Holtermann collection

The Holtermann Collection is the name given to a collection of over 3,500 glass-plate negatives and albumen prints, many of which depict life in New South Wales goldfield towns.[1] It also includes numerous photographs of Australian rural towns and the cities of Sydney and Melbourne taken between 1871 and 1876. The collection is held by the State Library of New South Wales.[2][3]

The Holtermann Collection
Mayne Street Gulgong, 1872, by American & Australasian Photographic Company.
Housed atState Library of New South Wales
Size (no. of items)3500+ photogrpahic negatives and albumen prints
Funded byGovernment of New South Wales
Websitehttps://www.sl.nsw.gov.au/

Gold Rush, Regional Towns and Cities

Many of the 3500 wet-plate glass negatives and albumen prints in the Holtermann collection capture life in the goldfield towns of Hill End and Gulgong, Home Rule and Canadian Lead between 1872 and 1873. Photographs covering the goldfields, regional towns and cities in New South Wales and Victoria between 1871 and 1873 are attributed to the American and Australasian Photographic Company employees Beaufoy Merlin and Charles Bayliss. It also seems Bayliss is responsible for much of the later work from 1873 to 1876; sometimes with the assistance of Holtermann.[4][5] Merlin had done commissioned work for Holtermann while at Hill End in 1872 but sometime around January 1873, Merlin was commissioned by Bernhardt Otto Holtermann to start taking photographs for his new 'Holtermann Exposition' project to promote Australia to the world. The Holtermann collection seems to have been formed around this time and Merlin may have contributed some of his earlier photographs to this project.[6] [5][4]

The Colossal Glass Plate Negatives
Berrys Bay and Goat Island, Sydney, 1875, Charles Bayliss and Bernhardt Holtermann from negative, 136 x 95 cm (4.4 x 3.1 feet

The largest glass plate negatives produced in the nineteenth century appear to have been made in Sydney, Australia, in 1875, and three are held in the Holtermann Collection, State Library of New South Wales. Intended for display at International Exhibitions they were made by the professional photographer Charles Bayliss with the help of Bernhardt Holtermann who also funded the project.[7] Only four of the colossal glass negatives produced by Bayliss and Holtermann have been identified and all of them were taken from Holtermann’s purpose-built camera in the tower of his mansion in North Sydney.[8] Two were 160 x 96.5 cm (5.1 ft x 3.08 ft) and formed a panorama of Sydney Harbour from Garden Island to Millers Point. The other two were 136 x 95 cm (4.4 x 3.1 feet) and were of the Harbour Lavender Bay and Fort Maccquarie and Berry’s Bay and Goat Island. .[9] All four colossal negatives were acknowledged at the time as being the largest negatives made and appear to have remained so until 1900 when George R. Lawrence built his (4.5 x 8 ft) camera to photograph the Alton Limited locomotive.[10] In 1876 one of the negatives was viewed by the Photographers Art Society of the Pacific Coast (PASPC) who acknowledged it as being the largest negative ever produced. The society declared,

that as photographers we are indebted to the liberality of B. O. Holterman, for demonstrating the possibility and perfecting the production of the largest negative; and we tender him the thanks of this society for kindly placing this negative on view for our benefit.[11]

The Holtermann Panorama

In 1875 Charles Bayliss and Bernhardt Holtermann produced a large panorama of Sydney harbour made from a series of twenty-three wet-plate negatives measuring 56 by 46 centimetres many of which were duplicated four or more times to obtain the best image. The finished panorama was nearly ten metres long.[12][13]

It was photographed from the central tower of Holtermann's house in North Sydney. Sitting some 27 metres above a ridge that was already well-elevated the tower gave a special vantage from which to photograph Sydney and the harbour of Port Jackson.[14]

Some of the photographs, including the panorama, were displayed at the Philadelphia Centennial Exhibition, where they won a bronze medal.[15] The panorama was also displayed at the 1878 Exposition Universelle Internationale in Paris.[15]

Rediscovery

In 1951 the negatives were discovered in a garden shed in Chatswood, New South Wales. Credit for the discovery of the photographs goes to Keast Burke and Vyvyan Curnow who worked for the Australasian Photo-Review. While writing a story on the gold nugget discovered by Bernhard Holtermann they found photographs donated by Holtermann at the Mitchell Library. This led Curnow to visit one of Holtermann's descendants who was living in Chatswood, Sydney. Here he discovered some 3,500 glass plate negatives which had been locked for many years in a garden shed.[16] The collection was in remarkably good condition as the plates had remained undisturbed in a safe place out of the light for over seventy-five years. In time, the find proved to be one of the most important to document life on the goldfields of Australia.[17]

International significance

The international significance of the collection is due to its size and quality combined with the level of detail captured in the glass plate negatives. It is a rare survivor of a large-scale nineteenth-century Australian photographic archive.[4] The collection includes three of the largest surviving wet-plate negatives in the world.[4] In May 2013, the Holtermann Collection of glass plate negatives at the State Library of New South Wales was included on the UNESCO Memory of the World Register – Asia and the Pacific.[4] Three giant views of Sydney Harbour, the largest measuring over 1.6 metres wide, were added to the UNESCO International Memory of the World Register in November 2017. [18]

