Karen Brown (ballerina)

Karen Brown (born 1955 in Okmulgee, Oklahoma) also known as Karen "KB" Brown is an American ballerina, educator, répétiteur, ballet mistress, and director. She is noted for her long career as a principal dancer with the Dance Theatre of Harlem and as the first African-American woman to lead a ballet company.[1]

Early life

Born into a family of medical professionals, Brown was raised as one of seven children in Augusta, Georgia. As a child she attended Episcopal Day School alongside her brother Stephen, making them the first African-American children to integrate the institution. At the prompting of her mother, Brown began her ballet studies after turning eight years old to help alleviate her habit of falling. In addition to studying with the former New York City Ballet dancer, Ron Colton, Brown was also a summer scholarship student at the Joffrey Ballet school.

At the age of 17, after having performed with Augusta Civic Ballet for five years, Colton took Brown to a ballet festival in Virginia to present her with new opportunities. There she was scouted by Arthur Mitchell's co-founder of Dance Theatre of Harlem, Karel Shook, who invited her to join the company in New York.[2]

Career

Brown joined Dance Theatre of Harlem as an apprentice in 1973.[3] In 1984 she was profiled by Jennifer Dunning in the New York Times for her versatility as "one of those dancers who is as compelling in plotless ballets as in dramatic works that require her to portray a character".[4] Brown toured as a principal ballerina with DTH to Russia—as the first American company to visit the country after the fall of the Soviet Union—and on the company's post-apartheid visit to South Africa.[5][6][7][8]

Brown's repertoire included William Dollar's Mendelssohn's Concerto,[9] Arthur Mitchell's Holberg's Suite, John Henry, and The Greatest,[10][11] Geoffrey Holder's Dougla, Bele, and Banda,[12][13] David Lichine's Graduation Ball,[14] Carmen de Lavallade's Sensemaya,[15] George Balanchine's Agon, Serenade, Concerto Barocco, Stars and Stripes, and Four Temperaments,[16][17][18][19] Glen Tetley's Voluntaries and Dialogues,[20][21][22] Agnes de Mille's Fall River Legend,[23] David Gordon's Piano Movers,[24] Frederic Franklin's Swan Lake, Creole Giselle, Paquita, and Pas de Dix,[25][26] Billy Wilson's Ginastera,[27] Goh Choo San's Variations Serieuses, Robert Garland's Joplin Dances,[28] John Taras' The Firebird, Alonzo King's Signs and Wonders,[29] and Garth Fagan's Footprints Dressed In Red.[30]

While performing with DTH, Brown taught residencies and masterclasses as an associate artist of Arthur Mitchell's Dancing Through The Barriers program. She was featured in a PBS documentary about the program while teaching at The Kennedy Center.[31][32] After 22 years dancing with the company, Brown left DTH following the conclusion of its 1995 season to join Atlanta Ballet Center for Dance Education as director of education and diversity.

Directorship

Brown entered the international search to find the next artistic director of Oakland Ballet. In 2000 she was invited by the company's board to assume leadership of the institution, making her the first African-American woman to direct a ballet company in history and the first African-American to run a formerly all white led ballet company.[33][34] Following Dance Theatre of Harlem's suspension of operations in 2004, Brown was the only African-American artistic director of a ballet company in the world.[35][36] During her tenure, Brown worked to further diversify the ballet's ranks so that it more accurately reflected the cultural demographics of Oakland.[37]

While maintaining Oakland Ballet's tradition of presenting classic ballets from the likes of José Limón, Agnes de Mille, Eugene Loring, and Bronislava Nijinska,[38] she expanded the repertoire to focus on new choreographers such as Trey McIntyre, Francesca Harper, Dwight Rhoden, Dudley Brooks, and Donald McKayle.[39][40][41][42] One of her stated goals as a director was to disprove the belief that it was difficult to find classically trained dancers of color.[43] Then mayor of Oakland Jerry Brown declared Brown's work as great news for the city.[44] To prevent Oakland Ballet from shuttering, Brown canceled its 2004 season, focusing instead on a $500,000 fundraising campaign and hiring a new roster of dancers for the organization's 40th anniversary celebration.[39][45][38][46] Brown departed Oakland in 2007 to join University of The Arts, Philadelphia as an assistant professor in dance.[47]

During her time in Philadelphia, Brown was awarded a $12,500 research grant to analyze dance movement through computer programming, joined the faculty of the Harlem School of The Arts, and returned to performing with Paradigm, a dance company founded by Gus Solomon Jr to feature mature dancers.[48][49] She was awarded a Bessie Award in 2010 for her performances with the group.[50][51] She was appointed executive director of Garth Fagan Dance in 2016,[52] and joined Ballet Wichita as guest artistic director in 2017.[53][54][55]

She joined University of Missouri Kansas City Conservatory as an assistant professor in 2020.[56][57]

Personal life

Brown was close friends with the ballet star, Mel Tomlinson who appointed her executor of his estate to honor the fact that she was the only person to respond to his call for help after he contracted HIV.[58][59]

Brown graduated from St. Mary's College of California in 2013.

