Hymen (god)

Hymen (Ancient Greek: Ὑμήν), Hymenaios or Hymenaeus, in Hellenistic religion, is a god of marriage ceremonies, inspiring feasts and song. Related to the god's name, a hymenaios is a genre of Greek lyric poetry sung during the procession of the bride to the groom's house in which the god is addressed, in contrast to the Epithalamium, which is sung at the nuptial threshold. He is one of the winged love gods, Erotes.

Hymenaios
God of weddings, reception, marriage
Abode	Mount Olympus
Symbol	Bridal torch
Parents	Apollo and one of the Muses[1][2][3][4][5]
Roman equivalent	Talasius

Nicolas Poussin, Hymenaios Disguised as a Woman During an Offering to Priapus, 1634, São Paulo Museum of Art

Hymen is the son of Apollo and one of the muses, Clio or Calliope or Urania or Terpsichore.[6][7][8][9][10]

Cupid standing (left), and Hymen sitting (right). Hymen's burning torch on a Napoleonic wedding medal of 1807. It commemorates the marriage of Napoleon's youngest brother Jérôme Bonaparte to Princess Catharina of Württemberg at Fontainebleau.

Function and representation

Hymen is supposed to attend every wedding. If he did not, then the marriage would supposedly prove disastrous, so the Greeks would run about calling his name aloud. He presided over many of the weddings in Greek mythology, for all the deities and their children.

Hymen is celebrated in the ancient marriage song of unknown origin (called a Hymenaios) Hymen o Hymenae, Hymen delivered by G. Valerius Catullus.

Cupid Rekindling the Torch of Hymen, a sculpture by George Rennie

At least since the Italian Renaissance, Hymen was generally represented in art as a young man wearing a garland of flowers and holding a burning torch in one hand.

Mythology

Hymen was mentioned in Euripides's The Trojan Women, where Cassandra says:

Bring the light, uplift and show its flame! I am doing the god's service, see! I making his shrine to glow with tapers bright. O Hymen, king of marriage! blest is the bridegroom; blest am I also, the maiden soon to wed a princely lord in Argos. Hail Hymen, king of marriage!

Hymen is also mentioned in Virgil's Aeneid and in seven plays by William Shakespeare: Hamlet,[11] The Tempest, Much Ado about Nothing,[12] Titus Andronicus, Pericles, Prince of Tyre, Timon of Athens and As You Like It, where he joins the couples at the end —

Tis Hymen peoples every town;
High wedlock then be honoured.
Honour, high honour, and renown,
To Hymen, god of every town!

There is a song to Hymen in the comic opera H.M.S. Pinafore by W. S. Gilbert and A. Sullivan.

Hymen also appears in the work of the 7th- to 6th-century BCE Greek poet Sappho (translation: M. L. West, Greek Lyric Poetry, Oxford University Press):

High must be the chamber –
Hymenaeum!
Make it high, you builders!
A bridegroom's coming –
Hymenaeum!
Like the War-god himself, the tallest of the tall!

Hymen is most commonly the son of Apollo and one of the Muses.[13][14][15][16][17] In Seneca's play Medea, he is stated to be the son of Dionysus.[18]

Other stories give Hymen a legendary origin. In one of the surviving fragments of the Megalai Ehoiai attributed to Hesiod, it's told that Magnes "had a son of remarkable beauty, Hymenaeus. And when Apollo saw the boy, he was seized with love for him, and wouldn't leave the house of Magnes".[19]

Aristophanes' Peace ends with Trygaeus and the Chorus singing the wedding song, with the repeated phrase "Oh Hymen! Oh Hymenaeus!",[20] a typical refrain for a wedding song.[21]

Hymen is also mentioned in chapter 20 of Vanity Fair by William Makepeace Thackeray.[22]

Hymen (1921) is an early book of poetry by the American modernist poet H.D. The eponymous long poem of the collection imagines an ancient Greek women's ritual for a bride.

Later story of origin

According to a later romance, Hymen was an Athenian youth of great beauty but low birth who fell in love with the daughter of one of the city's wealthiest women. Since he couldn't speak to her or court her, due to his social standing, he instead followed her wherever she went.

Hymen disguised himself as a woman in order to join one of these processions, a religious rite at Eleusis where only women went. The assemblage was captured by pirates, Hymen included. He encouraged the women and plotted strategy with them, and together they killed their captors. He then agreed with the women to go back to Athens and win their freedom, if he were allowed to marry one of them. He thus succeeded in both the mission and the marriage, and his marriage was so happy that Athenians instituted festivals in his honour and he came to be associated with marriage.

Hymen was killed by Nicaea.

Sister project

Media related to Hymen (god) at Wikimedia Commons

References

1. Nonnus, Dionysiaca 33.67
2. Vatican Scholiast on Euripides' Rhesus, 895 (ed. Dindorf)
3. Scholiast on Pindar's Pythian Odes 4.313
4. Alciphron, Epistles 1.13.3
5. Tzetzes. Chiliades 8.599
6. Nonnus, Dionysiaca 33.67
7. Vatican Scholiast on Euripides' Rhesus, 895 (ed. Dindorf)
8. Scholiast on Pindar's Pythian Odes 4.313
9. Alciphron, Epistles 1.13.3
10. Tzetzes. Chiliades 8.599
11. ln. 3.2.147.
12. In 5.3.
13. Nonnus, Dionysiaca 33.67
14. Vatican Scholiast on Euripides' Rhesus, 895 (ed. Dindorf)
15. Scholiast on Pindar's Pythian Odes 4.313
16. Alciphron, Epistles 1.13.3
17. Tzetzes. Chiliades 8.599
18. Seneca, Medea 56 ff
19. Hesiod, Megalai Ehoiai fr. 256, paraphrased in Antoninus Liberalis 23
20. "Archived copy". Archived from the original on 2005-12-01. Retrieved 2005-11-21.CS1 maint: archived copy as title (link)
21. Encyclopædia Britannica, hymen.
22. William Makepeace Thackeray: Vanity Fair. London: Penguin, s. a.

Sources

• Leonhard Schmitz, "HYMEN." A dictionary of Greek and Roman biography and mythology, William Smith, editor. (11.57).
• P. Maas, "Hymenaios" REF 9 (1916) pp. 130–34.
• Ovid. Medea and Metamorphoses, 12.
• Virgil. Aeneid, 1
• Catullus, Poem 62.