Johnny Pacheco

Juan Azarías Pacheco Knipping (born 25 March 1935), known as Johnny Pacheco, is a Dominican musician, arranger, bandleader and record producer. As a flutist and bandleader, Pacheco became one of the leading exponents of the Cuban charanga format in the United States in the early 1960s. As the founder and musical director of Fania Records, Pacheco became a leading figure in the New York salsa scene in the 1960s and 1970s.[1] He popularized the use of the term "salsa" and established the Fania All-Stars to showcase the leading artists of the genre.[2]

In this Spanish name, the first or paternal surname is Pacheco and the second or maternal family name is Knipping.
Johnny Pacheco
Birth nameJuan Azarías Pacheco Knipping
Born (1935-03-25) March 25, 1935
Santiago de los Caballeros, Dominican Republic
Genres
Occupation(s)
Instruments
LabelsAlegre, Fania
Associated actsCharlie Palmieri, Fania All-Stars, Pete "El Conde" Rodríguez

Pacheco is a 9-time Grammy nominee and was awarded the Latin Grammy Lifetime Achievement Award by the Latin Recording Academy in 2005.

Early life and family

Juan Azarías Pacheco Knipping was born on 25 March 1935 in Santiago de los Caballeros, Dominican Republic. He inherited his passion for music from his father, Rafael Azarías Pacheco, who was the bandleader and clarinetist of the Orquesta Santa Cecilia, one of the leading Dominican big bands of the 1930s, famous for being the first to record Luis Alberti's merengue "Compadre Pedro Juan". Rafael was the grandson of a Spanish soldier who arrived during the Spanish reannexation of Santo Domingo.[3] His mother, Octavia Knipping Rochet, was the granddaughter of a French colonist, and the great-granddaughter of a German merchant who was married to a Dominican woman born to Spanish colonists.[4][5]

In 1946, when Pacheco was 11, his family moved to New York City. He continued polishing his musical skills, learning to play accordion, violin, flute, saxophone and clarinet.[6] He also graduated in electrical engineering at Brooklyn Technical High School in the 1950s, but he quit his job as an engineer due to the low salary.[7]

Early music career

In 1953, Pacheco played percussion and sung with Gil Suárez's band and, in 1954, he formed The Chuchulecos Boys with Eddie Palmieri on piano, Barry Rogers on trombone and other future figures of renown in the New York salsa scene: Al Santiago, Mike Collazo and Ray Santos. They played at weddings and other social events. He later played percussion for several bands, including late-night shows, Lou Pérez's band The Mambaleros, and the popular orchestras of Tito Puente, Xavier Cugat and Dioris Valladares.[7]

La Duboney

In October 1958, Pacheco met pianist Charlie Palmieri and he joined him to record the Latin jazz album Easy Does It, released by Gone Records. Pacheco played congas and bongos. Palmieri and Pacheco then formed the charanga La Duboney in 1959, where Pacheco played flute. However, he soon grew dissatisfied with his role in the group; Palmieri's name was featured on the cover of the LPs but not his, despite his role as lead arranger and co-director. Moreover, Palmieri's style was more sophisticated and less marketable, while Pacheco favored simpler son-based arrangements. After only one LP, Let's Dance the Charanga (United Artists), Pacheco left La Duboney to form his own charanga in 1960.[7]

Pacheco y su Charanga

Pacheco's first recordings as a leader were the songs "El güiro de Macorina" and "Óyeme mulata", recorded as a promotional single which enjoyed significant airplay in New York thanks to DJ Rafael Font. This led to Al Santiago, owner of Alegre Records, offering Pacheco a record deal. His first album on the label, Pacheco y su charanga, sold 100,000 copies within the first year of its release. Pacheco's success was the result of a new dance fad, the pachanga, a fast-paced mix of merengue and cha-cha-cha created by Eduardo Davidson in 1959 and popularized by José Fajardo's charanga in Cuba. The pachanga had reached New York in the summer of 1960 and Pacheco became its leading exponent.[8] He became an internationally renowned star and toured extensively throughout the United States, Europe, Asia and Latin America. His charanga was the first Latin band to headline the Apollo Theater in New York City in 1962 and 1963.[6]

Between 1960 and 1963, Pacheco Recorded four more albums for Alegre Records (Vols II–V), as well as the 1961 jam session Alegre All-Stars which he co-directed with Charlie Palmieri, and several tracks for the collaborative album Las charangas. Al Santiago's financial troubles led to Pacheco's exit from the label.[7]

Fania Records

In late 1963, Pacheco met Jerry Masucci, a lawyer, and soon they co-founded Fania Records. Pacheco was the VP, A&R creative director and musical producer of the new label. At Fania, Pacheco launched and solidified the careers of many popular salsa artists. He named the label after the song "Fanía" by Reinaldo Bolaños, made famous by Estrellas de Chocolate in Cuba in the early 1960s.