References
  1. "Does Classicism Have a Color?". Dance Magazine. 2007-06-21. Retrieved 2019-08-16.
  2. Gable, Lori (2016-07-29). "Longtime dancer moves to lead". Rochester Business Journal. Retrieved 2019-08-16.
  3. "Columbia University Libraries Online Exhibitions | Arthur Mitchell: Harlem's Ballet Trailblazer". exhibitions.library.columbia.edu. Retrieved 2019-08-16.
  4. Dunning, Jennifer (1984-02-24). "Harlem Dance Theater Performing in Brooklyn". The New York Times. ISSN 0362-4331. Retrieved 2019-08-16.
  5. "EVENT VIDEO. Dancing the Cold War: An International Symposium | Columbia | Harriman Institute". harriman.columbia.edu. Retrieved 2019-08-16.
  6. Dancing the Cold War Conference: Dancers' Round Table #2, retrieved 2019-08-16
  7. "Dance Theatre Of Harlem In South Africa". Christian Science Monitor. 1992-09-14. ISSN 0882-7729. Retrieved 2019-08-16.
  8. "Dance Theatre of Harlem - Our History". Dance Theatre of Harlem. Retrieved 2019-08-16.
  9. Kisselgoff, Anna (1976-03-04). "Dance: A Spicy 'Carmen'". The New York Times. ISSN 0362-4331. Retrieved 2019-08-16.
  10. Kriegsman, Alan. "Harlem Dance Theatre". The Washington Post.
  11. Dunning, Jennifer (1988-11-08). "Reviews/Dance; Harlem Troupe in a Multifaceted Retrospective". The New York Times. ISSN 0362-4331. Retrieved 2019-08-16.
  12. Jackson, George. "Dance Theatre of Harlem". The Washington Post.
  13. Dunning, Jennifer (1983-02-14). "Dance: Harlem Troupe Offers 'Wingborne' and 'Banda'". The New York Times. ISSN 0362-4331. Retrieved 2019-08-16.
  14. Kriegsman, Alan. "Multifaceted Dance". The Washington Post.
  15. Kisselgoff, Anna (1979-02-24). "Harlem Troupe Dances de Lavallade". The New York Times. ISSN 0362-4331. Retrieved 2019-08-16.
  16. Kriegsman, Alan. "The Dance Theatre of Halrem Round 2 of Razor Edge Rhythm". The Washington Post.
  17. Kisselgoff, Anna (1979-03-04). "Dance View". The New York Times. ISSN 0362-4331. Retrieved 2019-08-16.
  18. Anderson, Jack (1984-10-06). "Dance: Theater of Harlem". The New York Times. ISSN 0362-4331. Retrieved 2019-08-16.
  19. Tomalanis, Alexandra. "A Company of Stars". The Washington Post.
  20. Tomalanis, Alexandra. "Harlem's Path Less Traveled". The Washington Post.
  21. Dunning, Jennifer (1991-06-24). "Dance in Review". The New York Times. ISSN 0362-4331. Retrieved 2019-08-16.
  22. Kisselgoff, Anna; Times, Special To the New York (1991-04-06). "Review/Dance; Tetley Premiere by Harlem Troupe". The New York Times. ISSN 0362-4331. Retrieved 2019-08-16.
  23. "Dramatic, zestful Dance Theater of Harlem in London". Christian Science Monitor. 1984-08-09. ISSN 0882-7729. Retrieved 2019-08-16.
  24. Dunning, Jennifer (1986-04-06). "Dance: Harlem Troupe's 'Streetcar'". The New York Times. ISSN 0362-4331. Retrieved 2019-08-16.
  25. Kisselgoff, Anna (1981-01-15). "Dance: Harlem's One-Act 'Swan Lake'". The New York Times. ISSN 0362-4331. Retrieved 2019-08-16.
  26. Writer, Kristy Montee, Dance. "HARLEM'S 'GISELLE' HAUNTS VISUALLY, STUNS TECHNICALLY". Sun-Sentinel.com. Retrieved 2019-08-16.
  27. Kriegsman, Alan. "Dance". The Washington Post.
  28. Dunning, Jennifer (1995-03-17). "DANCE REVIEW; A Premiere in Ragtime, With All the Music's Jaunty Style". The New York Times. ISSN 0362-4331. Retrieved 2019-08-16.
  29. Jackson, George. "Harlem's Magical Wonders". The Washington Post.
