Philip Hoffman (filmmaker)

Philip Hoffman (born December 10, 1955) is a Canadian filmmaker and a member of the faculty of York University.

For other people named Philip Hoffman, see Philip Hoffman (disambiguation).
Philip Hoffman
Born (1955-12-10) December 10, 1955
Kitchener, Ontario
OccupationFilmmaker

Hoffman[1] was born December 10, 1955 in Kitchener, Ontario, but lived in Waterloo, Ontario during his childhood and most of his teen years. He studied at Sheridan College, where he received a diploma in media arts in 1979, and Wilfrid Laurier University, where he received a B.A. in English literature in 1987. While a student at Sheridan College he became associated with a group of filmmakers known as the Escarpment School,[2][3] other members of which included Richard Kerr[4] and Mike Hoolboom.[1]

In 1986 he became an instructor at Sheridan College. In 1994, he started operating a summer film workshop, the Film Farm Retreat,[5][6] at Mount Forest, Ontario, initially with support from Sheridan College. In 1999 he joined the York University Film and Video Department as a faculty member. He also has been a visiting professor at the University of Helsinki and University of South Florida.[7]

Hoffman has been described as "filmmaker of memory and association" whose "highly personal" work blends fiction and documentary and "contests the claim to the truth" that characterizes conventional documentary film.[8] As Martha Rosler maintains Hoffman's work "provides a bridge to the classical themes of death, diaspora, memory, and finally, transcendence.[9] Of Hoffman's 1988 film "passing through/torn formations, Stan Brakhage said the film "accomplishes a multi-faceted experience for the viewer—it is a poetic document of Family, for instance—but Philip Hoffman's editing throughout is true to thought process, tracks visual theme as the mind tracks shape, makes melody of noise and words as the mind recalls sound."[10]

Hoffman has been honoured with more than 25 retrospectives and spotlights of his work. His 2001 film, `What these ashes wanted’, received the Golden Gate Award at the San Francisco International Film Festival, the Telefilm Canada Award at the Images Festival in Toronto, and the Gus Van Sant Award at the Ann Arbor Film Festival.[11]

In 2001 the publication Landscape with Shipwreck: First Person Cinema and the Films of Philip Hoffman,[12] was released comprising some 25 essays.[13]|[14] The Canadian Film Institute presented a retrospective showing of his works in Ottawa in March and April 2008. A book, entitled Rivers of Time[15] and consisting of an interview with Hoffman, "essays and reflections" on the filmmaker and his work, and images from his films, was issued to coincide with the retrospective.[16]

Since 1994 Hoffman has been the Artistic Director of the Independent Imaging Retreat (aka Film Farm) which is celebrated its 25th Anniversary in 2019.[17] with screenings and an Installation at Toronto's TIFF Bell Lightbox.[18]

In 2016, Hoffman was awarded a Governor General's Award in Visual and Media Arts[19][20] as denoted in the Record (Waterloo Region),[21] and in 2019 Hoffman's film `vulture', which utilized `green' film developing techniques (partly processed using plants and flowers) was awarded the Kodak Cinematic Award from the Ann Arbor Film Festival, USA.[22][23]

Works
  • On the Pond, 1978 (director and co-cinematographer)
  • The Road Ended at the Beach, 1983 (director; writer; cinematographer; editor; producer)
  • Somewhere Between Jalostotitlan and Encarnacion, 1984 (director; producer); 6 minutes. A "cinematic travelogue" set in Mexico, Toronto and Colorado.[16]
  • ?O, Zoo! (The Making of a Fiction Film), 1986, 23 minutes. A "subversive engagement with documentary convention" centered on the production of Peter Greenaway's film A Zed and Two Noughts.[16]
  • passing through/torn formations, 1988 (director); 43 minutes.
  • river, 1979-1989 (director), 15 minutes.
  • Kitchener-Berlin, 1990 (director; producer); 34 minutes. Portrays the Canadian and German cities named in the title as "united in repressed history and the question of home"; includes home movies, archival film and television footage.[16]
  • Opening Series 1, 1992 (director; producer), 10 minutes.
  • Opening Series 2, 1993 (director)
  • Technilogic Ordering, 1994 (director; editor; producer), 30 minutes. A composite of television footage of the Gulf War.[16]
  • Opening Series 3, 1995 (co-director)
  • Sweep, 1995 (co-director)
  • Chimera, 1996 (director; producer), 15 minutes. An "experimental travelogue" consisting of material from London, Helsinki, Egypt, Leningrad, Uluru and Sydney.[16]
  • Destroying Angel, 1998 (co-director, co-writer, co-cinematographer and co-editor with Wayne Salazar; producer), 32 minutes. The film celebrates co-director's Salazar’s gay marriage in the face of his continuing battles with AIDS, but is punctuated by Hoffman's being called away to the bedside of his long-time companion Marian McMahon, who was dying from cancer.[24]
  • Kokoro Is for Heart, 1999 (director; co-writer; cinematographer; editor), 7 minutes.
  • Opening Series 4, 2000 (director)
  • What These Ashes Wanted, 2001 (director; cinematographer; editor; producer), 55 minutes. An exploration of Hoffman's relationship with McMahon and its sudden ending with her death. The Canadian Film Encyclopedia quotes Hoffman as saying that he wanted the film "to illuminate the conditions of her death… the mystery of her life and the reason why, at the instant of her passage, I felt peace with her leaving… a feeling I no longer hold."
  • All Fall Down, 2009, 135 minutes.[25]
  • ever present going past, 7 minutes. A "cine-poem" connecting gardens, films and poems.[16]
  • Slaughterhouse, 2014, 15 minutes.[26]
  • Aged, 2014 (director), 45 minutes.[27]
  • By the Time We Got to Expo, 2015, 9 minutes.[26]
  • vulture, 2019 (director), 57 minutes.[28]

