Spy vs. Spy (band)
Spy v Spy, also known as v. Spy v. Spy, The Drug Grannies and The Spies, were an Australian ska/pub rock band from Sydney formed in 1981.[1] They became known for tackling political issues through their music, including racism, homelessness and contemporary drug culture.[1][2] They were named after a comic strip, "Spy vs. Spy" in the US Mad magazine.[1][2]
Spy v Spy | |
|---|---|
| Also known as | v. Spy v. Spy The Drug Grannies The Spies |
| Origin | Sydney, Australia |
| Genres | ska, Pub rock |
| Years active | 1981–1983, 1984–1991, 1992–1994, 1996–2003. |
| Labels | Green Powderworks Tronador WEA Sony Music Festival |
| Associated acts | The Numbers Shock Poets Honey Island Project |
| Website | https://www.facebook.com/VSPYVSPY/ |
| Past members | Craig Bloxom Mark Cuffe Cliff Grigg Marcus Phelan Paul Wheeler Danny Bryan Michael Weiley (Deceased) |
The band's initial line-up was the trio of Craig Bloxom on bass guitar/lead vocals, Cliff Grigg on drums/percussion and Michael Weiley on lead guitar/vocals.[1][3] Spy vs. Spy's early music was ska-influenced indie rock, exemplified by their debut single "Do What You Say" on the independent Green label in April 1982.[1][3] They released an EP Four Fresh Lemons in August.[3] Their music became more straightforward hard rock for their pub audiences.[1][2] The band broke up in early 1983 only to reform mid-year, by which time they were using the name v. Spy v. Spy to avoid legal problems with Mad magazine.[1][2] They were eventually signed to Midnight Oil's label Powderworks and managed by Oils manager, Gary Morris.[1][2] Their first full-length album Harry's Reasons was released in March 1986 and produced by Leszek Karski.[1][4][5] They switched labels to WEA and had their highest charting success in February 1987 with their single "Don't Tear It Down" on the Australian singles chart and the associated album A.O. Mod. TV. Vers. peaked at No. 12 on the Australian albums chart.[6]
Spy vs. Spy's follow-up album, Xenophobia (Why?) was released in March 1988 and peaked at No. 15 in Australia.[6] It was produced by Karski[4] and Guy Gray and released by WEA in 14 countries.[1][3] Their 1989 album Trash the Planet peaked at No. 22 on the ARIA Charts.[7] None of their subsequent releases reached the Australian Top 40.[1][7] The band split and reformed a number of times but still developed a strong following in Brazil.[1]
History
1981-1983: Formation
Craig Bloxom bass guitarist/lead vocalist was born in Los Angeles and moved to Australia in 1965, he met guitarist/vocalist Michael Weiley at Nelson Bay High School in 1976.[1][2] Weiley, having just moved from England to Australia, was paired with Bloxom by the principal based on their common musical interests.[1][2] After high school, Bloxom and Weiley moved to Cammeray in Sydney's north shore, playing in various Sydney bands. Looking for a drummer, one of Bloxom's ex-bandmates introduced them to Cliff Grigg, who happened to live in a squat in the inner Sydney suburb of Glebe.[1][2] They named their band for a comic strip, "Spy vs. Spy" in the US Mad magazine.[1][2] As a rent saving device Bloxom and Weiley also moved into Grigg's squat, which initially had no roof: it also became their rehearsal site.[2]
Spy vs. Spy had their first performance at Sydney's Sussex Hotel, filling in for The Fast Cars, whose singer had unexpectedly taken ill.[2] From there the band developed an enthusiastic pub following for their distinctive brand of ska-flavoured indie rock.[1][2] Dirty Pool management picked them up and they performed at many Sydney venues, particularly at the Sydney Trade Union Club, often supporting INXS. They also supported The Clash at the Capitol Theatre and U2 at the Sydney Entertainment Centre.
