Janine Wiedel

Janine Wiedel (born 1947)[1] is a documentary photographer and visual anthropologist.[2] She was born in New York city, has been based in the UK since 1970 and lives in London. Since the late 1960s she has been working on projects which have become books and exhibitions. In the early 1970s she spent five years working on a project about Irish Travellers. In the late 1970s she spent two years documenting the industrial heartland of Britain.[3] Wiedel's work is socially minded, exploring themes such as resistance, protest, multiculturalism and counter culture movements.[4]

Wiedel's books include Irish Tinkers (1976), Looking at Iran (1976), Vulcan's Forge (1979), Dover, a Port in a Storm (1991) and Faces with Voices (1992).

She had solo exhibitions at The Photographers' Gallery in London in 1974 and 1979.[5] Associated Television broadcast a TV documentary about her called A Camera in the Street. She has won British Life Photography awards in 2015, 2016 and 2017. Her work is held in the collection of the Museum of Modern Art in New York City.

Life and work

Having completed two years of an architecture degree at the University of Colorado, where there were few women enrolled on the course, Wiedel switched to studying fine art and photography at the San Francisco Art Institute as well as workshops with Ansel Adams, Nancy Newhall and Beaumont Newhall in the late 1960s.[6] She then moved to Britain in 1970 to study photography at the Guildford School of Photography from 1970 to 1973.[1] Ansel Adams had a great influence on Wiedel's approach to photography, as did Thurston Hopkins who she studied under at the Guildford School of Art.[6]

While in San Francisco, she photographed the Berkeley People's Park protest and riots in 1969 as well as the Black Power movement in the late 1960s.[7] The resulting photographs have been published by Cafe Royal Books - see the Zines by Wiedel section below.

In 1973 Wiedel spent three weeks living with the Inuit people of Pangnirtung on the East coast of Baffin Island in Canada's North-West Territories. She subsequently published her experience and photographs in the New Humanist magazine in 1974 and the Times Educational Supplement in 1978.[8][9]

In the early 1970s she spent five years photographing Irish Travellers,[1] resulting in the book Irish Tinkers (1976), (a later update of this book was produced as an ibook in 2013 entitled Irish Tinkers: A portrait of Irish Travellers in the 1970s) and an exhibition at The Photographers' Gallery in London in 1974.[5] She was a photographer on / contributed photography to the film Traveller (1997).[10]

In 1976 Wiedel was commissioned by the publishers A & C Black (UK) and Lippincott (USA), with support from the National Iranian oil company, to produce a children's educational book called Looking at Iran, ISBN 9780397317974.

Classroom interaction was also one of her ongoing projects in the 1970s and 1980s. Wiedel was commissioned by TES (the Times Educational Supplement),[11] Penguin Education and other educational publishers. She provided the photographs for the book A Guide to Classroom Observation by Rob Walker and Clem Adelman in 1975. This book has was published in eReader format in 2005.[12]

In 1977 Wiedel was the first photographer to win the West Midlands Arts major bursary. She photographed and documented the lives of people in the West Midlands.[13] For a period of around two years in the late 1970s, Wiedel lived in her Volkswagen van in the Birmingham area photographing a range of people and industries, including miners, chain-makers, steel workers, jewellers and pottery workers.[14] This resulted in an Arts Council sponsored book Vulcan's Forge (1979) and an exhibition at The Photographers' Gallery in London in 1979.[15] A TV programme linked to the project, called England their England: Camera in the Streets, was shown on ATV at 7.30 pm on Tuesday 9 May 1978[16] and reviewed by Keith Brace in the Birmingham Daily Post.[17]

Between 1977 and 1979 Wiedel and Rob Walker[18] collaborated on a research study in a London secondary school. The project was supported by The Centre for Applied Research in Education (CARE) at the University of East Anglia.[19] The study involved photographer and researcher working closely in selected classrooms photographing, interviewing, analysing and exhibiting the results along with feedback from students and teachers. The study was published in Field Methods in the Study of Education edited by Robert G Burgess.[20] Wiedel's photographic contributions appear in chapter 10 'Using Photographs in a Discipline of Words'.[20]

