Sing Along With Skankin' Pickle
Sing Along With Skankin' Pickle is the third studio album by American ska punk band Skankin' Pickle, released on Dill Records in 1994.[2] It was re-issued on Asian Man Records in 1999.
Sing Along With Skankin' Pickle | ||||
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Studio album by | ||||
Released | 1994 February 23, 1996 (Dr. Strange) December 14, 1999 (Asian Man) | |||
Genre | Ska punk, punk rock, third wave ska | |||
Length | 42:07 | |||
Label | Dill Records, Asian Man Records, Dr. Strange Records | |||
Producer | Ron Rigler, Skankin' Pickle | |||
Skankin' Pickle chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Track list
- "Rotten Banana Legs" (Knackstedt) – 3:03
- "$13,000 Is A Lot Of Food!" (Park) – 1:59
- "Turning Japanese" (The Vapors) – 3:12
- "Onyonghasayo" (Park) – 1:31
- "Take A Look" (Knackstedt) – 2:05
- "I'm In Love With A Girl Named Spike" (Park) – 1:35
- "Smorgasborgnine" (Nylander) – 2:03
- "Go Home Now" (Park) – 2:08
- "Thick Ass Stout" (Nylander) – 4:53
- "20 Nothing" (Miller) – 3:59
- "It's Margaret Cho" (Park) – 1:26
- "Hate" (Park) – 1:54
- "As Close As You Think" (Nylander/Knackstedt) – 2:08
- "Pabu Boy" (Park) – 1:15
- "Watch Your Tone" (Phelps/Knackstedt) – 7:15
- Hidden track – 1:48
Personnel
- Lynette Knackstedt - guitar, vocals, lead vocals on tracks 1, 5, 8 and 15
- Gerry "Hulk Hogan" Lundquist - slide trombone, vocals
- Chuck Phelps - drums
- Ian "Guru" Miller - bass, vocals, lead vocals on track 10
- Lars Nylander - valve trombone, vocals, lead vocals on tracks 7, 12 and 13
- Mike "Bruce Lee" Park - saxophone, vocals, lead vocals on tracks 2, 3, 4, 6, 8, 11 and 14
Additional musicians
- Darren Fletcher - keyboards on track 11
- "Smokin'" Neal Okin - trumpet on tracks 5, 7, 9 and 13
Production
- Engineered by Oscar Autie
- Recorded at UOS $ Studios
- Mixed at Different Fur Studios
References
- "Sing Along with Skankin' Pickle - Skankin' Pickle | Songs, Reviews, Credits". AllMusic.
- "MUSIC : One Reason to Reach for the Ska : Skankin' Pickle is a busy practitioner of a dance-happy genre that has taken root in California and that seems to be getting bigger". Los Angeles Times. November 3, 1994.
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