Mary Knight Benson

Mary Knight Benson was a Pomo woman who excelled in traditional basket making. Her work is highly collectible and renowned for fine craftsmanship. She and her husband, William Ralganal Benson, partnered as basket weavers, and their work is curated in major museums.

Personal life

Mary Knight Benson (1877-1930)[1] was born to Sarah Knight, a Central Pomo speaker and master basket weaver. The Pomo tribe was a group of indigenous people of California who traditionally resided in the coastal region of Northern California above San Francisco.[2] When she met William Benson, she was already a master basket maker.[3] William, a speaker of the Eastern Pomo language and also a master basket weaver was skilled in many other aspects of Pomo culture.[4] The couple lived most of their lives on Pomo tribal territory near Ukiah, California where William was an elder, band chief, and tribal historian.[2][5] As a couple, they became renowned for their basket making.[6]

Basketry reputation and recognition

The Bensons may have been the first California Indians who supported themselves solely by crafting and selling their baskets to collectors and museums.[7] Beginning with the Spanish mission period on California, the Pomo, like other tribes, suffered drastic declines in population, severe cultural destruction, and the loss of homeland.[6][8] As such, they began working as laborers on farms and ranches that occupied their traditional lands.[6] However, a market for genuine, traditional baskets opened in the 1880s and lasted until the 1930s.[9]

William and Mary Benson took advantage of this commercial opportunity. While Pomo men did not traditionally make the kind of fine baskets demanded by the market, Mary helped him adapt his skill to the fine work done by women.[9] He was one of the few men who did so.[9] Mary developed her skills which grew to an astounding level and was noted for focusing on perfection.[10] She produced baskets that reflected her skillful weaving technique, astute material selection, remarkably straight lines, complicated diagonals, and complex patterns.[1]

Mary and William enjoyed significant success in their artist career of weaving Pomo baskets. They traveled widely and developed relationships with collectors and art dealers.[11] The couple demonstrated their weaving skills at the Louisiana Purchase Exposition in Saint Louis in 1904. They had their own exhibit and jointly wove a basket that won the fair’s highest award.[7]

Baskets made by William and his wife Mary are curated in museums such as the Smithsonian Institution, National Museum of the American Indian, and the Field Museum of Natural History[2][10] and are known as some of the finest ever woven.[12]

Footnotes
  1. Bibby 2012, p. 106.
  2. Leibowitz 2004.
  3. Bibby 2012, p. 108.
  4. Luthin 2002, p. 261.
  5. KSTROM.net 2018.
  6. Harney 1992.
  7. Luthin 2002, p. 262.
  8. Bacich 2018.
  9. Abel-Vidor 1996, p. 20.
  10. Bibby 2012, p. 107.
  11. Bibby 2012, p. 66.
  12. National Museum of the American Indian 2018.

References

Books

  • Abel-Vidor, Suzanne; Brovarney, Dot; Billy, Susan (1996). Remember Your Relations: The Elsie Allen Baskets, Family, and Friends. Berkeley: Heydey Books. ISBN 978-1-59714-169-7.CS1 maint: ref=harv (link)
  • Bibby, Brian (2012). Essential Art: Native Basketry from the California Indian Heritage Center. Berkeley: Heydey Books. ISBN 978-0-930588-80-9.CS1 maint: ref=harv (link)
  • Luthin, Herbert (2002). Surviving Through The Days. Berkeley, Los Angeles, London: University of California Press. ISBN 978-0520222700.CS1 maint: ref=harv (link)

Websites
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.