Wiedel photographed the Greenham Common Women's Peace Camp from 1983 to 1984.[2] In the same year that US cruise missiles arrived at RAF Greenham Common in Berkshire, Wiedel first visited the camp, which was a centre for peace and anti-nuclear movements and also became an internationally renowned symbol of the women’s movement. She spent the next two years photographing and interviewing the women who lived there. Her work documents the lives and resistance of the women at the camp, which was made up of makeshift dwellings alongside the perimeter fence of the base.[2]

In 1989 Wiedel won the South Eastern Arts Cross Channel Photographic Award. This was a one year commission to photograph the town of Dover before the completion of the Channel Tunnel.[21] Her book Dover: A Port in a Storm (1991) and her solo exhibition Dover and its People: Janine Wiedel (1991) at the Dover Museum and the County Hall Gallery in Maidstone was the result of her work in Dover.

In 1991 she was awarded a one year commission from the Gainsborough's House Museum to document the people of Sudbury in England. Her book on the subject, Faces with Voices, was published in 1992 and the exhibition Faces with Voices: Portraits from an English Community was shown at Gainsborough's House, Sudbury and opened by Humphrey Spender in 1992.[22] The exhibition then travelled with a British Council visual arts grant to the Goodnow Gallery in Sudbury, Massachusetts, USA in 1994.

Between 2001 and 2005 Wiedel documented the lives of the multicultural community in St Agnes Place, a squatted street in South London.[23] In 2005 two hundred riot police evicted the occupants from 21 of the houses, leaving 150 homeless. Wiedel's photographs are a lasting record of their lives, stories and eventual eviction. Between 2002-2006 Wiedel photographed the Rastafarian and BAME community in London which included a food growing and food awareness programme in Brixton. The food awareness programme was funded by London 21 and the Scarman Trust.[24] In 2006 Wiedel co-ordinated and organised a talk, Groundation concert and multiscreen photographic presentation of the London Rastafarian community for the Profile Intermedia 9 conference called The Tower of Babel at the Power House, Bremen, Germany.

In 2016 Wiedel spent six months photographing in the Calais Jungle and the Grande-Synthe refugee camp in Dunkirk resulting in an exhibition In Transit: Life in the Refugee Camps of Northern France.[25]

From 1968 to the present Wiedel has been documenting protest, protest movements and multicultural communities.[26] In 1974 Wiedel established a photo library which continues to be updated. Since 2003 the collection has been in the process of digitisation.[26]

Publications

Books by Wiedel

Zines by Wiedel
  • People's Park Berkeley Riots. Southport: Café Royal, 2019.[27]
  • Greenham Common Women's Peace Camp 1983–1984. Southport: Café Royal, 2019. Edition of 250 copies.[2]
  • Chainmaking: The Black Country, West Midlands 1977. Southport: Café Royal, 2018. Edited by Craig Atkinson. Edition of 250 copies.[28]
  • Coal Mining: The West Midlands 1978. Southport: Café Royal, 2018. Edited by Atkinson. Edition of 250 copies.
  • Black Power: Black Panthers: 1969. Southport: Café Royal, 2017. Later reprinted twice.[29]
  • Black Power: Black Panthers: 1970. Southport: Café Royal, 2017. Second edition, 2017. Edition of 200 copies.[27]
  • Smiths' Drop Forge: Birmingham 1976. Southport: Café Royal, 2017. Edited by Atkinson. Edition of 200 copies.[30]
  • Iron and Steel: The West Midlands 1977. Southport: Café Royal, 2017. Edited by Atkinson. Edition of 200 copies.[31]
  • Industry, West Midlands: 1977–1979. Includes seven separate zines in a box set: Industries The West Midlands 1977–1979 (exclusive to this box set), Smiths' Drop Forge: Birmingham 1976, Iron and Steel: The West Midlands 1977, Coal Mining: The West Midlands 1978, Coal Mining: The West Midlands 1978, Chainmaking: The Black Country, West Midlands 1977,[32] The Jewellery Quarter: Birmingham: 1977, and The Potteries: Stoke-on-Trent: 1978. Edition of 100 copies.[33]
  • Saintes Maries Gypsy Festival Camargue 1974. Southport: Café Royal, 2020. Edited by Atkinson. Edition of 250 copies.[27]
  • Iran 1976. Southport: Café Royal, 2020. Edited by Atkinson.[27]
  • Port of Dover 1989–90. Southport: Café Royal, 2020. Edited by Atkinson.
  • Leisure Time Dover 1989–90. Southport: Café Royal, 2020. Edited by Atkinson.

