Jean-Louis Rodrigue
Born in Casablanca, Morocco, Jean-Louis Rodrigue (born May 23, 1951) is an acting coach, movement director,[1] senior teacher of the Alexander Technique, and a pioneer in its application to film and theater.[2] For over 40 years, he has worked professionally in Los Angeles and New York in theatre, film, television, and digital media. His unique approach to character movement and improving the levels of performance has also brought international recognition.[3]
Jean-Louis Rodrigue | |
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Born | |
Nationality | US Citizen |
Occupation | Acting coach and teacher of the Alexander Technique |
Website | http://www.alexandertechworks.com/jean-louis rodrigue/ |
Rodrigue is also a world-renowned speaker. He has given talks at the Berlin International Film Festival, Generation Campus in Moscow, Verbier Festival in Switzerland, Universidad de la Comunicación (México) in Mexico City, Berlinale Talents in Guadalajara, USC Thornton School of Music, Manhattan School of Music, National Institute of Dramatic Art in Sydney, and Digital Life Design Women in Munich.[4]
He is currently a faculty member at the UCLA School of Theater, Film and Television[5] and UCLA Herb Alpert School of Music.[5]
Early life and education
Jean-Louis Rodrigue was born on May 23, 1951 in Casablanca, Morocco and was raised in Milano, Italy.[6]
At eight years old, he became inspired to be an actor when he attended one of the first performances of Ferruccio Soleri in “Arlecchino, Servant of Two Masters” at Piccolo Teatro di Milano. He began his formal acting training in 1967 with Herbert Berghof at the HB Studio and Sonia Moore at the American Center for Stanislavski Theater Art in New York. [5]
In 1970, William Ball awarded Rodrigue a full scholarship to study in the Advanced Training Program at the American Conservatory Theater (ACT) in San Francisco. During his training at ACT, he discovered the Alexander Technique, and stayed three more years to train as an Alexander teacher with Frank Ottiwell and Giora Pinkas at the American Center for the Alexander Technique, San Francisco.
In post-formal training, Rodrigue studied extensively with master Alexander Technique teachers Marjorie Barstow, Walter Carrington, Patrick McDonald, and Dilys Carrington. Rodrigue is also a certified teacher of Jessica Wolf’s The Art of Breathing.[7]
Teaching career
Rodrigue founded Alexander Techworks in 1980, offering private instruction, training, coaching, group classes, and intensive workshops in Los Angeles, New York, Berlin, Toronto, Melbourne, and many other cities. He and Kristof Konrad own and operate the business together and are internationally known as two of the most sought after acting coaches and performance experts, collectively teaching the Alexander Technique in theater, film, television, and beyond for the past 38 years.
From 1998 to 2005, Rodrigue was part of the faculty of Verbier Festival.[5]
He teaches workshops at Larry Moss' Studio.[1] And he has taught masterclasses at the Howard Fine Acting Studios in Los Angeles and Australia.[8]
He founded the Alexander Technique program at the Los Angeles Philharmonic, where he taught for six years.[5] He has worked with circus artists of Cirque du Soleil’s Ka at the MGM Grand in Las Vegas.[6]
He had reportedly been brought in by the FBI to teach stress management and respiratory control for undercover spies infiltrating Middle Eastern terrorist cells.[9][10]
Film and television
Rodrigue has coached hundreds of actors in developing their character’s physicality and movement. His most notable work includes: I, Tonya, Vice, Mary Queen of Scots, Love and Mercy (film), J. Edgar, W., Passion Fish, The Time Machine, Seabiscuit (film), and The Normal Heart (film). He collaborated with director Ang Lee and screenwriter David Magee in the development of the tiger movement for the Academy Award-winning Life of Pi (film), and he choreographed the period movement for The Affair of the Necklace starring Hilary Swank.
