Mario Montenegro
Mario Montenegro (born Roger Collin Macalalag; July 25, 1928 – August 27, 1988) was a Filipino film actor best known for his heroic leading roles.
Mario Montenegro | |
---|---|
Born | Roger Collin Macalalag July 25, 1928 |
Died | August 27, 1988 60) | (aged
Occupation | Actor |
Years active | 1949–1988 |
Spouse(s) | Leticia "Letty" Alonzo |
Early life
Montenegro was born in Pagsanjan, Laguna to a Filipino father and a French mother.[1]
Montenegro was a Fine Arts student at the University of the Philippines[2] upon the invasion of the Philippines by Japan during World War II. At the age of fourteen, he joined the armed resistance against the Imperial Japanese Army as a member of the Hunters ROTC guerilla unit.[1] He was only sixteen when he, along with the Hunters ROTC, participated in the famed raid on the Japanese internment camp at Los Baños, Laguna on February 23, 1945.[1] He received multiple medals for distinction before he rejoined civilian life in 1946.[1]
Film career
In 1949, Montenegro was cast in his first film role in the World War II drama Capas. The following year, he was cast by director Manuel Conde in his first leading role, in Apat na Alas (1950).[1]
During the 1950s, Montenegro was among the mainstays of LVN Pictures studio headed by Doña Sisang de León. He was often cast in costume dramas and action films, dabbling occasionally in comedy roles.[1] He portrayed heroic leads in such historical films as Dagohoy (1953), Lapulapu (1955), Kilabot ng Makiling (1959) and Alyas Sakay (1959). Throughout his career, Montenegro would be nominated for a total of three FAMAS acting awards, including two Best Actor nominations.[1]
As he aged, Montenegro found himself cast in character roles. Among his more notable later roles was in Mike de Leon's Itim (1976), for which he received a Best Supporting Actor nomination from the Gawad Urian.
His last movie was Madonna: Ang Babaeng Ahas, filmed in 1988, but it was released posthumously in 1991.
Legacy
His surviving granddaughter Valeen Montenegro is also a film actress following the footsteps of his film legacy.
Filmography
Year | Title | Role | Notes |
---|---|---|---|
1949 | Capas | ||
1950 | Apat Na Alas | ||
1952 | Correccional | Armando | |
1952 | Bathaluman | ||
1952 | Rodrigo de Villa | ||
1953 | 3 Labuyo | ||
1953 | Sa Kuwintas ng Pasakit | ||
1953 | Makabuhay | Based on the novel by M. S. Martin and S. G. Bautista (serialized in Liwayway) | |
1953 | Luha at Musika | ||
1953 | Dagohoy | Francisco Dagohoy | |
1954 | Pasiya ng Langit | ||
1954 | Dambanang Putik | ||
1955 | Lapu-lapu | Lapu-Lapu | |
1955 | Pilipino Kostum: No Touch!" | ||
1956 | Ilaw sa Karimlan | ||
1956 | Ulilang Bituin | ||
1956 | Everlasting | ||
1956 | Medalyong Perlas | Segment: "Sa Pusod ng Dagat" | |
1956 | Among Tunay | ||
1956 | Higit sa Korong | ||
1957 | Walang Sugat | Based on the zarzuela of the same name by Severino Reyes | |
1957 | Topo-Topo | ||
1957 | Pintor Kulapol | ||
1957 | Nasaan Ka Irog | ||
1958 | Balae | ||
1958 | Rebelde | Mario | |
1958 | Ay, Pepita | ||
1958 | Casa Grande | Segment: "Herederos" | |
1958 | Venganza | ||
1959 | Cover Girl | ||
1959 | Kilabot ng Makiling | Oscar/Kilabot | Based on a novel (serialized in Liwayway) |
1960 | Ang Inyong Lingkod, Gloria Romero | Segment: "Ang Buhay ng Tao'y Gulong ang Kabagay...." | |
1960 | Limang Misteryo ng Krus | Segment: "Koronang Tinik" | |
1960 | Pagpatak ng Ulan | ||
1960 | Ginang Hukom | Segment: "Case No. 3: 'Paglipas ng Dilim'" | |
1960 | Gumuhong Bantayog | ||
1960 | 7 Amores | Segment: "Igorot Story" | |
1961 | Angelica | ||
1961 | 5 Yugto ng Buhay | Segment: "Balatkayo" | |
1961 | Dalawang Kalbaryo ni Dr. Mendez | ||
1961 | Alyas Sakay | ||
1961 | Ito Ba ang Aking Ina? | Waldo | |
1961 | Karugtong ng Kahapon | ||
1962 | Walang Susuko | Capt. Bert Gabriel | |
1962 | Labanan sa Balicuatro | ||
1962 | Apat Na Kilabot | "Unang Handog" (initial offering) of LEA Productions | |
1962 | Thor | Thor | Based on the comic of the same name (serialized in Liwayway) |
1962 | Jose Bandido | Jose | |
1963 | Mga Batong Hiyas | ||
1963 | Anak, ang Iyong Ina! | ||
1963 | Haliging Bato | ||
1963 | Ang Asawa Kong Barat | ||
1963 | Ang Manananggol ni Ruben | ||
1964 | Duwag and Sumuko | Based on the novel by Francisco V. Coching (serialized in Liwayway) | |
1964 | Lalaine Mahal Kita | ||
1965 | Operation Manila | ||
1966 | Itinakwil Man Kita | ||
1966 | Totoy Bingi | ||
1966 | The Passionate Strangers | ||
1966 | Ito ang Dahilan! | ||
1966 | Ito ang Pilipino | Rene | |
1968 | Manila, Open City | ||
1968 | Mindanao | ||
1968 | Liku-likong Landas | ||
1972 | Poor Little Rich Girl | ||
1976 | Itim | ||
1977 | Mga Bilanggong Birhen | ||
1979 | Isa para sa Lahat, Lahat para sa Isa | ||
1980 | 4 Na Maria | ||
1987 | Pasan Ko ang Daigdig | Ignacio Aboitiz, Jr. | |
1991 | Madonna: Ang Babaeng Ahas | Released posthumously |
Notes
- CCP Encyclopedia, p. 279
- Dolor, Danny (21 August 2011). "Mario Montenegro is Pintor Kulapol". philstar.com. Retrieved 13 June 2017.
References
- Lena Pareja; Galileo Zafron (1994). "Philippine Film". In Nicanor Tiongson (ed.). CCP Encyclopedia of Philippine Art. VIII (1st ed.). Manila: Cultural Center of the Philippines. p. 279. ISBN 971-8546-31-6.