Other works
  • Dogs Have Tales, 1979 (actor)
  • Freeze-up, 1979 (director; co-writer; cinematographer; editor)
  • Krieghoff, 1980 (cinematographer)
  • Megan Carey, 1981 (cinematographer)
  • On Land Over Water, 1984 (co-cinematographer)
  • Prologue: Infinite Obscure (Narratives of Egypt series), 1984 (cinematographer)
  • Choral Fantasy, 1986 (cinematographer)
  • From Home, 1988 (co-cinematographer)
  • Svetlana, 1988 (co-cinematographer)

References
  1. name=CFE>"Philip Hoffman". Canadian Film Encyclopedia. Archived from the original on 2011-02-05. Retrieved 2012-05-07.
  2. "The Road Ended at the Beach, and other legends: Parsing the Escarpment School". Brett Kashmere curator. 8 November 2010. Retrieved 11 May 2011.
  3. "The Road Ended at the Beach, and other legends: Parsing the Escarpment School". Winnipeg Film Group. 6 November 2010. Retrieved 7 November 2010.
  4. http://www.thecanadianencyclopedia.ca/fr/article/kerr-richard
  5. name=Point of View:The Harvest of Philip Hoffman>http://povmagazine.com/articles/view/the-harvest-of-philip-hoffman
  6. name=FFhistory>http://www.philiphoffman.ca/filmfarm/history.htm
  7. http://www.philiphoffman.ca/film/bio.htm
  8. name=Phil Hoffman: on Mike Hoolboom Website>http://mikehoolboom.com/?p=60
  9. name=Sheffield Fringe Website>http://sheffieldfringe.com/artist/philip-hoffman/
  10. name=Canadian Filmmakers Distribution Center Website>https://www.cfmdc.org/film/962
  11. "Philip Hoffman-What these ashes wanted (2001)". Experimental Cinema. 5 June 2019. Retrieved 19 June 2019.
  12. "First Person Cinema and the Films of Philip Hoffman". Toronto International Film Festival Film Reference Library. 5 June 2015. Retrieved 19 June 2019.
  13. web|url=https://pdome.org/2001/landscape-with-shipwreck/. The San Francisco Cinematheque presented a retrospective of Hoffman's work in 2004, entitled "Passing Through: A Philip Hoffman Retrospective".
  14. "Passing Through: A Phillip Hoffman Retrospective". San Francisco Cinematheque. 4 April 2004. Retrieved 4 April 2004.
  15. "Rivers of Time". Canadian Film Institute. Retrieved May 9, 2008.
  16. "ON Philip Hoffman". Canadian Film Institute. Retrieved May 9, 2012.
  17. "The Not So Secret Film Farm". The Globe and Mail. 9 July 2019. Retrieved 11 July 2019.
  18. "FILM FARM 25TH ANNIVERSARY EXHIBITION & SCREENINGS AT TIFF BELL LIGHTBOX 2019". Film Farm website. 1 January 2017. Retrieved 25 June 2019.
  19. "York Professor Philip Hoffman named a Governor General's Award laureate". York University YFile. 11 March 2016. Retrieved 28 April 2016.
  20. "Eclectic Canadian artists honoured by Governor-General's Awards". The Globe and Mail. 7 March 2016. Retrieved 28 April 2016.
  21. "Waterloo-Born Filmmaker Receives the Governor General's Award". Retrieved March 10, 2016.
  22. https://www.eyeforfilm.co.uk/review/vulture-2019-film-review-by-andrew-robertson. Missing or empty |title= (help)|title=Eye for Film}}
  23. web|url=https://cinema-scope.com/cinema-scope-online/off-the-grid-denis-cotes-wilcox/}}
  24. "Philip Hoffman". Canadian Film Encyclopedia. Archived from the original on 2011-02-05. Retrieved 2012-05-07.
  25. name=Point of View:Barns, Brits and Birthrights>http://povmagazine.com/articles/view/barns-brits-and-birthrights
  26. "Café Ex: The Films of Philip Hoffman". Canadian Film Institute. Retrieved 28 April 2016.
  27. "The Gift of Dying with Philip Hoffman". No more potlucks. Retrieved 28 April 2016.
  28. https://www.cfmdc.org/film/4777/
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