Lyle Chan

Lyle Chan is an Australian composer known for his unique approach of writing cumulative works with only one work per genre.[1]

He has described his music as a diary or memoir, particularly of emotions.

“I call it a perpetual work in progress," he has explained. "As a composer, I only write these very, very long pieces. What I figured out, early on, is that I don't actually like writing beginnings and endings. And then I realized why, which is that they're not real. I think that, as an artist, you create one work, which is the work defined by the life that you lead and the experiences that you have."[2] "The music were my diaries, a way of writing down feelings. As a composer I think of music as the sound that feelings make."[3]

These cumulative compositions have highly abstract titles such as Orchestra with Solo Instruments and Solo Piano, but each is made up of self-contained sections with more descriptive titles.

Four such sections have received high-profile media coverage: Wind Farm Music (Dedicated to Tony Abbott)[4], Rendezvous With Destiny,[5]AIDS Memoir Quartet[6] and Serenade for Tenor, Saxophone and Orchestra.[7]

In particular the AIDS Memoir Quartet has been recognised for its significance both as a work of art and as a historical document. Limelight magazine described it as "A crushingly powerful work of musical history … A towering piece."[8] Grammy, Oscar and Pulitzer-winning American composer John Corigliano wrote that it is "a very ambitious work born out of a seemingly endless plague. Its composer has taken his experiences of living through the enormous tragedy of AIDS and from them has molded a serious and deeply felt work of art."[9]

Since 2013, Lyle Chan's personal website has been selected for ongoing preservation by the National Library of Australia, recognising his contribution to culture and history.[10]

Chan's works have been programmed by the major arts organisations in Australia such as the Sydney Philharmonia Choir, the Song Company, Queensland Symphony Orchestra, Tasmanian Symphony Orchestra, Camerata of St John's, Brisbane Festival, National Gallery of Victoria, Art Gallery of NSW, Sydney Opera House, Australian Broadcasting Corporation and others.

Chan is especially highly regarded for his chamber music, which has been performed by pianists Simon Tedeschi and Benjamin Martin, Australia Piano Quartet, Australian Art Quartet, Seraphim Trio, New Sydney Wind Quintet and Acacia Quartet.

He has acknowledged John Cage and Morton Feldman among his primary musical influences[11] and is himself acknowledged as an authority on Cage. For the composer's centenary in 2012 he was invited by the John Cage Trust and the Sydney Opera House to deliver a lecture in that landmark building on Cage's seminal 'silent' piece 4'33".[12][13][14] Timed to last 43 minutes and 30 seconds, the lecture was called 'probing' by Limelight magazine.[15] "It took four years for Cage to write the piece, to master the courage and rationale behind it", he said.[16]

Lyle Chan received a Bachelor of Physics from the University of Wisconsin, Madison. He studied music with Conrad Pope, J. Peter Burkholder and the Pro Arte String Quartet. He was Artists & Repertoire Manager for the Australian record label ABC Classics for over ten years.[17]

Works

His most autobiographical works are Solo Piano and String Quartet.

Solo Piano

Very few sections of Solo Piano have been publicly released, the major exception being Forever #1, a one-minute piece written for the second anniversary of the 9/11 terrorist attacks in the USA. It is purposely similar to the one minute of silence observed at commemoration ceremonies.[18][19][20]

His website contains memoir essays on several other sections of Solo Piano, such as Untitled (for Steve), Wisconsin Cowboy Lullaby and Nachtstück, none of which he has allowed to be publicly performed so far.[21]

String Quartet

Several sections of String Quartet have been publicly released, notably the sections covering the years 1991 to 1996, known as the AIDS Memoir Quartet. Other sections include Liberty and the Pursuit,[22] a tribute to his teachers the Pro Arte Quartet, and Farwell My Good I Forever,[23] and Untitled (Thomas Brand gewidmet).[24]

AIDS Memoir Quartet
Main article: AIDS Memoir Quartet

The work chronicles Chan's 6 years as an AIDS activist at the height of the epidemic in Australia, including importing experimental medications from Los Angeles to Sydney.[6][25]

The work has been exclusively performed by the Acacia Quartet.

Voices and Instruments

Voices and Instruments is a diverse work employing any combination of voices (solo or choral) and instruments (chamber, orchestral or electronic). Though less obviously autobiographical than String Quartet or Solo Piano, it does contain sections inspired by events within his direct experience, such as the Lindt Cafe hostage crisis of 2014, or discovering that Benjamin Britten's first love Wulff Scherchen was alive and living in Australia.

Several sections have been released: “Wachsein ist andersvo” (Awakening is elsewhere),[26] Rendezvous With Destiny,[5][27][28][29] "Dass ich dich schau ewiglich" (That I may see you eternally),,[30][31] Love Is Always Born (December)[32][33] and Serenade for Tenor, Saxophone and Orchestra ("My Dear Benjamin").[34][35]

Serenade for Tenor, Saxophone and Orchestra ("My Dear Benjamin")
Main article: Serenade for Tenor, Saxophone and Orchestra (“My Dear Benjamin”)

This orchestral song cycle is based on letters between Benjamin Britten and Wulff Scherchen.

