Lonesome Sundown

Cornelius Green III (December 12, 1928 – April 23, 1995),[1] known professionally as Lonesome Sundown, was an American blues musician, best known for his recordings for Excello Records in the 1950s and early 1960s.

Lonesome Sundown
Birth nameCornelius Green III
Born(1928-12-12)December 12, 1928
Donaldsonville, Louisiana, United States
DiedApril 23, 1995(1995-04-23) (aged 66)
Gonzales, Louisiana, United States
GenresSwamp blues
Occupation(s)Musician, singer, songwriter, minister
InstrumentsGuitar, vocals, harmonica
Years activeEarly 1950s–1980
LabelsExcello
HighTone

Biography

Green was born on the Dugas Plantation near Donaldsonville, Louisiana.[2] At the age of 18, he moved to New Orleans and worked in various jobs, including porter at the New Southport Club, a casino in Jefferson Parish. He returned to Donaldsonville by 1948 and, inspired by Muddy Waters and John Lee Hooker, began taking guitar lessons from a cousin.

In 1953, after a brief period as a truck driver in Jeanerette, Louisiana, he moved again to work at the Gulf Oil refinery in Port Arthur, Texas. By this time he had begun to take his music more seriously, jamming at local clubs. In 1955 he was invited by Clifton Chenier to sit in with his new band, the Zydeco Ramblers, at the Blue Moon Club in Lake Charles. Chenier offered him the post of second guitarist in the band, alongside first guitarist Phillip Walker. Green toured with them as far as Chicago and Los Angeles, where Chenier's recording of "The Cat's Dreaming" was inspired by an incident in which Green fell asleep during a session and by the time Green auditioned for the producer Bumps Blackwell but failed to get a contract.[2][3][4][5]

Green married later in 1955, left the Zydeco Ramblers, and moved to Opelousas, Louisiana, where he began playing with Lloyd Reynauld and writing his own songs. He recorded a demo tape and took it to the producer J. D. "Jay" Miller in Crowley. Miller was impressed, gave Green the stage name "Lonesome Sundown", and recorded his debut single, "Leave My Money Alone" backed with "Lost Without Love", which he leased to Excello Records in 1956. The followup, "Lonesome Whistler" backed with "My Home Is a Prison", was more successful, and Sundown became one of Miller's south Louisiana stable of musicians. He never had a chart hit, but he recorded for Miller for eight years, and his records sold in respectable quantities, his output including "Don't Say a Word" (featuring Lazy Lester on harmonica), "I'm a Mojo Man", "You Know I Love You", "I Stood By (And Watched Another Man Steal My Gal)", "My Home Ain't Here", and the much-covered "Gonna Stick to You Baby".[2][3][4][5] Unusually for Louisiana musicians, Sundown's style of the blues was more in keeping with the sound of Muddy Waters than that of Jimmy Reed.[3] His sombre and melancholic recordings and instantly recognizable style were described by Miller as "the sound of the swamp".[4]

Sundown continued to work with Miller into the early 1960s. In 1964 he recorded "Hoo Doo Woman Blues" backed with "I've Got a Broken Heart", recordings which have been described as among "the last ethnic down-home blues 45s aimed exclusively at the Negro market".[2] However, by 1965 Sundown had become disillusioned with his lack of success. He also endured a difficult divorce around this time, retired from the music industry to work as a laborer, and joined the Lord Jesus Christ of the Apostolic Faith Fellowship Throughout the World Church, of which he eventually became a minister.[3][5] He was persuaded back to the recording studio in 1977 and recorded another blues album, Been Gone Too Long, co-produced by Bruce Bromberg and Dennis Walker, originally for Joliet Records.[3] Despite its quality, its sales were disappointing, even after it was reissued by Alligator Records.[3] His final single release was "I Betcha", in 1977[6] Reviewing the LP in Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau said:

"A/k/a Cornelius Green of Opelousas, Louisiana, Sundown came out of a decade's retirement to cut this modest but exemplary blues LP. With his rounded rhythms, entertaining arrangements, good-hearted vocals, and Slim Harpo guitar, he is to Johnny Shines what the bayous are to the Delta—not as deep, but more fun."[7]

Sundown played several concerts, including an appearance at the 1979 New Orleans Jazz & Heritage Festival and tours of Sweden and Japan with Phillip Walker, but then walked away from the music business for good.[4][5] In 1994 he suffered a stroke and was no longer able to speak. He died in Gonzales, Louisiana, in April 1995, aged 66.[8] He was posthumously inducted into the Louisiana Blues Hall of Fame in 2000.[4]

Selected discography
  • Lonesome Lonely Blues (1970), Excello
  • Been Gone Too Long (1977), HighTone[9]

See also

References
  1. Eagle, Bob; LeBlanc, Eric S. (2013). Blues - A Regional Experience. Santa Barbara, CA: Praeger Publishers. p. 176. ISBN 978-0313344237.
  2. Broven, John (January 1987). South to Louisiana: The Music of the Cajun Bayous. ISBN 9780882896083. Retrieved December 30, 2009.
  3. Dahl, Bill. "Lonesome Sundown: Biography". AllMusic. Retrieved January 27, 2014.
  4. Hannusch, Jeff. "Masters of Louisiana Music: Cornelius Green, 'Lonesome Sundown'". Offbeat.com. Retrieved November 23, 2009.
  5. Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray. Dubai: Carlton Books. p. 138. ISBN 1-85868-255-X.
  6. "WangDangDula.com". Koti.mbnet.fi. December 24, 2010. Retrieved January 27, 2014.
  7. Christgau, Robert (1981). "Consumer Guide '70s: S". Christgau's Record Guide: Rock Albums of the Seventies. Ticknor & Fields. ISBN 089919026X. Retrieved March 13, 2019 – via robertchristgau.com.
  8. Doc Rock. "The Dead Rock Stars Club 1994–1995". Thedeadrockstarsclub.com. Retrieved January 27, 2014.
  9. "Lonesome Sundown: Discography". AllMusic. Retrieved January 27, 2014.
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