Half Note Club

The Half Note was a jazz club in New York City, New York that flourished in two Manhattan locations – from 1957 to 1972 in SoHo (then known as the Village) at 289 Hudson Street at Spring Street and from 1972 to 1974 in Midtown at 149 West 54th Street, one block west of the Museum of Modern Art.

This article is about a bygone jazz club in New York City. For the jazz album, see Half Note.

History

The club was owned by the Canterino family: Michael Canterino (1932–2013) his brother, Sonny Canterino (né Dominic Canterino), their sister, Rosemarie Canterino, and their parents, Frank Canterino (né Francesco Canterino; 1906–1979) and Jean Canterino (née Concetta Italiano; 1906–1989). Judi Marie Canterino (née Derwin), a jazz vocalist, became a family owner by marrying Michael Canterino in 1960.[1]

The Half Note was renowned for showcasing up and coming jazz musicians in the 1950s and 1960s, defraying costs with a Friday night live WABC radio show called Portraits in Jazz, hosted by hosted by Alan Grant (né Abraham Grochowsky; 1919–2012).[2] The Half Note was one of a handful of nationally acclaimed Manhattan nightclubs, including the Village Vanguard, the Village Gate, the Five Spot, and Slug's Saloon[3] – that featured renowned jazz artists on a regular basis.

Forgoing standard set times, musicians were allowed to play onstage for as long as they wanted to. In 1972, Mike and Sonny Canterino moved the Half Note Midtown to 149 West 54th Street, in what had a formerly been a carriage house. Roger Brousso, a record distributor from Connecticut, invested $240,000 in the new venue.

Bookings included Budd Johnson and Buddy Tate, beboppers Al Cohn and Zoot Sims, avant-gardists John Coltrane and Charles Mingus and Wes Montgomery, Herbie Mann, and Cannonball Adderley. Singers Anita O'Day, Billie Holiday, and, one evening, Judy Garland also made appearances. The Half Note closed January 1, 1975. Its Midtown location is now occupied by The London NYC hotel.

Live recordings
  • Donald Byrd – At the Half Note Cafe (Blue Note, 1960)
  • Bob Brookmeyer, Clark Terry (Verve, 1973); OCLC 78273501
  • John Coltrane – Live at the Half Note: One Down, One Up (Impulse!, 1965 [2005])
  • Art Farmer Quartet featuring Jim Hall – Live at the Half-Note (Atlantic, 1963)
  • Clifford Jordan – Half Note (SteepleChase, 1974 [1985])
  • Richard "Groove" Holmes – Onsaya Joy (Flying Dutchman, 1975)
  • Lee Konitz – Live at the Half Note (Verve, 1959 [1994])
  • Wes Montgomery with the Wynton Kelly Trio – Smokin' at the Half Note (Verve, 1965)
  • Zoot Sims, Al Cohn & Phil Woods – Jazz Alive! A Night at the Half Note (United Artists, 1959)
  • Lew Anderson Big Band Live (March 8, 1974)

Other live radio recordings have been released, including those by John Coltrane and Cannonball Adderley.

On June 6, 1964, the Lennie Tristano quintet – with Lee Konitz, Warne Marsh, Sonny Dallas, and Nick Stabulas – was recorded and broadcast on television as "Jazz at the Half Note", an episode of the television series on CBS, Look Up and Live, narrated by William Hamilton of the Colgate Rochester Divinity School.[4]

References
  1. "Memories of Mike Canterino", by Joe Lang, Jersey Jazz (Journal of the New Jersey Jazz Society), Vol. 43, No. 8, September 2013, pp. 12 & 14
  2. "Some Lost Jazz Clubs of the Village", by Clive I. Morrick, WestView News, June 1, 2016
  3. McMillan, Jeffery S. Delightfulee: The Life and Music of Lee Morgan University of Michigan Press (2008; 2009; 2010; 2011);
    OCLC 239471087; ISBN 978-0-472-11502-0, and 0-472-11502-2 (cloth; acid-free); ISBN 978-0-472-03281-5, and 0-472-03281-X (paperback; acid-free)
  4. France Salutes the American Jazzmen, Vol. 5 (telecast "Look Up and Live", live at the Half Note, New York, June 6, 1964), Richelieu Records
    Richelieu Records was one of some 53 bootleg labels operated by Boris Rose (1918–2000), an amateur engineer, expert radio recording hobbyist, and major record collector. He owned over 100,000 records. Rose recorded from AM radio many of Charlie Parker broadcasts during his primacy. Rose is widely chronicled for having preserved Parker's early broadcasts.
    Side A: Matrix runout: RICH AX 120 A
    Side B: Matrix runout: RICH AX 120 B
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