In February 1982 the band recorded "Do What You Say" at T.R.M. in Surry Hills, releasing it as their first single in April 1982 on Roger Greirson's independent Green label.[1][2] This was followed by their first EP, Four Fresh Lemons in August 1982, the 1,000 pressings selling out in just five days.[1][2] The New Zealand release of Six Fresh Lemons, combined Four Fresh Lemons with the A & B sides of their first single.[3] These recordings were released under the name Spy vs. Spy, but the band was forced to change its name to v. Spy v. Spy to avoid legal action from the publishers of Mad magazine, which included the comic strip "Spy vs. Spy".[1] Their music became more straight forward hard rock for their pub audiences.[1][2]
The band became prominent on the Sydney pub rock scene, performing politically charged songs dealing with issues such as racism, drugs and the homeless.[1] Shortly after the release of their debut EP, in early 1983, the band broke up. Bloxom briefly joined The Numbers in March 1983 but re-formed v. Spy v. Spy in July 1983, with Marcus Phelan (ex-The Numbers) joining as a second guitarist. Weiley became sick with hepatitis, confined to a hospital bed for months, and then Phelan left after the band's equipment was stolen.[1][2]
1984-1988: Peak years
Fortunes improved when Gary Morris, manager for Midnight Oil, also became their manager.[1][2] Midnight Oil's label, Powderworks, released the EP Meet Us Inside in October 1984,[3] which was followed by the single "One of a Kind" in November 1984.[3] The band's first full-length album, Harry's Reasons, was released in March 1986 on the Powderworks label and was produced by Leszek Karski.[3][4] Singles included "Injustice", about the plight of Australia's aboriginal communities (dedicated to the Aboriginal Arts Council) released in August 1985,[2] "Give Us Something" dealing with the media, was released in February 1986 and "Harry's Reasons", about a friend's heroin addiction ('Harry' is a euphemism for heroin), which was released in May 1986.[2] Neither album nor singles had any major chart success.[1][6]
They switched labels signing with WEA and released a follow-up album A.O. Mod. TV. Vers. in November 1986.[3] The name is an abbreviation meaning "Adults Only Modified Television Version", a very common censorship notation appearing along the bottom of Australian television screens at the time.[1][2][6] It provided three singles – "Don't Tear It Down" inspired by the Department of Main Roads seeking to demolish the band's Darling Street squat,[8] "Sallie-Anne'" about murdered prostitute/whistleblower Sallie-Anne Huckstepp and "Credit Cards" a commentary on spiralling debt and consumerism.[2] "Credit Cards" was particularly pertinent as Australia was in the middle of a national debate about introducing a national identification card called the "Australia Card". "Don't Tear It Down" was the band's most successful single, peaking at No. 31 on the Kent Music Report of the Australian singles charts[6] in February 1987, it stayed in the charts for 20 weeks and went platinum.[1][6]
After having toured the A.O. Mod. TV. Vers. album, WEA demanded another album. The third album, Xenophobia, was written and recorded in just six weeks, the title inspired by race issues surfacing in the lead-up to Australia's upcoming Bicentennial year.[1][2] The album released in March 1988 peaked at No. 15 in Australia,[6] it was produced by Karski and Guy Gray and released by WEA in 14 countries.[1][3] The album provided three singles, "Forget about the Working Week", "Clarity of Mind" and "Waiting".[1] During this time the band played smaller shows to dedicated fans in Sydney under the pseudonym The Drug Grannies.
1989-1993: Continued success and split
In 1989 the band travelled to the United Kingdom to record the album Trash the Planet, at Richard Branson's Manor House studios, produced by Craig Leon.[2] The album was released in November 1989 and peaked at No. 22 on the ARIA Charts.[7] Four singles were issued – "Hardtimes", "Clear Skies" in February 1990, "Our House" in May and "Oceania" in October but none peaked into the Top 40.[7]
Grigg was very unhappy with the sound of the drums on Trash the Planet and left the band in late 1991,[2] joining Mixed Relations as guest percussionist,[1] whilst Bloxom and Weiley took a year off, moving to Queensland and going through a period of searching and trialling new drummers.[2]
The band resumed touring in 1992 with new drummer Mark Cuffe, formerly of The Ludwigs, in support of a compilation album, Spy File, which was released in 1991.[1][3] The band signed a new deal with Sony Music Australia and in May 1993 they released their fifth album, Fossil, produced by Karski and Peter Cobbin, provided the singles "Comes a Time" in March 1993 and "One Way Street" in June 1993.[3] Neither album nor singles charted into the Top 40,[7] causing the band to consider another split. However, due to the influence of Australian surfers in Brazil, the band had by now built up a considerable Brazilian following, so they stuck with it for several Brazilian tours.
In 1993 the band was featured in two episodes of The Big Backyard, a weekly radio program promoting Australian music, sponsored by the Department of Foreign Affairs and Trade for broadcast on college radio stations in the USA and Canada.[9]
1994-present: Regroupings
By 1994 v. Spy v. Spy had split up again with members pursuing different projects.[1][2] Bloxom and Cuffe formed the band Shock Poets, meanwhile Weiley worked on his side-project The Honey Island Project with producer Danny Bryan.[1][2] Spy vs. Spy reformed in 1996 but in 1997 Cuffe left to concentrate full-time on Shock Poets, he was replaced for a time by drummer Paul Wheeler, ex-Icehouse,[3] while Bloxom left Shock Poets for Spy vs. Spy.[2] In November 1999, Festival Records issued a compilation album, Mugshot: The Best of... which included several classic tracks and five previously unreleased songs.[1]
Touring spasmodically in Australia and Brazil, Bloxom played his final gig in Sydney in 2003, he left Australia for the USA, settled in Mexico and worked as a chef. As of 2007, Bloxom worked in Newcastle, New South Wales. Weiley and Cuffe re-formed in August 2006 to tour as a new entity with Cuffe on vocals, Neil Beaver on bass and Mick Laws on drums. This band was known simply as The Spys to differentiate it from the original v. Spy v. Spy.
The band's catalogue was made officially available for download on Spotify, iTunes and other digital platforms in 2016.[10]
Michael Weiley died after a cancer battle on 29 September 2018.[11]
With original drummer Cliff Grigg on the drums the Spies got together to pay tribute to Michael Weiley and are currently playing gigs in Australia. In 2019 they played at Airlie Beach Festival of Music.