Chan decided to write the work when he discovered that Scherchen was still alive and went to meet the 95-year-old who was living in northern New South Wales, Australia.[34]

It was awarded the Orchestral Work of the Year prize at the 2017 Art Music Awards.[36][37]

References
  1. "THE COMPOSER". lylechanmusic.com. Retrieved 12 March 2017.
  2. "Queer Arts Festival composers venture into the perpetual and the textual". Georgia Straight Vancouver's News & Entertainment Weekly. 22 June 2016. Retrieved 12 March 2017.
  3. "ABC Classic FM – Australian Music – String Quartet: An AIDS Activist's Memoir". ABC Classic FM. Retrieved 12 March 2017.
  4. Daley, Mick (19 August 2015). "Julian Burnside commissions classical ode to wind farms as rebuke to Tony Abbott". The Sydney Morning Herald. Retrieved 12 March 2017.
  5. Burke, Kelly (2 April 2011). "I've got you, Abe … Carr channels his inner Lincoln". The Sydney Morning Herald. Retrieved 12 March 2017.
  6. Westwood, Matthew (4 September 2014). "Composer Lyle Chan's musical reflections on an epidemic". The Australian.
  7. "Britten's letters with a teenage muse become a new song cycle". limelightmagazine.com.au. Retrieved 12 March 2017.
  8. "Review: Blackwattle Trio (Bellingen Music Festival)". limelightmagazine.com.au. Retrieved 12 March 2017.
  9. "String Quartet: An AIDS Activist's Memoir". vexations840.com. Retrieved 12 March 2017.
  10. "PANDORA, Australia's Web Archive".
  11. "Lyle Chan speaks to classikON about his musical influences | classikON". www.classikon.com. Retrieved 12 March 2017.
  12. John Cage Centenary Celebration (printed program for events 2 & 3 November 2012). Sydney Opera House. 2012.
  13. "Cage Centenary Program_FINAL". Retrieved 12 March 2017 – via Scribd.
  14. "100 years of John Cage – Classic Melbourne". Classic Melbourne. 5 September 2012. Retrieved 12 March 2017.
  15. "Live Review: John Cage Festival – Bang On A Can". limelightmagazine.com.au. Retrieved 12 March 2017.
  16. "The Composers: John Cage Centenary Celebration | Megaphone Oz". megaphoneoz.com. Retrieved 16 March 2017.
  17. "Lyle Chan : Represented Artist Profile : Australian Music Centre". australianmusiccentre.com.au. Retrieved 12 March 2017.
  18. "Forever No. 1 : from 'Solo Piano' by Lyle Chan : Work : Australian Music Centre". australianmusiccentre.com.au. Retrieved 12 March 2017.
  19. Koehne, James (2004). Liner notes to Eternity: The Timeless Music of Australian Composers (sound recording) (PDF). Australian Broadcasting Corporation. p. 9.
  20. "Forever No. 1 and Forever No. 13 from Solo Piano". Lyle Chan. 31 August 2010. Retrieved 12 March 2017.
  21. "solo piano | Lyle Chan". Lyle Chan. Retrieved 12 March 2017.
  22. Lyle Chan (8 March 2012), Liberty & The Pursuit by Lyle Chan – All Souls Church, Leichhardt, retrieved 12 March 2017
  23. "Farwell My Good I. Forever : (excerpt from String Quartet) by Lyle Chan : Work : Australian Music Centre". australianmusiccentre.com.au. Retrieved 12 March 2017.
  24. "Untitled (2005, Thomas Brand gewidmet) : string quartet by Lyle Chan : Work : Australian Music Centre". australianmusiccentre.com.au. Retrieved 12 March 2017.
  25. Carnegie, Reviewed by Joel (25 July 2014). "AIDS activist's musical memoir a triumph". The Age. Retrieved 12 March 2017.
  26. ""Wachsein ist andersvo" from Voices and Instruments". Lyle Chan. 2 November 2010. Retrieved 12 March 2017.
  27. "Resonate 2011 :: Art Gallery NSW". artgallery.nsw.gov.au. Retrieved 12 March 2017.
  28. "Last Night's Rendezvous with Destiny". Thoughtlines with Bob Carr. 4 April 2011. Retrieved 12 March 2017.
  29. "Another Rendezvous with Destiny". Thoughtlines with Bob Carr. 20 September 2011. Retrieved 12 March 2017.
  30. Architecture of Sound (program book for concerts 24–25 August 2013) (PDF). Sydney Philharmonia Choirs.
  31. "Sydney Conservatorium of Music Chamber Choir". music.sydney.edu.au. Retrieved 12 March 2017.
  32. McCallum, Peter. "The Song Company review: All Leunig Song Almanac brings cartoon whimsy to life". The Sydney Morning Herald. Retrieved 12 March 2017.
  33. Wilson, Janet (2 November 2015). "The All-Leunig Song Almanac: 12 composers on 12 months". The Canberra Times. Retrieved 12 March 2017.
  34. "My Dear Benjamin | Queensland Symphony Orchestra". qso.com.au. Retrieved 12 March 2017.
  35. "My Dear Benjamin". Brisbane Festival 2015. Retrieved 12 March 2017.
  36. AMCOS, APRA. "2017 Art Music Awards". apraamcos.com.au. Retrieved 4 October 2017.
  37. "2017 Art Music Awards: winners : News (AMC) Article : Australian Music Centre". australianmusiccentre.com.au. Retrieved 4 October 2017.
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