Manikkavacakar
Manikkavacakar, or Maanikkavaasagar, was a 9th-century Tamil poet who wrote Tiruvasakam, a book of Shaiva hymns. He was one of the main authors of Saivite Tirumurai, his work forms volume eight of the Tirumurai, the key religious text of Tamil language Shaiva Siddhanta. A minister to the Pandya king Varagunavarman II (c. 862 CE–885 CE) (also called Arimarthana Pandiyan), he lived in Madurai. His work is a poetic expression of the joy of God-experience, the anguish of being separated from God. Although he is a prominent saint in Southern India, he is not counted among the sixty-three nayanars.
Manickavasagar | |
|---|---|
 | |
| Personal | |
| Born | Vaadhavoor Adigal Tiruvadhavoor |
| Religion | Hinduism |
| Philosophy | Shaivism Bhakti |
| Religious career | |
| Literary works | Tiruvasakam, Thirukkovaiyaar |
| Honors | Nayanar saint, Naalvar |
Life
 Om symbol Om symbol | ||
|---|---|---|
| The twelve volumes of Tamil Śaiva hymns of the sixty-three Nayanars | ||
| Parts | Name | Author |
| 1,2,3 | Thirukadaikkappu | Sambandar |
| 4,5,6 | Thevaram | Thirunavukkarasar |
| 7 | Thirupaatu | Sundarar |
| 8 | Thiruvasakam & Thirukkovaiyar | Manickavasagar |
| 9 | Thiruvisaippa & Tiruppallaandu | Various |
| 10 | Thirumandhiram | Thirumular |
| 11 | Various | |
| 12 | Periya Puranam | Sekkizhar |
| Paadal Petra Sthalam | ||
| Paadal Petra Sthalam | ||
| Rajaraja I | ||
| Nambiyandar Nambi | ||
Manikkavacakar is said to have born in Vadhavoor (Thiruvadhavoor, near by Melur in Madurai district), seven miles from Madurai on the banks of river Vaigai. He belonged to the Pandithar saivite temple priest guild. His father was a temple priest.[1] The group wore a top tilted knot "Purva Sikha" to denote servitorship to Lord Siva like sambandar, etc. A mural and statuette of Manikkavacakar with Purva Sikha head knot is seen in Tirupperunturai near Pudukkottai. A poetic and elaborate hagiography of Manikkavacakar and his works was written in the 16th century and is called Tiruvilayadal puranam, meaning "An account of divine deeds". The same is not available now in its original form. Another called Vadhavoorar puranam and yet another Sanskrit work of the 12th century CE on the same saint is now missing.
According to accounts the king of Pandyan dynasty had selected Manikkavacakar as a part of his legion after seeing his military acumen and had once entrusted him with a large amount of money to purchase horses for his cavalry. On his way he met an ascetic devotee of Siva, who in fact was Siva himself. Manikkavacakar received enlightenment, realised that material things are transitory and built the temple of Shiva in Tirupperunturai with the money.[2] King Varaguna also was preached with knowledge of reality and blessed with mukthi after Lord Shiva made him realize his small worldly mistake. Varaguana maharaja immediately gave up his throne and attained mukthi at the feet of Lord Shiva.
Manikkavacakar's birth name is unclear, but he was known as Vadhavoorar after his birthplace. Manikkavacakar means 'man with words as precious as Manikam'.
According to Ramana Maharshi, it is said that when Manikkavacakar attained mukthi, his body dissolved in a blinding light without leaving a corpse behind.[3]
Literary work
Thereafter Manikkavacakar moved from one place to other, singing and composing devotional songs. Finally, he settled in Chidambaram. His Tiruvasakam is placed near the murti of Shiva there. Several verses of Tiruvasagam including the accho patikam after singing which he attained mukti at Thillai Natarajar's feet are also engraved in the walls of the chidambaram temple. The tiruchazhal hymn after singing which the communal Buddhists were exposed is also engraved in one of the prakarams. The work tiruchitrambalakkovaiyar was sung entirely in thillai chidambaram. Throughout his work he discusses how important it is to forego attachments and cultivate dispassionate, devoted, sincere and simple hearted love to lord Shiva in order to attain his beatitude and also that the five letters of na ma si va ya alone give one mukti.
Manikkavacakar's work has several parts. The Tiruvembavai, a collection of twenty hymns in which he has imagined himself as a woman following the Paavai Nonbu and praising Shiva. The twenty songs of Tiruvembavai and ten songs of Tiruppalliezhuchi on the Tirupperunturai Lord are sung all over Tamil Nadu in the holy month of Margazhi ( The 9th month of the Tamil calendar, December and January).
Manikkavacakar is believed to have won intellectual arguments with Buddhists of Ceylon at Chidambaram.[4] His festival is celebrated in the Tamil month of Aani (June - July). Manikkavacakar's hagiography is found in the Thiruvilaiyadar Puranam (16th century AD).
In 1921, an English translation of Manikkavacakar's hymns was done by Francis Kingsbury and GE Phillips, both of United Theological College, Bangalore (Edited by Fred Goodwill) and published in a book as Hymns of the Tamil Śaivite Saints, by the Oxford University Press [5]
Associated temples
Manikkavacagar visited various temples in Thanjavur, North Arcot, Chengalpattu, Madras, Tirunelveli and Madurai districts and revered the deities.[6]
- Sculptures illustrating his life are found in the Minakshi-Sundaresvara temple at Madurai.[7]
- Manikkavacakar is said to have built the temple of Siva in Tirupperunturai.
- He is said to have lived at Chidambaram Tamil Nadu.
- He is closely associated with Tiru Uthirakosamangai.
Tiruvembavai is sung along with Andal's Tiruppavai widely across the temples in Tamil Nadu during the Tamil month of Margazhi (December - January).[8]
Manikkavackar's stone image is worshiped in almost all Shiva temples of Tamil Nadu. A Chola bronze of Manickkavackar with 57 cm (22 in) in standing posture dated to about 12th century was found in Velankanni in Nagapattinam district. He is sported with one of his right hand in upadesa posture and left hand holding a palm leaf manuscript. He is sported wearing a thin loin cloth and sports sacred thread over his chest. Another bronze idol of Manickkavackar with a height of 64 cm (25 in) in standing posture dated to about 1150 was found in Tirundalur in Nagapattinam district. Unlike other idols, in this idol he is sported with locks of hair encircled with beads of Rudraksha. The bronze images are stored in the Bronze gallery in Government Museum, Chennai.[9]
Notes
- Nayanars
- B.S. 2011, p. 77
- Talks with Ramana Maharshi- chapter 215
- B.S. 2011, p. 162
- Kingsbury, F (1921). Hymns of the Tamil Saivite Saints (1921) (PDF). Oxford University Press. pp. 84–127. Retrieved 8 July 2014.
- B.S. 2011, p. 36
- R.K.K., Rajarajan (2006). Art of the Vijayanagara-Nayakas: Architecture and Iconography. Delhi: Sharada Publications.
- B.S. 2011, p. 74
- T.S., Dr. Sridhar, ed. (2011). An exhibition on Chola bronzes - 1000th anniversary of Thanjavur Big temple celebration (PDF) (Report). Chennai: Department of Archaeology & Government Museum. p. 45.
References
- B.S., Chandrababu; S., Ganeshram; C., Bhavani (2011). History of People and Their Environs. Bharathi Puthakalayam. ISBN 9789380325910.
- Dallapiccola, Anna. Dictionary of Hindu Lore and Legend. ISBN 0-500-51088-1.
External links
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