Holly Bass

Holly Bass (born June 23, 1975) is a Washington DC-based performance artist, poet, dancer, arts educator and cultural activist.[1]

Holly Bass
Born (1971-06-23) June 23, 1971
Washington, D.C.
NationalityAmerican
Occupationperformance artist
Bass at the 2009 Pop Conference in Seattle, Washington.

Education

Bass studied modern dance (under Viola Farber) and also creative writing at Sarah Lawrence College (Class of 1993, where she was the commencement speaker).[2][3] She also has a Master’s degree in Journalism from Columbia University (1994).[4][5]

Work

Her movement and spoken-word pieces reveal a fascination with "objectification, observation, and the commodification of art and of the body."[6] Holly has performed across the US and internationally.[7][8] Her poems, essays and articles have been published in numerous publications including the Wall Street Journal, The Washington Post, Callaloo and Beltway Poetry; and in 1999 she was the first person to use the term “Hip-Hop Theater” in print.[9][10][11]

Her artworks include the installation Black Space at Martin Luther King Jr. Memorial Library, Washington DC, which comprises a small house placed on an outline of the city, alluding to the tiny house architectural movement and the housing problems in DC.[12]

She wrote and performed the one-person dance piece Diary of a Baby Diva[13] in Washington DC in 2005, a coming-of-age tale set in the late 1970s and early 1980s. The Washington Post noted her "wicked sense of humor" in making use of the more ridiculous cultural products of the age, but also a lyrical quality revealing her as an "eloquent poet".[14]

Bass was voted Washington City Paper’s Best Performance Artist of 2012.[15]

In 2018 she wrote and performed The Trans-Atlantic Time Traveling Company, which is "about a sisterhood of three women who time-travel from the present to the 1860s when they become freedwomen, in quest of what it means to be free."[11]

More recently, in 2020, she wrote and performed Moneymaker at New York Live Arts in New York City. The piece has been described as "part political commentary and part celebration of social dance, Moneymaker interweaves a lineage of Black artistry with a satirical critique of the history of exploitation, commodification, and objectification of Black women."[16]

References
  1. Starling, Alison (June 28, 2013). "Working Woman: Meet artist Holly Bass". ABC7. Retrieved 10 June 2015.
  2. "College Archives". Sarah Lawrence. Retrieved 2021-01-06.
  3. "Class Notes - Sarah Lawrence College". Sarah Lawrence College. Retrieved 2021-01-06.
  4. "Holly Bass". Kennedy Center. Retrieved 2021-01-06.
  5. "WPADC". www.wpadc.org. Retrieved 2021-01-06.
  6. Van Straaten, Laura. "Boundary-Pushing Performer on What's Next". Capitol File. Niche Media, LLC. Retrieved 5 June 2015.
  7. "Holly". Shout Mouse Press. Retrieved 2021-01-06.
  8. "Dance/USA — The national service organization for professional dance". www.danceusa.org. Retrieved 2021-01-06.
  9. "Holly Bass". New York Live Arts. Retrieved 2020-01-06.
  10. "Holly Bass". Red Bull Arts Detroit. Retrieved 2021-01-06.
  11. Traiger, Lisa (2018-07-25). "Holly Bass Celebrates Black Sisterhood in 'The Trans-Atlantic Time Traveling Company'". DC Metro Theater Arts. Retrieved 2021-01-06.
  12. Cauterucci, Christina (January 29, 2015). "Chocolate City Gets a New Home in Holly Bass' "Black Space"". Washington City Paper. Retrieved 10 June 2015.
  13. "Diary of a Baby Diva | Washington, DC | reviews, cast and info". TheaterMania. Retrieved 2019-03-01.
  14. Traiger, Lisa (July 25, 2005). "Holly Bass's 'Diary': Dear and Delightful". Washington Post. Retrieved 10 June 2015.
  15. "Best Performance Artist 2012". Washington CityPaper. CL Washington, Inc. Retrieved 5 June 2015.
  16. "Moneymaker by Holly Bass". Dance NYC. 2020-10-24. Retrieved 2021-01-06.
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