Pacheco y su Nuevo Tumbao

Pacheco reorganized his charanga and transformed it into a conjunto by adding trumpets instead of violins.[7] His first album with his new band, Pacheco y su Nuevo Tumbao, was Cañonazo, the first release on Fania Records. Featuring Pete "El Conde" Rodríguez on vocals, the album was the first of many recordings by the "compadres" (literally, "godfathers"), as Pacheco and El Conde were later known. Except for the closing song on the album "Dakar, punto final", all the songs were covers, including the aforementioned "Fanía", the title track and "El kikirikí" by Evaristo Aparicio, Eduardo Angulo's "Cabio sile yeyeo", Cheo Marquetti's "Pinareño" and Walfrido Guevara's "Labrando la tierra", all by popular Cuban artists of the 1950s and 1960s.

In 1965, Pacheco recorded three albums, two of which featured Monguito el Único as lead vocalist, Pacheco at the N.Y. World's Fair and Pacheco te invita a bailar, and a third album consisting of instrumental descargas (jam sessions), Pacheco, His Flute and Latin Jam.[7] In 1966, Pacheco worked with Monguito and Chivirico Dávila to record another album, Viva África,[9] named after the fact that Pacheco had recently toured the continent.[7] He then reverted to the charanga format for one album, aptly titled Pacheco y su Charanga: By Popular Demand. In 1967, he recorded Sabor típico with Pete "El Conde" and Pacheco Presents Monguito, the debut album of Monguito el Único as lead artist. In 1968, he recorded the instrumental album Latin Piper and Volando bajito with El Conde on lead vocals. Pacheco and El Conde then recorded three collaborative albums: Los compadres (1970), Perfecta combinación (1971) and Tres de café y dos de azúcar (1973), as well as five reunion albums between 1980 and 1989.[7]

Fania All-Stars
Further information: Fania All-Stars and Descarga § 1960s: from Havana to New York

Having recorded Cuban-style jam sessions (descargas) with both the Alegre All-Stars (1961) and the Tico All-Stars (Live at the Village Gate, 1966), Pacheco decided to record a live album to showcase the Fania roster of salsa musicians. The resulting album Live at the Red Garter (1968) was a success and has been described as an "excellent and promising start for the supergroup".[10] Among the stars featured in the concert were pianist Larry Harlow, bassist Bobby Valentín and conguero Ray Barretto. The lineup of the group varied over the years, and by the time of their second show, Live at the Cheetah (1971), many members had changed. The Cheetah concert was released on two LPs and was followed by numerous other studio and live albums.

Pacheco y su Tumbao Añejo

In 1974, Pacheco replaced El Conde (who went on a successful solo career) with Héctor Casanova and renamed his band Pacheco y su Tumbao Añejo ("Pacheco and his old tumbao", as opposed to his previous band "the new tumbao").[7] They released El maestro in 1975 and El artista in 1977. However, Pacheco's focus during the 1970s, apart from the All-Stars, was a series of collaborative albums between members of the label, including himself. He collaborated with Celia Cruz, Justo Betancourt, Papo Lucca, Pupi Legarreta, Luis "Melón" Silva, Celio González and José Fajardo, among others.[7] With Héctor Casanova he released another album, Los amigos, in 1979. After his various reunion albums with El Conde, including the Nuevo Tumbao 25th anniversary album Celebration, Pacheco released ¡Sima! in 1993, his last studio album.[7]