Members
- Craig Bloxom — bass guitar, vocals (1980–1983, 1984–2003)
- Michael Weiley — lead guitar, vocals (1980–1983, 1984–2003, 2006-2018) died 2018
- Cliff Grigg — drums, percussion (1980–1983, 1984–1991) (2018 - 2020)
- Neil Beaver - bass guitar, backing vocals (2006-2018)
- Mick Laws - drums (2006-2010, 2011-2015)
- Dave Bennett - drums, backing vocals (2010-2011, 2015-2019)
- Dave Wilkins, vocals (2009-2011)
- Paul Greene, vocals (2011-2018)
- Mark Cuffe — drums, guitar, backing vocals (1992–1997, 2006-2008)
- Marcus Phelan — guitar (1983)
- Paul Wheeler — drums (1997–2003)
- Dean Reynolds - vox (2019-2020)
- Andrew Davis - lead guitar (2019-2020)
- Cam Hallmen - bass (2019-2020)
Discography
Studio albums
| Title | Details | Peak chart positions |
|---|---|---|
| AUS [6][12] | ||
| Harry's Reasons |
|
42 |
| A.O. Mod. TV. Vers. |
|
12 |
| Xenophobia (Why?) |
|
15 |
| Trash the Planet |
|
22 |
| Fossil |
|
42 |
Live albums
| Title | Details |
|---|---|
| Feito Na Praia |
|
| Demolition Live - The Hottest Place in Town |
|
Compilation albums
| Title | Details | Peak chart positions |
|---|---|---|
| AUS [6][12] | ||
| Spy File: The Best Of |
|
85 |
| Mugshot: The Best Of |
|
- |
| The Early Cases |
|
- |
| Demolition I - Squat |
|
- |
| Demolition II - Rough Heads |
|
- |
| Demolition |
|
- |
Extended play
| Title | Details |
|---|---|
| Four Fresh Lemons |
|
| Six Fresh Lemons |
|
| Meet Us Inside |
|
| Because Bootlegger e.p. |
|
Singles
| Title | Year | Peak chart positions | Album |
|---|---|---|---|
| AUS[12] | |||
| "Do What You Say"/"Table Tea and Mix" | 1982 | - | |
| "One of a Kind" | 1984 | 66 | Meet Us Inside |
| "Injustice" | 1985 | 87 | Harrys Reasons? |
| "Harry's Reasons" | 1986 | - | |
| "Something" | 65 | ||
| "Don't Tear it Down" | 31 | A.O. Mod. TV. Vers. | |
| "Sallie-Anne" | 1987 | 64 | |
| "Credit Cards" | - | ||
| "Forget about the Working Week" | 44 | Xenophobia [Why?] | |
| "Clarity of Mind" | 1988 | - | |
| "Waiting" | - | ||
| "Clear Skies" | 1989 | - | Trash the Planet |
| "Hardtimes" | 59 | ||
| "Our House" | 1990 | - | |
| "Oceania" | - | ||
| "Comes a Time" | 1993 | - | Fossil |
| "One Way Street" | - |
References
- McFarlane, Ian (1999). "Encyclopedia entry for 'v. Spy v. Spy'". Encyclopedia of Australian Rock and Pop. St Leonards, NSW: Allen & Unwin. ISBN 1-86448-768-2. Retrieved 10 November 2008.
- Nimmervoll, Ed. "Spy v Spy". Howlspace – The Living History of Our Music (Ed Nimmervoll). Archived from the original on 27 July 2012. Retrieved 24 January 2014.
- "Spy v Spy discography". Australian Rock Database. Magnus Holmgren. Archived from the original on 5 November 2013. Retrieved 10 November 2008.
- Magnus Holmgren (ed.). "Les Karski". Australian Rock Database. Archived from the original on 29 September 2013. Retrieved 14 November 2008.
- "Leszek Karski". Music Producer Database. Retrieved 14 November 2008.
- Kent, David (1993). Australian Chart Book 1970–1992. St Ives, N.S.W.: Australian Chart Book. ISBN 0-646-11917-6. NOTE: Used for Australian Singles and Albums charting from 1970 until ARIA created their own charts in mid-1988.
- "V. Spy V. Spy discography". Australian Charts Portal. Retrieved 11 November 2008.
- "Spy v Spy" (PDF). The Glebe Society Inc. September 2008. Archived from the original (PDF) on 6 January 2009. Retrieved 12 November 2008.
- "THE BIG BACKYARD. PROGRAM No. 71 AND PROGRAM #72". National Film and Sound Archive. Retrieved 9 November 2008.
- "v. Spy v. Spy on Apple Music". Apple Music. Retrieved 30 September 2018.
- "Michael Weiley of V Spy V Spy Has Died 1959-2018 R.I.P." Noise11.com. Retrieved 30 September 2018.
- Ryan, Gavin (2011). Australia's Music Charts 1988–2010. Mt. Martha, VIC, Australia: Moonlight Publishing.
External links
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