Since 2009, Rodrigue has conducted several workshops, within the Berlinale Talent Campus program.[11] He was involved in the development of a new hands-on training programs for emerging actors, the Talent Actors Stage, for which 15-20 international actors are selected annually.[12]
Theatre
Rodrigue has coached at several Los Angeles locations throughout his career. At the Geffen Playhouse, Rodrigue was the movement coach on Nine Parts of Desire in 2005[13] and on Long Day's Journey into Night, starring Alfred Molina, in 2017.[14] He was awarded a fellowship grant from the Montalvo Arts Center to develop and direct a play adaptation of Bernhard Schlink’s best selling novel, The Reader. He coached Chris Pine in The Lieutenant of Inishmore at the Mark Taper Forum. He also worked with Gulu Monteiro on The Bacchae at the Getty Villa.
He has collaborated with Larry Moss on Daisy White’s Sugar, Pamela Gien’s Obie award-winning play The Syringa Tree at Playhouse 91 in N.Y. and Bo Eason’s Runt of the Litter at the 37 Arts Theater, N.Y. He has coached with Rita Maffei and Larry Moss in an Italian production of Pamela Gien’s The Syringa Tree at the Teatro Stabile di Innovazione in Udine and at Il Piccolo Teatro di Milano, Italy. For her performance, Maffei won the Gold Medal from the President of the Italian Republic.
Alexander Technique
Rodrigue maintains an impressive international profile as one of the leading experts in the field of the Alexander Technique and is sought after by significant performance artists and institutions in the U.S. and abroad. By using awareness techniques to improve posture and develop a healthy method of movement, he assists his students in their use of the self, creating a natural presence, and preventing injury and pain.
Animal Studies
Rodrigue integrates animal behavior and movement into his research and work. He is known for helping actors develop characters through animal movement studies. His primary areas of research are animal movement, behavior, morphology, nature perception, and human/animal connections. This interest was sparked by two influences: Leonardo DaVinci and Carlo Mazzone-Clementi. While in Milano in 1957, Rodrigue's father introduced him to the scientific and artistic work of Leonardo DaVinci. They would often go to the National Museum of Science and Technology where the largest collection of models of DaVinci’s inventions are kept as part of the permanent collection. They also would visit the Veneranda Biblioteca Ambrosiana, the largest archive of Da Vinci’s drawings of animals. Later in his life while studying at the American Conservatory Theatre in San Francisco, Jean-Louis studied with Carlo Mazzone-Clementi who introduced him to the application of animal behavior and movement to character development, and opened up a way of working that has distinguished Rodrigue’s contribution to acting in the film and theater industry.
Select awards and recognition
He was awarded a fellowship grant in 2008 from the Montalvo Arts Center to develop and direct a play adaptation of Bernhard Schlink’s novel, The Reader.[15][16]
Credits
Filmography[17]
Year | Film | Actor/Consulting Work | Role | Director |
---|---|---|---|---|
2020 | Birds of Prey | Margot Robbie/Warner Brothers | Character and Movement Coaching/Alexander Technique | Cathy Yan |
2019 | Dreamland | Margot Robbie/Eagle Films | Character and Movement Coaching/Alexander Technique | Miles Joris-Peyrafitte |
2019 | Buffaloed | Zoey Deutch/Lost City | Character and Movement Coaching/Alexander Technique | Tanya Wexler |
2018 | Vice | Christian Bale/Annapurna Pictures | Character and Movement Coaching/Alexander Technique | Adam McKay |
2018 | Mary Queen of Scots | Margot Robbie/Focus Features | Character and Movement Coaching/Alexander Technique | Josie Rourke |
2018 | Set It Up | Zoey Deutch/Netflix | Character and Movement Coaching/Alexander Technique | Claire Scanion |