Legacy

Pacheco recorded and composed over 150 songs. Among them are "Mi Gente", "La Dicha Mia", "Quítate Tú" (Pa’ Ponerme Yo), "Acuyuye," "El Rey de la Puntualidad," Tito Puente‘s "El Número Cien," and Celia Cruz's Celia y Tito. Pacheco has also been an inspiration to the younger generations. For example, rap artist Mangu asked him to write arrangements, sing chorus, and play the flute in his album entitled Calle Luna y Calle Sol. Pacheco also produced music for feature films; he was the musical director of the film, Our Latin Thing, the first film about salsa and its influence on New York Latinos; he worked on a second film entitled Salsa released in 1974. In the 1980s, he wrote the musical scores and themes for the films Mondo New York and Something Wild. The latter was a collaboration with David Byrne, the lead singer of the group Talking Heads.[11] Several tracks that he arranged, produced, and/or performed were on the soundtrack of the 1992 Warner Brothers film, The Mambo Kings.[12]

Pacheco participated in the AIDS benefit concert "Concierto Por La Vida" in November 1988 at New York City's Avery Fisher Hall. He demonstrated his solidarity with the victims of Hurricane Georges (Zhorzh) by collaborating with the Hispanic Federation Relief Fund during "Hurricane Georges Relief Fund 1998". This event was transmitted live across the northeastern United States by the NBC television network. He also participated at an event at Hostos Community College for the same purpose.

Awards and recognition

Pacheco earned nine Grammy nominations and ten gold records. His contributions to Latin Music have been recognized throughout his career. The following are among the awards that have been bestowed upon him:

In 1996, the then President of the Dominican Republic, Joaquín Balaguer, bestowed him with the prestigious Presidential Medal of Honor. A year later, Pacheco was the recipient of the Bobby Capó Lifetime Achievement Award, awarded by New York Governor George Pataki. In addition, Pacheco was presented with the First International Dominican Artist Award from the distinguished Casandra Awards. In June 1996, Johnny Pacheco was the first Latin music producer to receive the National Academy of Recording Arts & Sciences, (NARAS) Governor's Award in New York City.[13]

In 1998, Pacheco was inducted to [International Latin Music Hall of Fame] (ILMHF) during the first Induction and Award of the ILMHF. The ILMHF awarded him The Lifetime Achievement Award, in 2002.[14]

In 2004, Pacheco was awarded the American Society of Composers, Authors and Publishers, ASCAP Silver Pen Award.[15]

On June 5, 2005, Pacheco was honored by Union City, New Jersey with a star on the Walk of Fame at Union City's Celia Cruz Park.[16]

In 2005 The Latin Academy of Recording Arts & Sciences awarded Johnny Pacheco with its Lifetime Achievement Award at that years Latin Grammy's.

In 2007, Pacheco was portrayed in the movie El Cantante starring Marc Anthony and Jennifer Lopez.

On March 24, 2009, Pacheco was awarded "El Soberano", the highest distinction given by the Association of Art Columnists of the Dominican Republic.

In August of 2020, Johnny Pacheco's composition "Celia y Tito' by Tito Puente and Celia Cruz was featured in the 4th season finale of the NBC TV network program "World of Dance' which is produced and judged by international film and recording star Jennifer Lopez. Among his many songs utilized in Film and Television.

Discography

As leader
Alegre Records
  • Pacheco y Su Charanga, Vol. 1 1960
  • Pacheco y su Charanga, Vol. 2 1961
  • The Alegre All-Stars, Vol. 1 1961
  • Que Suene la Flauta, Vol. 3 1962
  • Suavito, Vol. 4 1962
  • Spotlight on Pacheco, Vol. 5 1963
  • Las Charangas 1963
Fania Records
  • Cañonazo 1964
  • Pacheco at the N.Y. World's Fair 1964
  • Pacheco, His Flute and Latin Jam 1965
  • By Popular Demand 1966
  • Viva África 1966
  • Pacheco Te Invita a Bailar 1967
  • Sabor Típico 1967
  • Pacheco presents Monguito 1968
  • 1968 Volando Bajito
  • Los Dinámicos 1970
  • La Perfecta Combinación 1971
  • Los Compadres 1972
  • Tres de Café y Dos de Azúcar 1973
  • 10 Great Years 1974
  • Celia & Johnny 1974
  • Tremendo Caché 1975
  • El Maestro 1976
  • Recordando el Ayer 1977
  • The Artist 1977
  • El Zorro de Plata y El Flaco de Oro 1981
  • De Nuevo con Celia Cruz
  • Jícamo 1985
  • ¡Sima! 1993
  • Salsobita 1987
  • Celebración 1989
  • Llegó Melón 1977
  • Eternos con Celia Cruz
  • Introducing Johnny Pacheco
  • Champ 1980
  • Los Amigos 1980
  • Flying High
  • Los Dos Mosqueteros
  • La Crema
  • Sabrosura
  • Los Distinguidos
  • De Película (Rolando Laserie)
  • Las Tres Flautas
  • Pacheco y Fajardo
  • De Nuevo Los Compadres 1983
  • Celia, Johnny y Pete
  • Entre Amigos
Compilations
  • Había Una Vez (Once Upon a Time) (1973)
  • 10 Great Years (1973)
  • Lo Mejor de Pacheco (The Best of Pacheco) (1974)
  • Introducing... (1989)
  • Pacheco's Party (1994)
  • Johnny Pacheco (2000)
  • The Best of Johnny Pacheco (2001)
  • Lo Mejor (2004)
  • Reserva Musical (2008)

