Jackie Ormes

Jackie Ormes (August 1, 1911 – December 26, 1985) was an American cartoonist. She is known as the first African-American woman cartoonist and creator of the Torchy Brown comic strip and the Patty-Jo 'n' Ginger panel.

Jackie Ormes
Jackie Ormes holding a Patty-Jo doll.
BornZelda Mavin Jackson
August 1, 1911
Pittsburgh, Pennsylvania
DiedDecember 26, 1985(1985-12-26) (aged 74)
Chicago, Illinois
NationalityAmerican
Area(s)Cartoonist
Notable works
Torchy Brown in Dixie to Harlem
Candy
Patty Jo 'n' Ginger
Torchy in Heartbeats (originally titled Torchy Brown Heartbeats) and accompanying Torchy Togs (paper doll cutouts).
AwardsNational Association of Black Journalists Hall of Fame
Will Eisner Comic Industry Hall of Fame

Early life and career

Jackie Ormes was born Zelda Mavin Jackson [1][2] on August 1, 1911,[3] in Pittsburgh, Pennsylvania, to parents William Winfield Jackson and Mary Brown Jackson.[4] Her father William, the owner of a printing company and movie theater proprietor, was killed in an automobile accident in 1917.[4] This resulted in the then six-year old Jackie and her older sister Dolores being placed in the care of their aunt and uncle for a brief period of time.[4] Eventually, Jackie's mother remarried and the family relocated to the nearby city of Monongahela. Ormes described the suburb in a 1985 interview for the Chicago Reader as "spread out and simple. Nothing momentous ever happens here." She graduated from high school in Monongahela in 1930.[4][5]

Ormes drew and wrote throughout high school. She was arts editor for the 1929–1930 Monongahela High School Yearbook where her earliest efforts as a cartoonist can be seen in the lively caricatures of her school's students and teachers.[6] It was during this period that she wrote a letter to the editor of the Pittsburgh Courier,[7] a weekly African-American newspaper that was published on Saturdays. The then-editor, Robert Vann, wrote back. This correspondence led to her first writing assignment—covering a boxing match. Her coverage of subsequent matches led to her becoming an avid fan of the sport.[5]

Ormes started in journalism as a proofreader for the Pittsburgh Courier.[5] She also worked as an editor and as a freelance writer, writing on police beats, court cases and human-interest topics.[4] While she enjoyed "a great career running around town, looking into everything the law would allow, and writing about it," what she really wanted to do was draw.[5]

Cartooning

Ormes's first comic strip, Torchy Brown in Dixie to Harlem, first appeared in the Pittsburgh Courier on May 1, 1937.[8] Her work was not syndicated in the usual sense, but, since the Courier had fourteen city editions, she was indeed read from coast to coast.[9] The strip, starring Torchy Brown,[10] was a humorous depiction of a Mississippi teen who found fame and fortune singing and dancing in the Cotton Club. Torchy's journey from Mississippi to New York City mirrored the journey of many African-Americans who ventured northward during the Great Migration.[11] It was through Torchy Brown that Ormes became the first African-American woman to produce a nationally appearing comic strip.[12] The strip ran until April 30, 1938.[8] The reason for the strip's abrupt end is uncertain, but it is presumed to have been due to an end of her contract.[4]

Ormes moved to Chicago in 1942. She soon began writing occasional articles and, briefly, a social column for The Chicago Defender, one of the nation's leading black newspapers, a weekly at that time. For a few months at the end of the war, her single panel cartoon, Candy, about an attractive and wisecracking housemaid, appeared in the Defender; the panel ran from March 24 to July 21, 1945.[8]

By August 1945, Ormes's work was back in the Courier, with the advent of Patty-Jo 'n' Ginger, a single-panel cartoon which ran for 11 years.[13] It featured a big sister-little sister set-up, with the precocious, insightful and socially/politically-aware child as the only speaker and the beautiful adult woman as a sometime pin-up figure and fashion mannequin.[14] The strip ran from September 1, 1945 to September 22, 1956.[8]

Starting August 19, 1950, the Courier began an eight-page color comics insert, where Ormes re-invented her Torchy character in a new comic strip, Torchy in Heartbeats.[15] This Torchy was a beautiful, independent woman who finds adventure while seeking true love.[16] Ormes expressed her talent for fashion design as well as her vision of a beautiful black female body in the accompanying paper doll topper, Torchy Togs.[17] The strip is probably best known for its last installment on September 18, 1954, when Torchy and her doctor boyfriend confront racism and environmental pollution. Ormes used Torchy in Heartbeats as a sounding board for several big issues of the time. In a 1985 interview for Chicago Reader she claimed she was "anti-war-I was anti-everything-that's-smelly". Torchy presented an image of a black woman who, in contrast to the contemporary stereotypical media portrayals, was confident, intelligent, and brave.[5]