2017 | I, Tonya | Margot Robbie/Miramax | Character and Movement Coaching/Alexander Technique | Craig Gillespie |
2017 | Disobedience | Rachel McAdams/Braven Films | Character and Movement Coaching/Alexander Technique | Sebastian Lelio |
2017 | Anything | Matt Bomer/Great Point Media | Character and Movement Coaching/Alexander Technique | Timothy McNeil |
2017 | Okja | Paul Dano/Netflix | Character and Movement Coaching/Alexander Technique | Joon-Ho Bong |
2017 | Flower | Zoey Deutch/Diablo Entertainment | Character and Movement Coaching/Alexander Technique | Max Winkler |
2016 | Unleashed | Justin Chatwin/Braveheart Films | Character and Movement Coaching/Alexander Technique | Finn Taylor |
2014 | Pawn Sacrifice | Tobey Maguire/Lionsgate | Character and Movement Coaching/Alexander Technique | Edward Swick |
2014 | Lucky Stiff | Cast/Arclight Films | Character and Movement Coaching/Alexander Technique | Christopher Ashley |
2014 | The Normal Heart | Matt Bomer/HBO | Character and Movement Coaching/Alexander Technique | Ryan Murphy |
2014 | Love & Mercy | Paul Dano/Roadside Attractions | Character and Movement Coaching/Alexander Technique | Bill Pohlad |
2012 | Life of Pi | Fox 2000 Pictures | Consultant on Tiger Movement | Ang Lee |
2011 | Citizen Gangster | Scott Speedman/Myriad Pictures | Character and Movement Coaching/Alexander Technique | Nathan Morlando |
2011 | J. Edgar | Leonardo DiCaprio/Warner Brothers | Character and Movement Coaching/Alexander Technique | Clint Eastwood |
2010 | Barney's Version | Scott Speedman/Sony Pictures | Character and Movement Coaching/Alexander Technique | Richard J. Lewis |
2008 | W | Josh Brolin/Ixtlan Corp. | Character and Movement Coaching/Alexander Technique | Oliver Stone |
2005 | Bee Season | Juliette Binoche/Fox-Searchlight | Character and Movement Coaching/Alexander Technique | Scott McGee, David Siegal |
2003 | Seabiscuit | Elizabeth Banks/Universal | Character and Movement Coaching/Alexander Technique | Gary Ross |
2002 | The Syringa Tree | Pamela Gien/Trio Network | Character and Movement Coaching/Alexander Technique | Larry Moss |
2002 | The Time Machine | Samantha Mumba & Cast/DreamWorks | Creature Movement Choreography | Simon Wells |
2001 | The Affair of the Necklace | HIlary Swank & Cast/Warner Brothers | Period Movement/Coaching | Charles Shyer |
2001 | Human Nature | Patricia Arquette/Fine Line | Character and Animal Movement Coaching/Alexander Technique | Michel Gondry |
2001 | The Cat's Meow | Kirsten Dunst/Lions Gate Films | Character and Movement Coaching/Alexander Technique | Peter Bogdanovich |
1996 | Partners | Tate Donovan/Fox Television | Character and Movement Coaching/Alexander Technique | Multiple |
1996 | HBO Comedy Half-Hour | Wendy Liebman/HBO | Character and Movement Coaching | Troy Miller |
1994 | It's Pat | Julia Sweeney/Touchstone | Character and Movement Coaching/Alexander Technique | Adam Bernstein |
1993 | Little Buddha | Keanu Reeves/Miramax | Character and Movement Coaching/Alexander Technique | Bernardo Bertolucci |
1993 | Freaked | Keanu Reeves/20th Century Fox | Character and Movement Coaching/Alexander Technique | Alex Winter |
1992 | Passion Fish | Mary McDonell/Columbia | Character and Movement Coaching/Alexander Technique | John Sayles |
Theater[14]
Production | Actor | Role | Theater | Director |
---|---|---|---|---|
How To Disappear Completely and Never Be Found | Brad Culver | Character and Movement Coaching/Alexander Technique | Boston Court | Nancy Keystone |
The Lieutenant of Inishmore | Chris Pine | Character and Movement Coaching/Alexander Technique | Mark Taper Forum | Wilson Milam |
The Syringa Tree | Rita Maffei | Character and Movement Coaching/Alexander Technique | Piccolo Teatro, Milano | Larry Moss |
The Reader | Cast | Director | Montalvo Arts Center | Self |