As sideman

With Melanie

With George Benson

With Kenny Burrell

With Johnny Lytle

With Les McCann

With McCoy Tyner

With Eydie Gorme

With Kai Winding

With the Fania All-Stars
  • Live at the Red Garter Vol 1
  • Live at the Red Garter Vol 2
  • Live at the Cheetah Vol 1
  • Live at the Cheetah Vol 2
  • Live at Yankee Stadium Vol 1
  • Live at Yankee Stadium Vol 2
  • Live in Africa
  • Live in San Juan - 1973
  • A Tribute to Tito Rodríguez
  • Live in Japan - 1976
  • Delicate and Jumpy
  • Spanish Fever
  • Rhythm Machine
  • Crossover
  • Commitment
  • Viva La Charanga
  • Latin Connection
  • Lo Que Pide La Gente
  • Bamboleo
  • California Jam
  • Havana Jam
  • Guasasa
  • Social Change
  • Bravo
  • The Perfect Blend
  • Viva Colombia - The Cali Concert
  • Live in Puerto Rico - 1993

See also

References
  1. "Interview: A Visit with Maestro Johnny Pacheco". Descarga.com. Archived from the original on 2000-09-16. Retrieved 2016-04-29.
  2. "Latin Music USA". PBS. Retrieved 2016-04-29.
  3. "Cápsulas genealógicasRestauración, soldados españoles y genealogía". Hoy.com.do. 2014-06-20. Retrieved 2016-04-29.
  4. "Instituto Dominicano de Genealogía, Inc". Idg.org.do. Retrieved 2016-04-29.
  5. "Huellas de familia" (PDF). Idg.org.do. Retrieved 2016-04-29.
  6. "Johnny Pacheco Biography Page". Johnnypacheco.com. Retrieved 2016-04-29.
  7. Campo Uribe, Andrés (April 2005). "Johnny Pacheco: una invocación musical". Herencia Latina (in Spanish). Retrieved 30 January 2021.
  8. Thompson, Robert Farris (October 28, 1961). "Portrait of the Pachanga". Saturday Review. 44 (4): 43.
  9. Clarke, Donald, The Penguin Encyclopedia Of Popular Music, ISBN 0-14-051147-4
  10. Bush, John. "Live at the Red Garter, Vol. 1". AllMusic. Retrieved 30 January 2021.
  11. Evan Bailyn. "Artists - Pacheco, Johnny". Music of Puerto Rico. Retrieved 2012-03-31.
  12. "Various - The Mambo Kings (Selections From The Original Motion Picture Soundtrack) (CD) at Discogs". Discogs.com. Retrieved 2012-03-31.
  13. "Johnny Pacheco Biography Page". Johnnypacheco.com. Retrieved 2016-04-29.
  14. "International Latin Music Hall of Fame Announces Inductees for 2002 - re> NEW YORK, April 5 /PRNewswire/". New York: Prnewswire.com. Archived from the original on 2015-09-24. Retrieved 2012-03-31.
  15. "2004 ASCAP Silver Pen Award Honoring Johnny Pacheco". Johnnypacheco.com. Retrieved 2016-04-29.
  16. Rosero, Jessica. "'La vida es un carnaval' North Hudson celebrates 6th annual Cuban Day Parade" The Hudson Reporter; May 26, 2006
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