Collection
  • Collection of 3,500 glass negatives, photographs of goldfield towns in N.S.W. and Victoria; Sydney and Melbourne streets and buildings, 1871-1876.
  • PXD 352/vol. 1. Drawings, coloured and uncoloured albumen prints of New South Wales Scenery.
  • PXD 352/vol. 2. Uncoloured albumen prints of Victorian Scenery, Bernard O. Holtermann, gold mining scenes Ballarat.
  • PXD 352/vol. 3. Albumen prints of Victorian Scenery includes panorama Victorian Sth Yarra etc.
  • PXD 352/vol. 4. Coloured and uncoloured albumen prints, silver gelatine prints and photo-mechanical prints of portraits and European scenes.
  • MLMSS 968. Bernard Otto Holtermann papers, 1864-1876.
  • PXE 1373 and R 2019. 41 albumen prints, 3 medals, 6 Waterhouse stops.

Digitisation

In 2008, the collection was digitised at high resolution and images like this one of On Gay & Co., general storekeepers (grocery & drapery), Hill End were made available through the Library's image viewer.[2] In 2015, Gulgong Holtermann Museum which uses many of these hi-resolution images was launched in Gulgong,New South Wales.[19]

References
  1. Downer, Christine (19 January 2015). "Photography in Australia: A select bibliography". History of Photography. 23 (2): 192–197. doi:10.1080/03087298.1999.10443822.
  2. The Holtermann Collection, State Library of New South Wales.. Retrieved 6 June 2014.
  3. Neville, Richard (June 1999). "News". LASIE: Library Automated Systems Information Exchange. 30 (2): 56. Retrieved 7 April 2016.
  4. "The Holtermann Collection". Australian Memory of the World. Retrieved 7 April 2016.
  5. Johnstone, Richard. "How Merlin and Bayliss worked their magic". Inside story. Retrieved 7 April 2016.
  6. Intercolonial News’, The Queenslander, (18 January 1873), 9.
  7. Mr. Holtermann’s photographs, (1875, November 9). Evening News (Sydney, NSW : 1869 – 1931), p. 2. Retrieved November 4, 2018
  8. Bernard Otto Holterman, (1875, December 11). Illustrated Sydney News and New South Wales Agriculturalist and Grazier (NSW : 1872 – 1881), p. 3. Retrieved November 4, 2018, from http://nla.gov.au/nla.news-article63106163
  9. This mansion is now part of the Sydney Church of England Grammar School (commonly known as Shore or Shore School). Glass plate negatives of Sydney Harbour from the Holtermann residence, St. Leonards, 1870-1875, State Library of New South Wales, XR 45a, XR 45b,XR 46
  10. Holterman’s Negative, (1876, September 12). Clarence and Richmond Examiner and New England Advertiser (Grafton, NSW : 1859 – 1889), p. 3. Retrieved November 3, 2018
  11. [ http://nla.gov.au/nla.news-article61906377 Holterman’s Negative], (1876, September 12). Clarence and Richmond Examiner and New England Advertiser (Grafton, NSW : 1859 - 1889), p. 3. Retrieved November 3, 2018
  12. The Holtermann Collection web page, State Library of New South Wales, accessed November 2020.
  13. Panorama from Holtermann house, American & Australasian Photographic Company, collodion glass plate negatives, State Library of New South Wales, series numbers: ON 4 Box 78 No 7, ON 4 Box 77 No 25 (B), ON 4 Box 77 No 25 (A), ON 4 Box 61 No E, ON 4 Box 61 No D, ON 4 Box 61 No I, ON 4 Box 61 No A, ON 4 Box 61 No G, ON 4 Box 61 No C, ON 4 Box 61 No J, ON 4 Box 61 No F, ON 4 Box 61 No H.
  14. The Towers, At Home In North Sydney, North Sydney Council website, accessed November 2020.
  15. "Holtermann panorama" (PDF). National Gallery of Australia. Retrieved 18 January 2010.
  16. Sydney Morning Herald (NSW : 1842 - 1954), Saturday 28 February 1953, page 2
  17. name="goldandsilver">Gold and Silver: Photographs of Australian Goldfield from the Holtermann Collection by Keast Burke, Penguin Books Australia, 1973, pp 1–4.
  18. SL Magazine (Autumn 2018). "Memory of the World". SL. 11:1: 6.
  19. http://www.mudgeeguardian.com.au/story/2839026/gulgongs-holtermann-museum-launch-reveals-first-drawings/
  • The Holtermann Collection. State Library of New South Wales. Retrieved 6 June 2014.
  • Panorama of the city and harbour of Sydney from North Sydney; Campbell's Wharf/Parbury ...(?) & Co.; Holtermann panorama of Sydney; Market street looking west from its intersection with Elizabeth Street, State Library of New South Wales ACCESSION RECORD , Pic.Acc.6617
  • N.S.Wales scenery, no. 30-35: panoramic view of Sydney Harbour & suburbs taken from the residence of B.O. Holtermann, Esq. for his intercolonial exposition, 1874, State Library of New South Wales XV1A/N Syd/2

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