Maurizio Seracini

Maurizio Seracini (born 1946) is a diagnostician of Italian art. A 1973 graduate in bioengineering from the University of California, San Diego (UCSD), he founded, in 1977, the first company in Italy for diagnostic and non-destructive analyses on art and architecture, the Editech srl, Diagnostic Center for Cultural Heritage in Florence.[1] Adapting technologies from the medical and military fields and other technical measuring instruments he has made possible diagnostics of art and search for art without destroying the artwork itself.

Maurizio Seracini at Palazzo Vecchio in Florence, Italy

He founded the Center for Interdisciplinary Science for Art, Architecture and Archaeology at the University of California, San Diego’s Institute for Telecommunications and Information Technology in 2007 and served as its director till 2013. From 2014 to 2016, he was a visiting professor at the School of Engineering at Monash University, Melbourne.

Professor Seracini has studied over 4,300 works of art, most notably Leonardo Da Vinci’s lost mural, the “Battle of Anghiari” and “The Last Supper”, Boticelli’s “Allegory of Spring” and Carvaggio’s “Medusa”. He used high-frequency, surface-penetrating radar to locate the painting behind Vasari’s “Battle of Marciano in Val di Chiana”, forming the basis for the new technology that Professor Seracini would pioneer. Professor Seracini’s theory was confirmed by an investigation authorized by the city council of Florence and the Italian Minister of Culture at the time, demonstrating the efficacy of his methods.

He works closely with Majestic Arts[2] as an Expert for Scientific Authentication of Works of Art in Asia, Europe, North America and Middle East.

Seracini has been well known for his search for the Leonardo da Vinci mural The Battle of Anghiari in the Salone dei Cinquecento, Palazzo Vecchio, Florence [3] and for his diagnostic survey on Leonardo's Adoration of the Magi.

References
  1. EDITECH
  2. "Majestic Arts".
  3. New York Times article
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