A selection of Wiedel's Zines are held in the following library collections: The National Art Library, Victoria and Albert Museum, London:[34] The Tate Library Collection, London:[35] The British Library, London;[36] University of London, Catalogue of Historic Research, London.[37]

Selected books and publications with contributions by Wiedel
  • A Guide to Classroom Observation. London: Methuen, 1975. By Rob Walker and Clem Adelman, with photographs by Wiedel. ISBN 9780416812107.
  • British Journal of Photography Annual 1981. Henry Greenwood, 1980. Includes photographs by Wiedel. ISBN 0900414197, 9780900414190.
  • Lichtbildnisse: das Porträt in der Fotografie. Klaus Honnef, Jan Thorn Prikker, and Rheinisches Landesmuseum Bonn. Cologne: Rheinland-Verlag, 1982. ISBN 379270661X and ISBN 9783792706619. Includes photographs by Wiedel.
  • Field Methods in the Study of Education. Edited by Robert G. Burgess. London: Falmer, 1985. Chapter 10: ‘Using photographs in discipline of words' by Rob Walker with photographs by Wiedel - pp. 198–210. ISBN 1850000123 and ISBN 9781850000129.
  • A Woman's Place: The Changing Picture of Women in Britain. Harmondsworth & New York, Penguin Books, 1986. By Diana Souhami with photographs by Wiedel. ISBN 0140086099, 9780140086096.
  • Industrial Image: British Industrial Photography 1843 to 1986. By Sue Davies and Caroline Collier with photographs by Wiedel. London, Photographers' Gallery, 1986. ISBN 9780907879114 and ISBN 090787911X.
  • British Journal of Photography Annual 1992. London: Bouverie, 1991. Includes photographs by Wiedel. ISBN 0900414405, 9780900414404.
  • Black Country Working Women. By Clare Wightman. Wolverhampton, Light House Media Centre, 1991. Photographs by Wiedel. ISBN 0951232827 and ISBN 9780951232828.
  • Soundings. Maidstone, Kent: Cross Channel Photographic Mission, 1994. Edited by Jane Alison and Brigitte Lardinois. ISBN 9780951742754. With an introduction by Neal Ascherson.
  • Research as Social Change, New Opportunities for Qualitative Research. Michael Schratz and Rob Walker. London: Routledge, 1995. Wiedel contributes to the chapter 'Being there: using pictures to see the invisible'. ISBN 0415118697 and ISBN 9780415118699. eBook (2005) ISBN 9780203014004.[38]
  • Picturing Childhood: The Myth of the Child in Popular Imagery. Patricia Holland. London & New York: I.B. Tauris, 2004. Includes contribution from Wiedel. ISBN 1860647758.[39]
  • Great Brixton: A Photobook of Brixton's Greatness. The Champion Agency, 2015. Includes photographs by Wiedel. ISBN 0993451306 and ISBN 9780993451300.
  • The British Life Photography Awards: Portfolio 1: The winning images from the inaugural British Life Photography Awards. The British Life Photography Awards (Contributor). London. Ilex, 2015. Includes photographs by Wiedel on pages 37, 40, 41 and 139. ISBN 178157264X, 9781781572641.
  • British Life Photography Awards: Portfolio 2. Stockport: Dewi Lewis, UK ed, 2016. Includes photographs by Wiedel on pages 59–61,118-119,122,123 and 128-129. ISBN 1907893881, 9781907893889.
  • British Life Photography Awards: Portfolio 3. BLPA, CLOC Ltd. 2017. Includes photographs by Wiedel on pages 54, 94 and 95.[40] Not published with an ISBN number.
  • Photoworks Annual, Issue 25. Brighton. Photoworks and Arts Council England. 2019. Includes a chapter by Wiedel "The London Fancy Box Company, Dover", from the series, Dover: A Port in a Storm, 1989-1990. ISBN 9781903796559
  • Online booket You Can't Beat a Woman: The story of the founding of refuges. June Freeman & Ravi Thiara. 2018. A Heritage Lottery project. Includes photographs by Wiedel on pages 19 to 25.[41]