King Lear/The Seagull | Sir Ian McKellan | Character and Movement Coaching/Alexander Technique | RSC - UCLA Live | Trevor Nunn |
Runt of the Litter | Bo Eason | Character and Movement Coaching/Alexander Technique | 37 Arts Theater, NYC | Larry Moss |
The Bacchae | Cast | Character and Movement Coaching/Alexander Technique | Getty Villa | Gulu Montiero |
KA | Cast | Character and Movement Coaching/Alexander Technique | Cirque du Soleil | Robert Le Page |
Nine Parts of Desire | Heather Raffo | Character and Movement Coaching/Alexander Technique | Geffen Playhouse | Joanna Settle |
Sugar | Daisy White | Character and Movement Coaching/Alexander Technique | Edgemar Center | Larry Moss |
Gretty Good Time | Ann Stocking | Character and Movement Coaching/Alexander Technique | Falcon Theater | John Regalbuto |
Runt of the Litter | Bo Eason | Character and Movement Coaching/Alexander Technique | MCC Theater, NY | Larry Moss |
The Syringa Tree | Pamela Gien | Character and Movement Development/Alexander Technique | Playhouse 91, NY | Larry Moss |
The Syringa Tree | Pamela Gien, Cast | Character and Movement Development/Alexander Technique | National Tour | Larry Moss |
The Cryptogram & the Old Neighborhood | Christine Dunford | Character and Movement Coaching/Alexander Technique | Geffen Playhouse | Michael Bloom |
Skylight | Sally Murphy | Character and Movement Coaching/Alexander Technique | Steppenwolf Theater | Mike Nussbaum |
The Triumph of Isabella | Cast | Character and Movement Coaching/Alexander Technique | Geffen Playhouse | John Achorn |
The Prodigious Snob | Cast | Character and Movement Coaching/Alexander Technique | UCLA Little Theatre | Ellen Geer |
Scenes from an Execution | Natalija Nogulich | Character and Movement Coaching/Alexander Technique | Mark Taper Forum | Robert Allan Ackerman |
La Nouvelle Experience (collaborated with Debra Brown) | Cast | Character and Movement Coaching/Alexander Technique | Cirque du Soleil | Franco Dragone |
Accomplice | Natalija Nogulich | Character and Movement Coaching/Alexander Technique | Broadway | Rupert Holmes |
References
- Gladstone, Valerie (29 Sep 2002). "Acting coach Larry Moss gains acclaim -- and an invitation to a Swiss festival -- for his shepherding of "The Syringa Tree"". The Los Angeles Times. Retrieved 8 April 2013.
- Gladstone, Valerie. "Teaching Actors to Move with the Gracefulness of Dancers". New York Times. Retrieved 3 April 2013.
- https://alexandertechworks.com/about-alexander-techworks/
- https://alexandertechworks.com/about-alexander-techworks/
- "Jean-Louis Rodrigue Biography". UCLA School of Theatre, Film & Television Faculty. University of California, Los Angeles.
- "About Jean-Louis". Howard Fine Acting Studio | Australia. Retrieved 2020-01-07.
- https://alexandertechworks.com/about-alexander-techworks/
- "About the Howard Fine Acting Studio". Howard Fine Acting Studio | Australia. Retrieved 2019-12-31.
- Eason, Bo (2019-09-03). There's No Plan B for Your A-Game: Be the Best in the World at What You Do. St. Martin's Publishing Group. ISBN 978-1-250-21084-5.
- The Actors Process - Jean-Louis Rodrigue (Season One - Episode Four), retrieved 2020-01-07
- Talents, Berlinale. "Jean-Louis Rodrigue". Berlinale Talents. Retrieved 2020-01-07.
- "Experts Jean-Louis Rodrigue". Berlinale Talent Campus. Berlinale. Archived from the original on 13 March 2013. Retrieved 3 April 2013.
- "Nine Parts of Desire". Geffen Playhouse. Retrieved 2020-01-07.
- "Jean-Louis Rodrigue". Geffen Playhouse. Retrieved 2020-01-07.
- Rodrigue, Jean-Louis (2011-08-20). "Alexander Techworks - Jean-Louis awarded grant fellowship at Montalvo Arts Center to direct "The Reader"". Alexander Techworks. Retrieved 2019-12-30.
- "Montalvo Arts Center | Jean-Louis Rodrigue". montalvoarts.org. Retrieved 2019-12-30.
- Rodrigue, Jean-Louis. "IMDB: Jean-Louis Rodrigue". International Movie Database. Retrieved 3 May 2013.