905 - November 1906 he was the editor of the private magazine Amethyst (pub. Hans von Weber) and then The Opals, which were available by subscription only and were mildly pornographic. The journals featured the artwork of Aubrey Beardsley and Felicien Rops, texts by Jules Laforgue and also erotic prose from translated texts by Paul Verlaine and classic erotic plays and poems from around the world. Only 800 numbered copies were produced of each issue, and the young Kafka had a subscription. The Opals was the first to publish Carl Einstein's Bebuquin, the first German expressionist novel.[2] These literary small-press journals, known about by Kafka scholars for many decades, became the basis for a silly season press story in 2008,[3] in The Times of London, when a novelist promoting a new book claimed to have discovered Kafka's 'secret pornography stash' among his archived papers.

Hyperion

From 1908 to 1909 he co-edited the short-lived journal Hyperion with Carl Sternheim, which was the first to publish work by a young Franz Kafka. The first issue published a short fragment of Kafka's story "Description of a Struggle". More substantial extracts of the work were published in the final issue of Hyperion in the spring of 1909. Extracts from another seven Kafka works were also published in the magazine.

Bibliography
  • Paul Raabe, "Franz Kafka und Franz Blei", in: "F. Kafka. Ein Symposium. Datierung, Funde, Materialien", Verlag Klaus Wagenbach, Berlin 1965, pp. 7–20.
  • Ulrich E Bach, "Franz Bleis einsames Exil." In: Deutschsprachige Exilliteratur seit 1933 3/I USA Supplement. Ed. John M. Spalek, Konrad Feilchenfeldt and Sandra H. Hawrylchak. Berlin: De Gruyter, 2010: 3-13.
  • Ulrich E Bach, "’Das Formierte der Erotik’: Franz Blei und der erotische Buchhandel." Christine Hauck, Johannes Frimmel and Anke Vogel (eds.), "Erotisch-pornographische Lesestoffe: Das Geschäft mit Erotik im deutschen Sprachraum vom 18. Jahrhundert bis zur Gegenwart." Wiesbaden: Harrassowitz 2015. 143-158.

Notes
  1. Stach, Reiner (2005). Kafka: The Decisive Years. New York: Harcourt. pp. 16–19. ISBN 978-0151-00752-3.
  2. Bebuquin Archived 2008-08-11 at the Wayback Machine at www.trashface.com
  3. Franz Kafka’s porn brought out of the closet - Times Online at entertainment.timesonline.co.uk
See also: Blei
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