Kirin Narayan

Kirin Narayan (born November 1959) is an Indian-born American anthropologist, folklorist and writer.

Early life, education, and career

Narayan is the daughter of Narayan Ramji Contractor, a civil engineer from Nashik, and Didi Kinzinger, a German-American "artist, decorator, and builder of sustainable housing".[1] Narayan was born in Bombay, attended school in India and came to the United States in 1976.[2]

Narayan received a BA in creative writing from Sarah Lawrence College and went on to post-graduate studies in anthropology at the University of California, Berkeley, receiving her PhD in 1987. She taught anthropology and South Asian studies at the University of Wisconsin–Madison.[1][3][4] In 1993 she was named a Guggenheim Fellow in the field of anthropology and cultural studies.[5] She is a professor in the College of Asia and the Pacific at the Australian National University.[6]

Books

In 1989, Narayan published Storytellers, Saints, and Scoundrels: Folk Narrative in Hindu Religious Teaching.[7] It received the Victor Turner Prize from the Society for Humanistic Anthropology[8] and was co-winner of the Elsie Clews Prize for Folklore from the American Folklore Society.[6]

In 1994, she published the novel Love, Stars and All That.[9] Reviewing the novel, Indian poet and editor Dom Moraes praised the work, saying:

“This is a novel well received and achieved: it is also intelligent, excellently written, and revelatory of what it is like to be an American born in India. It makes one feel Narayan is that very rare bird, a born writer, and that she may fly far.”[10]

Narayan published Mondays on the Dark Night of the Moon: Himalayan Foothill Folktales in 1997.[11] In 2002 a new edition of the first collection of Indian folk tales in English, Mary Frere's Old Deccan Days, was published with an introduction by Narayan.[12] In 2007, she published a memoir My Family and Other Saints.[3][4][13] An autobiographical work in which "Gods, gurus and eccentric relatives compete for primacy", The New York Times described the work as an "enchanting memoir".[14] Its title is a reference to Gerald Durrell's My Family and Other Animals, a childhood inspiration to Narayan.[15]

In her 2012 work Alive in the Writing: Crafting Ethnography in the Company of Chekhov,[16] Narayan used Anton Chekhov's Sakhalin Island as inspiration for an exploration of ethnographic writing. James Wood, writing of his 'Books of the Year' in The New Yorker, described it as a "brief and brilliant book" that he read "with huge pleasure".[17] In 2016 Narayan published Everyday Creativity: Singing Goddesses in the Himalayan Foothills, about women's traditions of singing in the Kangra Valley.[18]

References
  1. Sharma, Maya (2000). "Kirin Narayan". In Emmanuel Sampath Nelson (ed.). Asian American Novelists: A Bio-bibliographical Critical Sourcebook. p. 257. ISBN 0313309116.
  2. "Professor Kirin Narayan". ANU Researchers - Research Services Division. Australian National University. Retrieved 30 August 2017.
  3. Sanga, Jaina C (2003). South Asian Novelists in English: An A-to-Z Guide. p. 186. ISBN 0313318859.
  4. Oh, Seiwoong (2015). Encyclopedia of Asian-American Literature. pp. 556–57. ISBN 978-1438140582.
  5. "Kirin Narayan". John Simon Guggenheim Foundation.
  6. "Professor Kirin Narayan". Australian National University.
  7. Reviews of Storytellers, Saints, and Scoundrels:
    • Champion, Catherine (January–March 1991). L'Homme. 31 (117): 163–164. JSTOR 40589866.CS1 maint: untitled periodical (link)
    • Flueckiger, Joyce Burkhalter (Spring 1991). The Journal of American Folklore. 104 (412): 239–241. doi:10.2307/541251. JSTOR 541251.CS1 maint: untitled periodical (link)
    • Zarrilli, Phillip B. (Spring 1991). Asian Theatre Journal. 8 (1): 91–92. doi:10.2307/1124168. JSTOR 1124168.CS1 maint: untitled periodical (link)
    • Gold, Ann Grodzins (August 1991). American Ethnologist. 18 (3): 621–622. doi:10.1525/ae.1991.18.3.02a00290. JSTOR 645615.CS1 maint: untitled periodical (link)
    • Pechilis, Karen (October 1991). The Journal of Religion. 71 (4): 616. doi:10.1086/488755. JSTOR 1203997.CS1 maint: untitled periodical (link)
    • Handelman, Don (1991). Asian Folklore Studies. 50 (1): 262–263. doi:10.2307/1178211. JSTOR 1178211.CS1 maint: untitled periodical (link)
  8. "SHA Prize Winners". Society for Humanistic Anthropology.
  9. Reviews of Love, Stars and All That:
  10. Moraes (1994)
  11. Reviews of Mondays on the Dark Night of the Moon:
    • Blackburn, Stuart (February 1998). The Journal of Asian Studies. 57 (1): 257–259. doi:10.2307/2659083. JSTOR 2659083.CS1 maint: untitled periodical (link)
    • Goldberg, Christine (May–August 1998). Journal of Folklore Research. 35 (2): 157–160. JSTOR 3814754.CS1 maint: untitled periodical (link)
    • Chandola, Anoop (September 1999). American Anthropologist. 101 (3): 683–684. doi:10.1525/aa.1999.101.3.683. JSTOR 683895.CS1 maint: untitled periodical (link)
    • Bailly, Constantina Rhodes (April 2000). International Journal of Hindu Studies. 4 (1): 80–81. JSTOR 20106693.CS1 maint: untitled periodical (link)
  12. Review of Old Deccan Days:
  13. Reviews of My Family and Other Saints:
  14. Grimes (2007)
  15. Sharma, Sanjukta (19 September 2008). "A family 'we-moir'". Livemint.
  16. Reviews of Alive in the Writing:
  17. Wood, James (17 December 2012). "Books of the Year". The New Yorker.
  18. Reviews of Everyday Creativity:
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.