Irving Sayles

Irving Sayles (1872 – 8 February 1914) was an African-American vaudeville entertainer. He spent much of his life in Australia as a popular minstrel show performer, touring the Tivoli circuit. He performed coon songs and employed a self-deprecating humor involving comic interpretations of plantation slavery that reinforced negative racial stereotypes.

Irving Sayles

Early years and work in Australia

Irving Sayles was born in Quincy, Illinois, to Melinda (née Wilson) and Josephus Sayles.[1] He reported his year of birth as 1872. He became a member of Haverly's United Mastodon Minstrels at a young age.[2] In 1888 he traveled to Australia as part of the Hicks-Sawyer Minstrels,[3] the second company that minstrelsy manager Charles Hicks brought to Australia. That September, the group played the Opera House in Sydney, where Sayles performed a solo piece and played the tambourine. Following a leg in Tasmania, Hicks wrote in 1890 that Sayles was the hit of their trip, saying that "[h]is song, 'Father of a Little Black Coon,' gets three and four encores nightly."[4] After the minstrel group broke up in 1890, Sayles went to Melbourne, where he worked for Frank Clark.[4] He met Charlie Pope and the two formed a double act, with Pope playing the straight man. They worked for theatre owner Harry Rickards.[2]

Later life

Sayles entered Australia prior to the White Australia policy and the Immigration Restriction Act 1901. He participated in amateur races[5] and in 1897 he married Englishwoman Edith Carter in Melbourne.[1] From 1909 until his death he partnered with Les Warton.[6] He made a long run as the cornerman "Tambo" and appeared on the cover of Theatre magazine in 1911.[7]

Death

Sayles died suddenly from a blood clot on 8 February 1914 in Christchurch, New Zealand, after performing on the Brennan-Fuller vaudeville circuit as part of Fuller's Vaudeville Company. He was 42.[1][8] He was buried in Linwood.[9]

Notes
  1. "Death certificate of Irving Sayles". Nugrape.net. Retrieved 3 March 2013.
  2. "Irving Sayles". History of Australian Theatre Archive. Retrieved 3 March 2013.
  3. Waterhouse, Richard (October 1989). "Minstrel show and vaudeville house: The Australian popular stage, 1838–1914∗". Australian Historical Studies. 23 (93): 366–385. doi:10.1080/10314618908595819.
  4. Abbott, Lynn; Seroff, Doug (2009). Out of Sight: The Rise of African American Popular Music, 1889-1895. Jackson: University Press of Mississippi. p. 64. ISBN 978-1-60473-039-5.
  5. "Pedestrianism". The Sydney Morning Herald. 9 August 1895.
  6. "Irving Sayles". Australian Variety Theatre Archive. 2011-04-27. Retrieved 6 March 2013.
  7. "Irving Sayles a Unique Record", The Theatre, 1 April 1911. pp. 32–33.
  8. "Irving Sayles: Death at Christchurch". The Argus. 10 February 1914.
  9. "Death of Irving Sayles: A noted Vaudeville Performer", The Theatre, March 2, 1914, pp. 38–39.

References
  • Norman, Charles (1984). When Vaudeville Was King: A Soft Shoe Stroll Down Forget-Me-Not Lane. Melbourne: Spectrum Publications. pp. 9–10. ISBN 978-0-86786-067-2.
  • Waterhouse, Richard (1990). From Minstrel Show to Vaudeville: The Australian Popular Stage, 1788-1914 (1st ed.). Kensington, NSW, Australia: New South Wales University Press. ISBN 978-0-86840-100-3.

Further reading
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