Léonie Guyer

Léonie Guyer (born January 1, 1955 in New York City) is a contemporary artist known for abstract paintings, drawings and installations utilizing materials such as antique, vintage and handmade paper, marble remnants (or fragments), wood panels, and in site-based projects, walls and windows.[1]

Early life and education

Guyer was born in 1955 in New York City. She received her B.F.A. and M.F.A. from the San Francisco Art Institute. [2]

Work

Guyer makes paintings, drawings, site-based work, and artist books.[3]

Stephanie Snyder describes Léonie Guyer’s work as the following:  

“The richly layered, albescent grounds of Léonie Guyer’s most recent paintings are inspired, in part, by the creamy surfaces of ancient Greek white-ground vessels, by the work of painters such as Piet Mondrian (1872–1944) and Giorgio Morandi (1890–1964), and by natural materials such as milk, bone, and chalk. Guyer mixes her paints by hand from raw pigments, often restricting her palette to the “ancient” primary colors (iron oxides, yellow ochres, and mineral-based blues), in addition to various blacks and whites. This alchemical chromaticism allows Guyer to experience the physical and energetic properties of each material as directly and as sensitively as possible. Hand-mixing paint is an intimate, timeconsuming, and repetitive activity, resulting in modest batches that settle and cohere in accordance with the subtle variations of each particular admixture of pigment, linseed oil, and mineral spirit. No two batches are the same, recalling the ancient philosopher Heraclitus of Ephesus’s observation that “You cannot step twice into the same river.” At the core of Guyer’s paintings and drawings is an awareness and embrace of life as a vulnerable and temporary moment within a measureless, universal continuum.”[4]

In his exhibition text, Anthony Huberman, the Director and Chief Curator of CCA Wattis Institute, writes:

“Léonie Guyer makes paintings and drawings. They consist mostly of abstract shapes, usually modest in scale, made with oil paint or pencil. In her mind, an artwork is a place where countless decisions are condensed and compacted together, and she works to intensify that concentration by keeping her paintings small and reduced down to their bare essentials: color, surface, and shape. She tries to do the most with the least. And yet to call her works “small” is misleading. Better would be to say that she makes “immeasurable” works of art, which doesn’t mean that they are epic in scale but simply that they are not meant to be measured.”[5]

Awards and fellowships

Léonie Guyer received the following awards in her artistic career: Tosa Studio Award: Finalist Award (2018),[6] Foundation for Contemporary Arts Emergency Grant (2012), Sites ReSeen Grant, New York State Council on the Arts (2006), Fellowship, John Anson Kittredge Foundation (2002), Artist in Residence Grant, California Arts Council (1997, 1996, 1995), Murphy and Cadogan, Fellowship in the Fine Arts, San Francisco Foundation (1987)

Selected exhibitions

Guyer has had solo exhibits at Wattis Institute for Contemporary Arts, SF;[7] odium fati, SF;[8] Greg Kucera Gallery, Seattle; Lumber Room, Portland; and The Shaker Museum, Mt. Lebanon, NY and other venues.[9]

Other exhibitions include shows at UC Berkeley Art Museum and Pacific Film Archive, Feature Inc., NYC, Peter Blum Gallery, NYC,[10] Greg Kucera Gallery, Seattle, Lumber Room, Portland, OR, Douglas F. Cooley Memorial Art Gallery, Reed College,[11] Portland, OR, Gallery Joe, Philadelphia, PLUSkunst, Düsseldorf, Germany and other venues.[9]

Collections

Guyer's work is held in many permanent collections including: The Metropolitan Museum of Art,[12] Columbia University Rare Book & Manuscript Library, Harvard University Modern Books & Manuscripts Collection, Reed College Art Collection, San Francisco Museum of Modern Art,[13] Shaker Museum and Library,[14] Stanford University Special Collections, UC Berkeley Art Museum and Pacific Film Archive,[15] Yale University Beinecke Rare Book & Manuscript Library.

Collaborative projects

Bill Berkson (poetry) and Léonie Guyer (drawings). Not an Exit. Fairfax, CA: Jungle Garden Press, 2010[16]

Franck André Jamme (poetry) and Léonie Guyer (drawings). Mantra Box. Paris, France: Festina Lente, 2009

Teaching

Guyer has taught at the San Francisco Art Institute, California College of the Arts, UC Berkeley, San José State University and elsewhere. She lives and works in San Francisco.

References
  1. Rinder, Lawrence (2010). Abstract: Leonie Guyer, Ruth Laskey, Lynne Woods Turner. Reed College Art Gallery. pp. 18–32, 66–69, 78–79. ISBN 978-0982424049.
  2. "Open Space: Léonie Guyer".
  3. Cuguoglu, Naz. "Thought Experiments with Léonie Guyer's Work, November 27–December 7, 2018, 11 days" (PDF). CCA Wattis Blog. Retrieved 18 March 2019.
  4. Snyder, Stephanie. "On Léonie Guyer" (PDF). Retrieved March 6, 2019.
  5. Huberman, Anthony. "Anthony Huberman on Léonie Guyer" (PDF). Retrieved March 6, 2019.
  6. "Past Awardees". TOSA STUDIO AWARD. Retrieved March 6, 2019.
  7. "CCA Wattis Institute announces solo exhibition of San Francisco-based artist Léonie Guyer". California College of the Arts. Retrieved 11 March 2019.
  8. "A permanent work and a limited edition publication by Léonie Guyer". odium fati. Retrieved March 14, 2019.
  9. "Léonie Guyer Lecture". Portland Institute for Contemporary Art. Retrieved 11 March 2019.
  10. "Drawing a Line in the Sand". Peter Blum Gallery. Retrieved March 6, 2019.
  11. Blake, Victoria (September 2010). ""Abstract" at the Reed gallery". Oregon Live.
  12. "Not an Exit, Leonie Guyer". Metropolitan Museum of Art. Retrieved March 6, 2019.
  13. "SFMOMA Collection". San Francisco Museum of Modern Art. Retrieved March 6, 2019.
  14. "Shaker Museum and Library presents an artist's reception for Gift, a site-responsive work by Léonie Guyer". iBerkshires.com. Boxcar Media LLC. Retrieved 11 March 2019.
  15. "BAMPFA Collections: Léonie Guyer". BAMPFA. Retrieved 10 March 2019.
  16. "Not an Exit, by Bill Berkson, with drawings by Léonie Guyer". Jungle Garden Press. Retrieved March 6, 2019.


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