Exhibitions

Solo exhibitions
  • Janine Wiedel, The Photographers' Gallery, London, May–June 1974.[5] Photographs of an Inuit family on Baffin Island and of Irish travellers.[42]
  • Classrooms: Janine Wiedel, The Half Moon Gallery, London, April–May 1977.[43]
  • Classrooms: Janine Wiedel, touring exhibition by The Half Moon Photography Workshop. 1977.[44]
  • Vulcan's Forge: Face of the West Midlands by Janine Wiedel, The Photographers' Gallery, London, 13 September – 7 October 1979.[45]
  • Vulcan's Forge: Janine Wiedel, Stoke on Trent City Museum and Art Gallery, 8 March - 3 April 1980.
  • Industries and Life in the West Midlands by Janine Wiedel, Ikon Gallery, Birmingham. 1980.
  • Vulcan's Forge: Janine Wiedel, ATV Centre, Birmingham, 1980.
  • British Women: Janine Wiedel, Invicta Radio Station, Canterbury, August 1990.[46]
  • Dover and its People: Janine Wiedel, Dover Museum (as part of the White Cliffs Experience), Dover, March–April 1991.[47]
  • Dover and its People: Janine Wiedel, County Hall Gallery, Maidstone, October 1991.[48]
  • Faces with Voices: Portraits from an English community: Janine Wiedel. Gainsborough's House, Sudbury. April–June 1992.[49]
  • Faces with Voices: Portraits from an English community: Janine Wiedel. Focal Point Gallery, Southend. December 1992 – January 1993.[50]
  • Faces with Voices: Portraits from an English community: Janine Wiedel. Goodnow Gallery, Sudbury, Massachusetts, USA , April 1994.

Collaborative exhibitions
  • Rastafari 2006: Ras Napthali and Janine Wiedel, Rastafari Documentation Photos at the Profile Intermedia 9 Conference Tower of Babel, November 31 to December 3, 2006, Bremen, Germany.[51]
  • In Transit: Life in the Refugee Camps of Northern France, Gallery 101, International Headquarters of The Salvation Army, London, June–July 2017. With Jacky Chapman.[25] This exhibition was also shown in the following locations: Dulwich College, London, October - November 2016; South Hampstead High School, London, January - February 2018; The Steeple, Dundee, Scotland, June 2019.[52]
  • Black Country Living at the Blast! Festival of Photography, Talks and Walks, 24 May - 29 June 2019. Sandwell Borough, West Midlands. With John Myers.[53]
  • Still: Stories from the Jewellery Quarter. Exhibition at the Iron House Gallery, Birmingham, October–November 2019. Wiedel's photographs of the Jewellery Quarter were displayed alongside work by Andy Pilsbury and Inès Elsa Dalal.[54]

