Sylvie Bélanger
Sylvie Bélanger (8 May 1951 - 8 October 2020) was a Canadian interdisciplinary artist using sound, video, photography and installation. She lived and worked in Toronto as an Associate Professor of Visual Studies at SUNY Buffalo until her retirement in 2017. Where after, she moved to Montréal.
Sylvie Bélanger | |
---|---|
Born | Le Gardeur, Québec | May 8, 1951
Died | October 8, 2020 69)[1] Montréal, Québec | (aged
Nationality | Canadian |
Education | Concordia University, York University, Université de Montréal |
Known for | installation artist, video artist |
Early life
Bélanger received an MFA from York University, a BFA from Concordia University and a Baccalauréat in Philosophy of Religion from Université de Montréal.
Work
Bélanger has exhibited her multimedia installations across Canada, USA, France, Germany, Spain, England, the Netherlands, Japan, Thailand, Philippines and China.
In 2002 Bélanger was commissioned to create public art for the Bessarion subway station in Toronto. The work is a series of friezes of hands, feet and backs of heads, which represent the users of the station. The feet images appear on the concourse level while the heads appear on the platform level. The hand images appear along the stairs between the Sheppard Avenue side entrance/exit and the concourse.
Death
Bélanger died on 8 October 2020 of cancer at the age of 69.[1]
Collections
- Gemeente Museum, The Netherlands,
- Za Moca Foundation, Tokyo,
- Oakville Galleries, Ontario
- Windsor Art Gallery, Ontario
- Musée national des beaux-arts du Québec
- Galeria Oliva Arauna, Spain,
- The Canada Council for the Arts Art Bank
- MacDonald Stewart Art Center,
- Woodlawn Arts Foundation, Toronto
Awards
Bélanger was the recipient of the Stauffer Prize awarded by the Canada Council for the Arts[2][3]
Bibliography
- Bélanger, Sylvie and Lorenzo Buj. "Meditation." Reading the Gaze. C. Barber, S. Kivland and C. Leyser, (eds). London: Bookwork, 1991. 51-70.
- C. Christie. "Sylvie Bélanger." Canadian News Makers. Toronto: Gale Canada, 1997. 48-51.
- Allucquère R. Stone, M. Heim, D. de Kerckhove, L. Dompierre Press Enter, Between Seduction and Disbelief. Toronto: The Power Plant. 1995
- Cheetam, Mark. Remembering Postmodernism: Trends in Recent Canadian Art. Toronto: Oxford, University of Toronto, 1991. ISBN 0-19-540817-9
- The Cutting Edge Women's Research Group, editor. Desire By Design: Body, Territories and New Technologies. 1999. 82. ISBN 1-86064-280-2
- Grande, John K. "Intertwining: Artists, Landscape, Issues, Technology" 1998. 105 ISBN 1-55164-110-0
- Jolicoeur, Nicole. Emettre du silence in Trans-mission. Montréal: La Centrale/Powerhouse Remue-Ménage, 1996. 68-73.
- Marks, L.U. "Press / Enter", Artforum (Sept. 1995): 97.
- Murray, J. Canadian Art in the Twentieth Century. Toronto: Dundurn Press, 1999. 272-93.
- Ylitalo, K. "Sylvie Bélanger." Redaktion Allegmeines Kunstlerlexikon. München-Leipzig, Germany: K.G. Saur Verlad 2008.
- "Tu me manques" Art Forum Azamino. (vol. 3, June 2007)
- "Sylvie Bélanger at Portside." Madame FIGARO. #342 (06/06/2007): 78.
References
- "Mme Sylvie Belanger 2020". Necro Canada (in French). Retrieved 6 November 2020.
- "The Canada Council for the Arts - Joseph S. Stauffer Prizes - Cumulative list of Winners". Archived from the original on 2008-08-31. Retrieved 2008-06-24.
- "The Canada Council for the Arts - Joseph S. Stauffer Prizes". Archived from the original on 2007-04-27. Retrieved 2008-06-24.