Stronghold (film)

Stronghold is a 1951 American-Mexican historical film directed by Steve Sekely and starring Veronica Lake, Zachary Scott and Arturo de Córdova.[2] A separate Spanish version Red Fury was also made. The cost of both films was $519,000.[3]

Stronghold
Directed bySteve Sekely
Produced byOlallo Rubio
Written byWells Root
StarringVeronica Lake
Zachary Scott
Arturo de Córdova
Narrated byOlallo Rubio Gandara
Music byAntonio Díaz Conde
CinematographyStanley Cortez
Edited byCharles L. Kimball
Production
company
Producciones Mexico
Distributed byLippert Pictures
Release date
October 25, 1951 (Mexico)
February 15, 1952 (Los Angeles)[1]
Running time
72 minutes
CountryMexico
United States
LanguageEnglish

Plot

In 1865, Señora Stevens and her American daughter Maria leave the US to return to Stevens' homeland of Mexico along with their servant Caesar. Both Maria's father and brother were killed in the US Civil War (the father fighting for the South, the brother for the North), and they hope to live peacefully under Emperor Maximilian.

Maria, her mother and Cesar are kidnapped by the bandit Ignacio López as soon as they land. Señora Stevens fakes a collapse, which allows Caesar to attack Lopez and the women to escape.

They arrive at an estate belonging to Don Pedro Álvarez, the son of an old friend of Senora Stevens. Nacho arrives with Caesar and it is revealed that Alvarez is an ally of Benito Juárez who is leading the fight against Maximilian.

Pedro sends Señora Stevens to Taxco but keeps Maria hostage until he receives a load of silver he can trade for supplies.

Eventually the silver arrives along with Maria's maid Lupe who gives her a note from Don Navarro asking her to bring Pedro with her when she is released.

Pedro agrees to go with her to Taxco. On the way he shows Maria some of the suffering caused under Maximilian and she becomes more sympathetic to his plight.

Navarro's men attack Pedro but are ambushed by Pedro's troops and Pedro escapes.

In Taxco, Navarro invites Maria to a ball. On the way Pedro abducts Maria briefly, but Navarro recaptures her.

Maria meets Maximilian and Carlotta and asks them to help the poor. Lupe tells Maria that her mother has died. The empress secretly instructs her guards to send men to Taxco to hang Pedro, so that Maria will marry Navarro and Navarro will get the Stevens' money.

Pedro is arrested at Senora Stevens' funeral. He manages to escape but Navarro orders the cavern blown up trying to catch them. This threatens the lives of numerous mine workers.

Pedro is about to be hanged when peasants show up to rescue him. The revolution against Maximilian begins.

Cast

Production

The film was Zachary Scott's first after he finished his contract with Warner Bros.[4] It was financed by Filmadora Studios, a Mexican company.[5]

Filming started in April 1950 at Churubusco Studios in Mexico City.[6] Filing was complete by June.[7][8]

In the Spanish version titled Red Fury, Sarita Montiel played María, Emilia Guiú played Beatriz Vega, Carlos López Moctezuma played Don Miguel Navarro and Juan José Laboriel played Caesar. Many of the supporting actors appeared in both versions. Gustavo Rojo is billed in the English version but did not appear as his character was eliminated.

Reception

The Monthly Film Bulletin called it "shoddy" with "none of the qualities one expects of Mexican productions. Little use is made of the natural beauties or the local inhabitants... Hard to follow and unconvincing".[9]

Diabolique called it "a film that has a good story buried underneath confused execution. Lake is wooden but at least looks fine. That was her last Hollywood-ish movie."[10]

Lawsuit

Rights to the film transferred to Nacional Financiera SA, a Mexican government-controlled corporation. In 1962 a lawsuit was filed against that company claiming unpaid salaries of $142,375 plus interest; the claimants included Veronica Lake, Zachary Scott, Stanley Cortez, Steve Sekeley, and Wells Root. $13,628 had been paid to the claimants in 1956 and 1958; the defendant said this amount represented payment in full. Lake's original claim was for $47,500.[11]

References
  1. Scott, John L. (Feb 1, 1952). "'CIMARRON KID' RIDES AT THREE THEATERS". Los Angeles Times. p. B6.
  2. Davis p.148
  3. "Mexico's Fury Outlay". Variety. 5 July 1950. p. 13.
  4. "STUDIO BRIEFS". Los Angeles Times. Apr 6, 1950. p. A10.
  5. Schallert, Edwin (Aug 25, 1950). "Melodious 'Huck Finn' En Route; Tay Garnett Guides 'Soldiers Three'". Los Angeles Times. p. 13.
  6. Schallert, Edwin (25 August 1950). "Melodious 'Huck Finn' En Route; Tay Garnett Guides 'Soldiers Three'". Los Angeles Times. p. 13.
  7. Schallert, Edwin (June 27, 1950). "Drama: Featured Actor in 'Men' Wins Star Role Abroad; Mexico Troupe Returns". Los Angeles Times. p. A7.
  8. "'French Scandal' Sets Records for Theater". Los Angeles Times. Aug 27, 1950. p. D4.
  9. "STRONGHOLD". Monthly Film Bulletin. 20 (228). London. Jan 1, 1953. p. 136.
  10. Vagg, Stephen (11 February 2020). "The Cinema of Veronica Lake". Diabolique Magazine.
  11. "Veronica Lake, Named as Film Suit Claimant". Los Angeles Times. 28 March 1962. p. 34.

Bibliography
  • Ronald L. Davis. Zachary Scott: Hollywood's Sophisticated Cad. Univ. Press of Mississippi, 2009.
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