Group exhibitions
  • WIAC 1900-1975, Women's International Art Club, Camden Arts Centre, London, 14 January - 5 February 1975.[55]
  • Children Photographed, travelling Arts Council exhibition by the Children's Rights Workshop & IKON. First shown at the Shaw Theatre, Euston Road, London, September 1976.[56]
  • Art for Society, Whitechapel Gallery, London, 10 May – 18 June 1978.[57]
  • Realising Design, Institute of Contemporary Arts, London, 1 December 1978 – 7 January 1979.[58]
  • A Woman's Place: The Changing Picture of Women in Britain. A British Council exhibition first shown at the Royal Festival Hall, London in 1984. The exhibition subsequently toured overseas in 30 countries.[59]
  • Industrial Image: British Industrial Photography 1834-1986, The Photographers' Gallery, London, December 1986 – January 1987.[60]
  • Black Country Working Women. Arts Council touring exhibition first shown at the Light House Media Centre, Wolverhampton Art Gallery, Wolverhampton, 18 November – 13 January 1990.[61]
  • Resistance is Fertile: The Art of Protest. Ovada Gallery, Oxford, 5–28 June 2015.[62]
  • British Life Photography Awards 2016, The Mall Galleries, London, 7–13 March 2016.[63] Prize winner in two categories – 'Life at Work' and 'Historic Britain'.[64]
  • Industrial Might, Black Country Living Museum, Dudley, 19 May 2018 (part of the Reclaim Photography Festival, May 2018). Wiedel showed a selection of images from Chainmaking, The Black Country, 1977.[65]
  • You Can't Beat a Woman: The story of the founding of refuges.[66] January 2019. The Minories, Colchester[67] and Espacio Gallery, Bethnal Green.[68]

Awards and Awarded Commissions
  • 1977: West Midlands Arts Award. One year bursary.[69]
  • 1989: Cross Channel Photographic Award, South Eastern Arts. One year commission to photograph the town of Dover before the completion of the Channel Tunnel.[21]
  • 1991: Gainsborough's House Museum. One year commission documenting the people of Sudbury.[70]
  • 2014: Commended, Historic Britain category, British Life Photography Awards, for "Smith's Drop Forge (1977)".[71]
  • 2015: Winner, Life at Work category, British Life Photography Awards, for "Throwing and Winding, Silk Weaving, West Suffolk".[72]
  • 2015: Winner, Historic Britain category, British Life Photography Awards, for "Standing up against Apartheid, Trafalgar Square, London 1985".[73]
  • 2015: Highly commended, Historic Britain category, British Life Photography Awards, for "After the Queen's Silver Jubilee 1977, Resting with the Queen".[74]
  • 2016: Winner, Life at Work category, British Life Photography Awards.[75]
  • 2016: Winner, Historic Britain category, British Life Photography Awards.[75]
  • 2017: Winner, Historic category, British Life Photography Awards, for "Alan and fellow workers on midday break".[76][40]
  • 2017: Commended, Life at Work category, British Life Photography Awards, for "Loom-Weaver".[40]

Television and interviews
  • Pebble Mill at One - Wiedel spoke about her work with Irish Travellers, September 1976.[77]
  • Camera in the Streets, TV documentary by Associated Television about Wiedel, 1978.[78] Recording held by the BFI Mediatheque archive collection, Brum & Beyond: West Midlands on Screen.[79]
  • Straight Talk, Wiedel spoke about her work with Irish Travellers, RKO Television USA, Channel 9, recorded April 11, broadcast 12 April 1979.
  • A series of oral history interviews with Wiedel, held between 1980 and 1990. Photographers' Gallery Recordings at the British Library, London.[80]
  • Documentary stills from the town of Shildon, Co. Durham after the closure of the railway works. Thames TV, March 3, 1986.
  • Interview with Wiedel about the Dover and its People exhibition, BBC Kent, April 1991.

Collections

Wiedel's work is held in the Museum of Modern Art, New York: portrait of Edward Steichen[81]

    References
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