Patty-Jo dolls

Ormes contracted with the Terri Lee doll company in 1947 to produce a play doll based on her little girl cartoon character.[18] The Patty-Jo doll was on the shelves in time for Christmas and was the first American black doll to have an extensive upscale wardrobe. As in the cartoon, the doll represented a real child, in contrast to the majority of dolls that were mammy and Topsy-type dolls. The dolls were popular with both black and white children.[5] In December 1949, Ormes's contract with the Terri Lee company was not renewed, and production ended. Patty-Jo dolls are now highly sought collectors' items.

Content and influence

Her heroines, including the iconic Torchy in Heartbeats, are strong and independent women who are socially and politically aware, who strive for their goals against all odds, defy social norms, and pick themselves up by the bootstraps and move on to the next adventure. In an interview towards the end of her life Ormes said, "I have never liked dreamy little women who can't hold their own."[19] Ormes's creations not only defied expectations for black women, but gave her readership strong models for what the next powerful generation of young black women could become.[20]

Jackie Orme’s heroines faced challenges that were not dragons or evil stepmothers, but instead relatable and contemporary issues, such as smothering aunts or the dangers of being taken advantage of in an unfamiliar environment. While this artist generated a fanciful career path for Torchy Brown, the young performer’s tale is woven with seeds of reality. Torchy faced deception, unsympathetic peers, racism, danger, and heartbreak—but, no matter the odds, she came through. Ormes created women that her readership could believe in, root for, and aspire to be.[21]

Ormes tackled social and political issues everywhere from race to sex to environmental pollution. In each aspect of her life the cartoonist was involved in humanitarian causes, and her passion for left-wing ideologies post-World War II even led to an investigation by the FBI.

Retirement

Jackie Ormes married accountant Earl Ormes in 1931.[22] The couple initially moved to Salem, Ohio so Earl could be close to his family. But Ormes was not happy there, and they eventually moved to Chicago. The pair had one child, Jaqueline, who died of a brain tumor at the age of three. Ormes remained married to Earl until his death in 1976.[23]

She retired from cartooning in 1956, although she continued to create art, including murals, still lifes and portraits until rheumatoid arthritis made this impossible.[5] She contributed to her South Side Chicago community by volunteering to produce fundraiser fashion shows and entertainments. She was also on the founding board of directors for the DuSable Museum of African American History. Ormes was a passionate doll collector, with 150 antique and modern dolls in her collection, and she was active in Guys and Gals Funtastique Doll Club, a United Federation of Doll Clubs chapter in Chicago. She died of a cerebral hemorrhage in Chicago on December 26, 1985.[3][23][24] Ormes was posthumously inducted into the National Association of Black Journalists Hall of Fame in 2014,[25] and was inducted into the Will Eisner Comic Industry Eisner Award Hall of Fame as a Judges' Choice in 2018.[26]

Legacy

A Google Doodle on September 1, 2020, paid homage to her work.[27][28]

See also

Further reading
  • Goldstein, Nancy (2008). Jackie Ormes: The First African American Woman Cartoonist. University of Michigan Press. ISBN 978-0-472-11624-9. OCLC 1176131351.
  • Hatch, Shari Dorantes (2009). Encyclopedia of African-American writing: Five Centuries of Contribution: Trials & Triumphs of Writers, Poets, Publications and Organizations. Grey House Pub. ISBN 978-1592372911. OCLC 173807586.
  • Nicholson, Hope (2017). "Torchy Brown". The Spectacular Sisterhood of Superwomen: Awesome Female Characters from Comic Book History. Quirk Books. ISBN 978-1-59474-948-3. OCLC 1033462116.

