Popeye the Sailor Meets Ali Baba's Forty Thieves

Popeye the Sailor Meets Ali Baba's Forty Thieves is a two-reel animated cartoon short subject in the Popeye Color Feature series, produced in Technicolor and released to theatres on November 26, 1937 by Paramount Pictures.[2] It was produced by Max Fleischer for Fleischer Studios, Inc. and directed by Dave Fleischer. Willard Bowsky was head animator, with musical supervision by Sammy Timberg. The voice of Popeye is performed by Jack Mercer, with additional voices by Mae Questel as Olive Oyl, Lou Fleischer as J. Wellington Wimpy and Gus Wickie as Abu Hassan. Popeye is enlisted in the United States Coast Guard and did not enlist in the Navy until 1941 in the Fleischer short The Mighty Navy and other related cartoons due to World War II (Popeye would remain in his Navy uniform until 1978 with the exception of retaining the Navy "Dixie Cup" cap).[3]

Popeye the Sailor Meets Ali Baba's Forty Thieves
Directed byDave Fleischer
Produced byMax Fleischer
Adolph Zukor
StarringJack Mercer
Mae Questel
Gus Wickie
Lou Fleischer
Music bySammy Timberg
Sammy Lerner
Tot Seymour (Abu Hassan lyricist)
Vee Lawnhurst (Abu Hassan composer)[1]
Animation byWillard Bowsky
George Germanetti
Orestes Calpini
Color processTechnicolor
Production
company
Distributed byParamount Pictures
Release date
November 26, 1937 (U.S.)
Running time
17:15
LanguageEnglish

Plot

While on guard at a Coast Guard post, Popeye, Olive Oyl and J. Wellington Wimpy hear of Abu Hassan's attack on a town in Arabia and fly there in their flying boat to capture him, but they crash as they are flying over a desert in Arabia. After trekking through the desert, the group happens upon the town where the Forty Thieves attack. The Thieves abduct Olive and Wimpy, and their leader Abu Hassan (who closely resembles Popeye's old nemesis Bluto) leaves Popeye hanging from a chandelier after failing to win a battle of one-ups-manship with him (during which, demonstrating a magic trick, Popeye relieves Hassan of his long underwear, remarking "Abu hasn't got 'em any more!"). After hanging Popeye on the chandelier, Hassan orders his Thieves to swipe everything they can from the town before fleeing. Popeye eventually manages to break free and takes a camel to Abu's secret cave, where, unable to remember the magic word of "open sesame!", he breaks in using his pipe as a blowtorch.

Inside the cave, Popeye sneaks past the guards and attempts to free Olive and Wimpy. He confronts Abu Hassan and demands that he gives the Forty Thieves' stolen jewels back to the people. However, he is apprehended and thrown into a shark pit. Just before being eaten by a shark, Popeye tangles the shark's teeth together, and the shark goes back down into the water. Popeye eats his spinach and escapes the shark pit to fight Abu Hassan and all forty of the Thieves. He finally defeats the Forty Thieves by constantly punching them (counting every single one as he does so), before throwing and locking Hassan in a treasure chest. The Thieves and Hassan are chained and made to drag a cart filled with the stolen loot, Popeye, Olive, and Wimpy, back to town, where the townspeople, jubilant at their liberation from Hassan's reign of terror, await them with open arms. As Popeye puts it, "I may be a shorty, but I licked the Forty! I'm Popeye the Sailor Man!"

Release and reception

Popeye the Sailor Meets Ali Baba's Forty Thieves was produced while Fleischer competitor Walt Disney was entering the final months of production on his first animated feature, Snow White and the Seven Dwarfs. It made full use of Fleischer Studios's multiplane camera, which they had been experimenting with for some time. Disney had just released his Academy Award winning Silly Symphony, The Old Mill, their first 3-D cartoon, and were advertising their upcoming Snow White as multiplanal as well. As such, advertising for "Forty Thieves" accented the fact that it was 3-dimensional. It was released just weeks before the seasonal Los Angeles premiere of Snow White and was essentially the only animated competition for the feature.

The short was the second of the three Popeye "Color Specials," which were over sixteen minutes each, three times as long as a regular Popeye cartoon, and were often billed in theatres alongside or above the main feature. Today, this short and the other two Popeye Color Specials, Popeye the Sailor Meets Sindbad the Sailor, and Aladdin and His Wonderful Lamp (both of which were also adapted from a story featured in One Thousand and One Nights), are in the public domain. Poor quality transfers of these three cartoons made from old, faded prints have been released on several previous Popeye collections on VHS tape and DVD. The cartoon, fully restored with the original Paramount mountain logo opening and closing titles, is available officially on disc four of the DVD collection Popeye the Sailor: 1933-1938, Volume 1.

References
  1. https://www.fleischerstudios.com/filmography---advanced-search.html#
  2. Lenburg, Jeff (1999). The Encyclopedia of Animated Cartoons. Checkmark Books. pp. 122–123. ISBN 0-8160-3831-7.
  3. Popeye the Sailor Man was originally Popeye the Coast Guardsman
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