Oluf Wold-Torne


Oluf Wold-Torne (7 November 1867-19 March 1919) was a Norwegian painter, illustrator, educator and designer. He was known primarily for landscapes and still-lifes and was influenced by Cézanne.[1]

Oluf Wold-Torne
Oluf Wold-Torne by Vilhelm Tetens (1893) Hirschsprung Collection
Born7 November 1867
Son, Norway
Died19 March 1919
NationalityNorwegian
OccupationPainter, illustrator, educator and designer

Early life

He was born in Son (now Vestby), Norway. He was the son of Oluf Emil Wold (1826–67) and Marie Therese Ottesen (1838–193). His father had been in the timber business, but went bankrupt and died before he was born. In 1869 his mother married merchant Søren Thorne (1817-1900). He grew up in the village of Hølen in Akershus where his step-father owned a general store.[1]

Career

In 1887, after displaying some artistic talent, his relatives sent him for his first art lessons at the Royal Drawing School (now Norwegian National Academy of Craft and Art Industry) under Wilhelm Peters (1887-89). Two years later, he enrolled at the Royal Danish Academy of Fine Arts in Copenhagen, but was dissatisfied with the program there, so he enrolled at Kristian Zahrtmanns malerskole run by Kristian Zahrtmann from 1890. Subsequently he was a student of Erik Werenskiold and Eilif Peterssen in 1891.[2] [3]

In 1893, he traveled to Paris with his friend, Thorvald Erichsen, and studied with Fernand Cormon and Alfred Philippe Roll. He then lived in Florence for a year from 1895 to 1896. In 1897, he designed currency for the Norges Bank. He had his first major exhibit in 1899 at the Høstutstillingen in Oslo.[3]

In 1910, together with Henrik Sørensen, Arne Kavli and Erichsen, he was one of the founding members of the Artist Association (Kunstnerforbundet), the oldest artist's gallery of contemporary art in Oslo. From 1912 until 1917, he was a teacher at the Royal Drawing School.[4]

Awards

He received 1st prize at the Kunstindustrimuseet in Oslo (1898). He was awarded a bronze medal for Verdensutst (1900) at the Exposition Universelle in Paris. He was awarded the Finnes legat (1894), Houens legat (1904) and Rasmus Meyers legat (1917).[2]

He is represented in the National Gallery (Nasjonalgalleriet) by a number of his works including Kunstnerens hustru, malerinnen Kristine f. Laache (1899), Hest i fjellet (ca. 1902), Fajansekatten (1907) and Blått badehus (1911).

Personal life

His wife was the painter and textile artist, Kristine Laache (1867–1946), daughter of Nils Jacob Laache, Bishop of Trondheim. Together, they created designs for stained glass, stationery and jewelry. Periodically between 1907-10, he also designed porcelain and ceramics for Porsgrund.[2]

  • Kunstnerens hustru Kristine f. Laache (1899)
  • Hest i fjellet (ca. 1902)
  • Blått badehus (1911)
  • Fajansekatten (1907)

References
  1. Tore Kirkholt. "Oluf Wold-Torne". Store norske leksikon. Retrieved March 1, 2018.
  2. Ingeborg Astrup. "Oluf Wold-Torne". Norsk kunstnerleksikon. Retrieved March 1, 2018.
  3. Glenny Alfsen. "Oluf Wold-Torne". Norsk biografisk leksikon. Retrieved March 1, 2018.
  4. "Kunstnerforbundet". Kunstnerforbundet. Retrieved March 1, 2018.
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