References
  1. Goldstein, Nancy (2008). Jackie Ormes: The First African American Woman Cartoonist. Ann Arbor: University of Michigan Press. pp. 7, 183. ISBN 978-0-472-11624-9. OCLC 1176131351.
  2. Wolk, Douglas (March 30, 2008). "Origin Story". The New York Times. Archived from the original on May 18, 2014.
  3. "Zelda Ormes". United States Social Security Death Index. Archived from the original on April 26, 2016. Retrieved March 19, 2013.
  4. "Ormes, Zelda "Jackie" (1911-1985) | The Black Past: Remembered and Reclaimed". BlackPast.org. Archived from the original on March 25, 2017. Retrieved December 4, 2016.
  5. Smith, Jessie Carney (2003). Notable Black American Women Vol. III. Detroit: Gale. pp. 455–456. ISBN 0-7876-6494-4.
  6. Howard, Sheena C. (2017). Encyclopedia of black comics. ISBN 978-1682751015. OCLC 992166823.
  7. "Jackie Ormes". Lambiek Comiclopedia. September 5, 2008. Archived from the original on August 15, 2012.
  8. Holtz, Allan (2012). American Newspaper Comics: An Encyclopedic Reference Guide. Ann Arbor: The University of Michigan Press. ISBN 978-0472117567.
  9. Goldstein, Nancy. Ibid. p. 39
  10. Markstein, Don (2010). "Torchy Brown". Don Markstein's Toonopedia. Archived from the original on May 18, 2014.
  11. Brunner, Edward (2007). "'Shuh! Ain't Nothin' To It': The Dynamics of Success in Jackie Ormes's 'Torchy Brown'". MELUS. 32 (3): 23–49. doi:10.1093/melus/32.3.23. JSTOR 30029790.
  12. Cavna, Michael (January 31, 2014). "RIP, Morrie Turner: Cartoonists say farewell to a friend, a hero, a Wee Pals pioneer". The Washington Post. Archived from the original on May 18, 2014.
  13. Onion, Rebecca (August 13, 2013). "Fifty Years Before Boondocks There Was Patty-Jo 'n' Ginger". Slate. Archived from the original on October 16, 2013.
  14. Norris, Kyle (July 29, 2008). "Comics Crusader: Remembering Jackie Ormes". NPR. Archived from the original on October 6, 2013.
  15. Green, Karen (August 1, 2008). "Black and White and Color". Comixology.com. Archived from the original on December 10, 2008.
  16. Goldstein, Nancy. "The Trouble With Romance in Jackie Ormes's Comics", Black Comics: Politics of Race and Representation, Sheena Howard and Ronald L. Jackson II, eds., Bloomsbury, 2013, pp. 2–21.
  17. Goldstein,Nancy. "Fashion in the Funny Papers: Cartoonist Jackie Ormes's American Look", The Blacker the Ink: Constructions of Black Identity in Comics and Sequential Art, Frances Gateward and John Jennings, eds., Rutgers University Press, 2015, pp. 95–116.
  18. Cronin, Brian (May 9, 2014). "Comic Book Legends Revealed #470". Comic Book Resources. Archived from the original on May 13, 2014.
  19. Williams, Jasmin K. "Meet Jackie Ormes and Torchy Brown". New York Amsterdam News: 19.July 2012. ProQuest. Web. October 30, 2017.
  20. Irwin, Demetria. "The Fashion, Politics and Drawings of a Black History Treasure". New York Amsterdam News: 23 April 2008. ProQuest. Web. October 30, 2017.
  21. Calloway, Earl. "First Black Woman Cartoonist Created Characters that Fascinated Her Readers". Chicago Defender: 31 April 2008. ProQuest. Web. October 30, 2017.
  22. Goldstein, Nancy. Jackie Ormes: The First African American Woman Cartoonist, University of Michigan Press, 2008, p. 15.
  23. Pitts, Vanessa (n.d.). "Ormes, Zelda "Jackie" (1911–1985)". Blackpast.org. Archived from the original on October 23, 2013.
  24. Heise, Kenan (January 3, 1986), "Jackie Ormes, 68, drew comic strip 'Torchy'", Chicago Tribune, archived from the original on August 5, 2017, retrieved August 27, 2016, She died Thursday in Michael Reese Medical Center.
  25. Boyd, Herb (January 23, 2014). "Cartoonist Zelda Ormes inducted into NABJ Hall of Fame". New York Amsterdam News. Archived from the original on March 26, 2014.
  26. "Hall of Fame 2018 Nominees". Comic-Con International. Archived from the original on June 24, 2018. Retrieved April 28, 2018.
  27. "Celebrating Jackie Ormes". www.google.com. Retrieved 2020-09-01.
  28. Brown, Dalvin. "Google honors Black cartoonist and activist Jackie Ormes with new Doodle". USA Today. Retrieved 2020-09-01.
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