Giuseppe Aureli

Giuseppe Aureli (December 5, 1858 in Rome – 1929) was an Italian painter and watercolourist. His work is noted for its historical subject matter, portraits of Italian noble families as well as genre paintings and local scenes, especially work with Oriental themes.

Giuseppe Aureli
Born5 December 1858
Amman, Jordan
Died1929 (aged 70–71)
Anzio
NationalityItalian
EducationAcademia de San Luca
Known forpainting, watercolours
MovementOrientalist themes; portraiture

Life and career

Giuseppe Aureli was born in Rome in 1858. He received his early art education at the Academia de San Luca where he was the pupil of Pietro Gabarini and Cesare Maccari.[1] He exhibited in various exhibitions; including: The International Exhibition of 1888 in Munich and the World Fair of 1893 in Chicago, but his Oriental works were rarely included in these early exhibitions. Having his workshop at 48 Via Margutta in Rome, Aureli was in a position to exchange ideas with the most prolific Orientalist artists at that the time. He used the same staircase that led to a rabbit-warren of studios including those of Filippo Bartolini, Enrico Tarenghi, Nazzareno Cipriani, all considered to be among Rome's master Orientalists and the illustrator, Ettore Ximenes. With those influences, Aureli began painting more works with Oriental subject matter such as harem scenes and exotic beauties.[2] He died in 1929 in Anzio.

Work

Although Aureli derives his reputation primarily from his paintings of historic Italy and portraits of the Italian Royal family, his work features many representations of Oriental scenes including: harems, guards, Arabic bazaars and street life. His Oriental work typically includes elements such as exotic musical instruments, leopard skin, Moroccan ceramics and greenhouse plants.[3] He worked in watercolours and oils.

Examples of his work can be found in the Galleria Nazionale d'Arte Moderna and L'Aula del Consiglio Provinciale de Rome and in private collections.

  • A Welcome Visitor, date unknown
  • Oriental Beauty with Stringed Instrument, date unknown
  • The Monk, date unknown
  • The Monk with Onions, date unknown
  • Romance in the Wine Cellar, 1881

Select list of paintings
  • An Appointment for Hunting in 1500s. (Rome, 1883)
  • Carica Lancieri Aosta at the Battle of Custoza (Rome, 1866)
  • Romance in the Wine Cellar (1881)
  • Emmanuel Philibert returns to Turin after the Battle of St. Quentin (Turin, 1884)
  • Introduction Among the Ruins (1885)
  • Idle Hours in the Harem
  • Gossips in the Harem
  • The Water Carrier
  • Margaret of Valois reaches her husband Henry of Navarre (Bologna, 1888)
  • Henry of Navarre domanda a Carlo IX the hand of his sister Margaret (Monaco, 1888)
  • Marriage of Henry of Navarra and Margaret of Valois under Charles IX (Paris).
  • Woman with Stringed Instrument
  • Harem Scene
  • Oriental Beauty (n.d.) Mathaf Gallery, London

References
  1. de Gubernatis, Angelo, Dizionario degli Artisti Italiani Viventi: Pittori, Scultori, e Architetti, [Tipe dei Successori Le Monnier], 1889, p. 22.Online: https://books.google.com/books?id=Zz0bAAAAYAAJ&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false
  2. Juler, C., Les Orientalistes de l'école Italienne, [French edition], Paris, ARC, 1994, pp 20-21
  3. Juler, C., Les Orientalistes de l'école Italienne, [French edition], Paris, ARC, 1994, p. 20

See also
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