  30. "Art Beat: Harlem ballerina now director at Fagan". Rochester Democrat and Chronicle. Retrieved 2019-08-16.
  31. Roca, Octavio; Critic, Chronicle Dance (2000-04-26). "Oakland Ballet Names New Director / Karen Brown a former Harlem troupe dancer". SFGate. Retrieved 2019-08-16.
  32. Dance Theatre of Harlem (QT), retrieved 2019-08-16
  33. Roca, Octavio; Critic, Chronicle Dance (2000-10-23). "`Crystal Slipper' Doesn't Quite Fit / Dancing not up to par in Oakland Ballet revival". SFGate. Retrieved 2019-08-16.
  34. "Oakland Ballet". Dance Magazine. 1970-01-01. Retrieved 2019-08-16.
  35. Kourlas, Gia (2013-04-05). "A Phoenix Is Rising on Point". The New York Times. ISSN 0362-4331. Retrieved 2019-08-16.
  36. Wakin, Daniel J. (2004-12-01). "Dance School in Harlem to Reopen". The New York Times. ISSN 0362-4331. Retrieved 2019-08-16.
  37. Murphy, Ann (2001-09-23). "DANCE; Trying to Reflect Oakland's Many Faces". The New York Times. ISSN 0362-4331. Retrieved 2019-08-16.
  38. Howard, Rachel; Chronicle, Special to The (2005-10-01). "Oakland Ballet shakes off ashes to rise again for 40th season". SFGate. Retrieved 2019-08-16.
  39. "Women On Top: Eight Artistic Directors Talk About What It Takes". Dance Magazine. 2007-08-01. Retrieved 2019-08-16.
  40. Roca, Octavio; Critic, Chronicle Dance (2001-04-04). "Oakland Ballet Plans Five Premieres / Limon's 'Pavane' also on season schedule". SFGate. Retrieved 2019-08-16.
  41. Roca, Octavio; Critic, Chronicle Dance (2001-11-12). "PROFILE / Frederic Franklin / Memory does serve ballet master / Ballet Russe legend brings history to Oakland". SFGate. Retrieved 2019-08-16.
  42. Ulrich, Allan (2015-05-14). "Oakland Ballet timeline". SFGate. Retrieved 2019-08-16.
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  47. "Finding The Power". Dance Magazine. 2009-12-21. Retrieved 2019-08-16.
  48. Rocco, Claudia La (2011-04-15). "Paradigm's 15th-Anniversary Show at Danspace Project - Review". The New York Times. ISSN 0362-4331. Retrieved 2019-08-16.
  49. "Juliette Mapp Reads Gertrude Stein; Paradigm Celebrates Two Different Birthdays". www.villagevoice.com. Retrieved 2019-08-16.
  50. "2011 Bessie Award Honorees". www.dance.nyc. Retrieved 2019-08-16.
  51. "Award Archive". The Bessies. Retrieved 2019-08-16.
  52. Clapp, Jake. "Garth Fagan Dance appoints leadership team". City Newspaper. Retrieved 2019-08-16.
  53. "Harriet Tubman Freedom Awards & Gospel Brunch 2018 – Harriet Tubman Freedom Music Festival". Retrieved 2019-08-16.
  54. Heying, Travis. "Ballet Wichita taps high-profile New Yorkers for 'Nutcracker'". kansas. Retrieved 2019-08-16.
  55. BrackettCorrespondent, Charmain Z. "Born to dance ... and teach". The Augusta Chronicle. Retrieved 2019-08-16.
  56. "Community News Karen Brown". augustaarts.com. Retrieved 2020-12-25.
  57. Writer, Contributing (2020-11-09). "Conservatory Welcomes Four New World-Class Faculty Members". KC STUDIO. Retrieved 2020-12-25.
  58. Service, TONY BROWN Knight-Ridder News. "GRACEFUL SOUL RISING". Greensboro News and Record. Retrieved 2019-08-16.
  59. Kourlas, Gia (2019-02-13). "Mel A. Tomlinson, 65, Ballet Star and 'Agon' Interpreter, Dies". The New York Times. ISSN 0362-4331. Retrieved 2019-08-16.
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