Luz Donoso

Luz Donoso Puelma (born 1921 in Santiago, Chile, died January 18, 2008), also known as Luz Donoso, was a Chilean graphic artist, muralist, political activist, and teacher. Beginning in the mid 1960s, Donoso was one of the most prominent participants in the muralist movement that supported Salvador Allende’s presidential campaign.[1] In the first months of the dictatorship she was dismissed from her teaching position at the University of Chile, like many of her colleagues, and shortly after co-founded an artist run work space and forum, Taller de Artes Visuales (TAV).[2][3][4]

Luz Donoso
Born
Luz Donoso Puelma

1921
Santiago, Chile
DiedJanuary 18, 2008(2008-01-18) (aged 86–87)

Selected exhibitions
  • 1976 – Instituto Chileno Frances, Santiago
  • 1977 – Cuatro Grabadores Chilenos, Galleria Cromo, Santiago[5]
  • 1978 – Participated in the collective Exposition "Recreando a Goya" at the Goethe institute, Santiago Chile.[6]
  • 1983 – Chilenas en Berlin, Berlin
  • 1987 – Mujer, Arte y Perferia, floating Curatorial Gallery, Women in Focus, Vancouver[7]
  • 2011 - Una Accion hecha por otro es una obra de la Luz Donoso, Centro de Arte Contemporaneo de Las Condes, Santiago[8]
  • 2012 – Her work was featured in a Collective exposition organized by The Red Conceptualismos de Sur "Perder la forma humana. Una imagen sismica de los anos ochenta en America Latina" at the Museo Nacional Centro de Arte Reina Sofía in Madrid.[9]
  • 2015 – Her work was featured in a collective exposition "Ausencia encarnada, Efimeralidad y collectividad en el art chileno en los anos setenta" curated by Liz Munsell at the Museo de la Solidaridad Salvador Allende, Santiago, Chile.
  • 2016 – Her work was featured in a collective exposition "Poner el cuerpo. Llamamientos de arte y politica en los anos ochenta en America Latina" curated by Javier Manzi y Paulina Varas at the Museo de la Solidaridad Salvador Allende, Santiago, Chile.
  • 2017 – Radical Women: Latin American Art, 1960–1985[10]

References
  1. Repizzo, Adryan Fabrizio Pineda (2011-06-30). "El problema de decir de una cosa que es una obra de arte". Análisis (78): 169. doi:10.15332/s0120-8454.2011.0078.07. ISSN 2145-9169.
  2. Varas, Paulina. "el arte y la acción en el presente (primeras notas)". Cite journal requires |journal= (help)
  3. Magalhães, Juliana Paula (2018-12-27). "Derecho y capitalismo: Una lectura a la luz de Althusser y Pachukanis". Derechos en Acción. 9 (9). doi:10.24215/25251678e221. ISSN 2525-1686.
  4. "Huincha sin fin (End... | Luz Donoso | Radical Women digital archive". Hammer Museum. Retrieved 2019-03-11.
  5. Raveau, Niki. "FICHA BIBLIOGRÁFICA GALERÍA CROMO 1977 / Nicolás (Niki) Raveau, 2010". Cite journal requires |journal= (help)
  6. Varas, Paulina. "Una acción de otro es una obra hecha por la Luz Donoso". Cite journal requires |journal= (help)
  7. Diamela., Eltit (1987). Women, art and the periphery = Mujer, arte y periferia : an exhibition of thirteen Chilean artists' contemporary, multimedia works : November 11 – December 19, 1987. Richard, Nelly., Rosenfeld, Lotty., Vancouver Women in Focus Society. Floating Curatorial Gallery. Vancouver: Floating Curatorial Gallery at Women in Focus. ISBN 0921823096. OCLC 35926812.
  8. Varas, Paulina. "Una acción de otro es una obra hecha por la Luz Donoso". Cite journal requires |journal= (help)
  9. Aliaga, Juan Vicente (2015-05-01). "Perder la forma humana. Una imagen sísmica de los años ochenta en América Latina". Critique d'Art. Actualité Internationale de la Littérature Critique Sur l'Art Contemporain (in French). ISSN 1246-8258.
  10. Fajardo-Hill, Cecilia; Giunta, Andrea; Alonso, Rodrigo (2017). Radical women : Latin American art, 1960–1985. Fajardo-Hill, Cecilia,, Giunta, Andrea,, Alonso, Rodrigo,, Armand Hammer Museum of Art and Cultural Center,, Brooklyn Museum,, Pacific Standard Time: LA/LA (Project). Los Angeles. ISBN 9783791356808. OCLC 982089637.
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