Lucy Nicolar Poolaw

Lucy Nicolar Poolaw (June 22, 1882 – March 27, 1969), also called Wa-Tah-Wa-So and billed as Princess Watahwaso, was a Penobscot and a performer on the Chautauqua and lyceum circuits.

Lucy Nicolar Poolaw at the beginning of her touring career, from the cover of a 1916 publication.
Lucy Nicolar Poolaw as Princess Watahwaso, from the cover of a 1917 publication.

Early life

Lucy Nicolar (Wa-Tah-Wa-So) was born on the Penobscot Island Reservation in Maine, the daughter of Joseph Nicolar and Elizabeth Joseph, both Penobscot.[1] Her father was a Native Community Leader,[2] and a writer who published The Life and Traditions of the Red Man (1893).[3] As a child Lucy Nicolar learned basketry and sold handmade goods with her family in Kennebunkport, Maine. She and her sisters also sang for the tourists.[4] As a teen, she was one of the charter members of the island's Wabanaki Club, a women's club admitted to the Maine Federation of Women's Clubs in 1897.[5]

During her late teens Nicolar began traveling to public performances at events such as sportsman's shows; during one such trip Nicolar caught the attention of a Harvard administrator.[6] He arranged opportunities for her to study music in Boston and New York City.[6]

Career

Nicolar often combined political activism with entertainment.[6] In January 1900, when 17 years old, Nicolar attended a debate on the subject of immigration in New York City. She silenced the attendees with the statement "I believe I am the only True American here."[6] She then sat at a piano, sang a plaintive song and played Chopin, touching everyone in the room.[6]

Lucy Nicolar toured the United States using the stage name "Princess Watahwaso", on the Chautauqua and lyceum circuits beginning in 1916, singing songs, playing piano, telling stories, dancing, and wearing a fringed costume.[7] She sang "The Star-Spangled Banner" at the annual banquet of the Redpath-Vawter Chautauqua organization.[8] She performed at New York's Aeolian Hall[9] and was on the program for Music Day at the Woman's Press Club in New York in 1920.[10] Writing about her show in 1920, the New York Times commented that "Watahwaso's native and acquired gifts produced a degree of charm not often heard in primitive music."[11] Although it was presented as "primitive music", most of Princess Watahwaso's repertoire was written by non-Native composers, including Thurlow Lieurance and Charles Wakefield Cadman.[1]

Lucy Nicolar also made more than a dozen recordings for the Victor Talking Machine Company between 1917 and 1930.[12]

After 1929, she retired from the platform shows and Lucy Nicolar Poolaw and her husband ran a basket shop, Chief Poolaw's Teepee, in Maine. She was also active with her sisters Emma and Florence in working for Native American rights in Maine. After the Penobscot people who lived on ANtives reservation land in Maine, they gained the right to vote in 1955, Lucy Nicolar Poolaw cast the first ballot.[13][14]

Personal life

Lucy Nicolar married first in 1905, a doctor from Boston; they divorced in 1913.[6] She married second to her manager and lawyer, Thomas F. Gorman, before 1918; they divorced too. Her third husband was Bruce Poolaw (1906-1984), a fellow entertainer. They retired to Maine together. Lucy Nicolar Poolaw died in 1969, aged 87 years, on Native American land. The Poolaw's giftshop, renamed Princess Watahwaso's Teepee, is now a museum run by Lucy's nephew, Charles Norman Shay.[15]

One of Poolaw's baskets is in the collection of the Oklahoma Historical Society.[16] In 2010 and 2011, there was an exhibit about her, called "Aunt Lu: The Story of Princess Watahwaso", at the Abbe Museum.[14][17]

Photographer Horace Poolaw was her brother-in-law.[18]

References
  1. Paige Lush, Music in the Chautauqua Movement: From 1874 to the 1930s (McFarland 2013): 163-165. ISBN 9780786473151
  2. "Daughter of Penobscot Chief to Interpret Indian Music" Lyceum News (November 1916): 4-5.
  3. Joseph Nicolar, The Life and Traditions of the Red Man (C. H. Glass and Company 1893).
  4. Canyon Wolf, "Lucy Nicolar" Ne-Do-Ba (Friends) Exploring & Sharing the Wabanaki History of Interior New England (2008).
  5. "Indian Squaws Admitted" San Francisco Call (November 28, 1897): 8. via California Digital Newspaper Collection
  6. "Lucy Nicolar Goes Far From a Maine Native Amerocan Reservation — And Then Returns". New England Historical Society. New England Historical Society. Retrieved 8 March 2019.
  7. "Princess Watahwaso" Music News (March 30, 1917): 1, 11.
  8. "Vawter's 15th Convention" Lyceum Magazine (March 1917): 25.
  9. Program from Princess Watahwaso's 1917 recital at Aeolian Hall, from "Traveling Culture: Circuit Chautauqua in the Twentieth Century", Redpath Chautauqua Collection, University of Iowa Libraries, Special Collections Department.
  10. "Lillie D'Angelo Bergh's 'Music Day'" Musical Courier (May 13, 1920): 10.
  11. "Princess Watahwaso Sings" New York Times (April 8, 1920): 9.
  12. Princess Watahwaso discography, Discography of American Historical Recordings, UCSB Library.
  13. "Lucy Nicolar Goes Far From a Maine Native American Reservation — And Then Returns" New England Historical Society (2017).
  14. Kylie Message, Museums and Social Activism: Engaged Protest (Routledge 2013): 30. ISBN 9781134663699
  15. "Princess Watahwaso's Teepee" Penobscot Cultural and Historic Preservation.
  16. Object record, Basket, Oklahoma Historical Society.
  17. "Bar Harbor’s Abbe Receives $50,000 Gift" Bangor Daily News (December 19, 2010).
  18. Christine Lin, "These Extended Families" The Epoch Times (November 18, 2014): B4. via ProQuest
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