Tameka Norris

Tameka Norris, also known as. T.J. Dedeaux-Norris and Meka Jean [2] is an American visual and performing artist. Norris uses painting, sculpture, and performance art to create work about racial identity and the simultaneous visibility and invisibility of blackness through cultural appropriation in modern society.[3] Her work critiques the presence of the black body in the history of painting and fine art.[4]

T.J. Dedeaux-Norris
Born
Hagåtña, Guam[1]
NationalityAmerican
Alma materUCLA School of the Arts and Architecture
Yale School of Art
OccupationArtist
Years active2002–present
Websitemekajean.com

Early life and education

Norris studied at Santa Monica College in Santa Monica, California, and moved to the UCLA School of the Arts and Architecture in 2007.[5] Norris went on to receive her Master of Fine Art degree from Yale School of Art in 2012.[1]

Work and career

Norris is a tenure-track Assistant Professor at the University of Iowa. She has studied at the Skowhegan School of Painting and Sculpture (2009) [6] and has participated in many artist residencies including the MacDowell Colony (2016) [7] and The Fountainhead Residency.[8] She was a Fellow at the Grant Wood Art Colony from 2016 – 2017.[9]

Norris was listed as one of "24 Artists to Watch in 2013" by Modern Painters magazine[1]

Performance art

In 2013 Norris was a part of a group exhibition and performance titled "Radical Presence: Black Performance in Contemporary Art" [10][11] This exhibition, held at The Studio Museum in Harlem, was a view of performance art by Black Visual Artists over the past five decades, and featured over a dozen live performances over a six-month period.[12] For this exhibition, Norris performed her 2012 work Untitled (2012). In this work, Norris paints a wall using her body as both the paint and the paintbrush. Norris runs a knife through a lemon, then cuts her tongue and while pressing her body against the wall uses the trail of blood and saliva to create a minimalist landscape on the gallery walls. The resulting effect is to disrupt the notions of a pristine white-cube gallery space, bringing up ideas of the body, violence, and pain.[13][14] This exhibition was documented in Hyperallergic and the New York Times [15][16]

Visual art

Norris's solo exhibitions include "Family Values" at the Contemporary Art Center in New Orleans in 2013,[17] "Tameka Norris: Too Good For You (Introducing Meka Jean)" at the Lombard Fried Gallery in 2014,[18] "Almost Acquaintances" at the Ronchini Gallery in 2014,[19] and "Not Acquiescing" at the 1708 Gallery in 2015.[20]

In 2012 her work was included in the "MFA Annual" edition of New American Painting magazine, an anthology of MFA graduate work from more than a hundred colleges in the United States.[21]

Her exhibition Between Bloodlines and Floodlines was shown at the Savannah College of Art and Design in Atlanta, Georgia, in 2015.[22]

Film

Her feature length-film Meka Jean: How She Got Good, is an internal investigation of identity and culture, starring the artist as herself in a search for identity, home, and what it means to be from New Orleans. This film was debuted during the international exhibition Prospect.3 New Orleans,and was presented as a multi-chambered installation at May Gallery, a nonprofit art space in New Orleans.[23]

In 2011, Norris created a work of video art re-performing Bruce Nauman's 1967-68 work Walking in an Exaggerated Manor Around the Perimeter of a Square. [24][25] This piece was shown in her 2013 "Family Values" exhibition at the Contemporary Art Center in New Orleans.[26]

Music

In 2016 Norris released a conceptual rap album titled "Ivy League Ratchet" in conjunction with a four-person exhibition at the SVA Chelsea Gallery titled "The Beat Goes On". This album spoke about issues such as being a woman of color and attending an Ivy League school.[27][28]

References
  1. [s.n.] (December 28, 2012). 24 Artists to Watch in 2013: Part 2 of 2. Modern Painters. Archived January 2, 2013.
  2. "Tameka Norris on Meka Jean: How She Got Good". Fresh Art International. 2015-03-19. Retrieved 2019-03-23.
  3. "T.J. Dedeaux-Norris | Grant Wood Colony". grantwood.uiowa.edu. Retrieved 2019-03-23.
  4. "Tameka Norris | Radical Presence NY". Retrieved 2019-03-23.
  5. Guigayoma, John. "A fresh and candid voice". UCLA The Daily Bruin. Retrieved February 24, 2008.
  6. "Alumni & Faculty Database". Skowhegan School of Painting & Sculpture. Retrieved 2019-03-23.
  7. "MacDowell, winter 2016". Issuu. Retrieved 2019-03-23.
  8. "Tameka Norris". The Fountainhead. Retrieved 2019-03-23.
  9. "T.J. Dedeaux-Norris | Grant Wood Colony". grantwood.uiowa.edu. Retrieved 2019-03-23.
  10. "Tameka Norris | Radical Presence NY". Retrieved 2019-03-23.
  11. "PRESS RELEASERadical Presence: Black Performance in Contemporary Art". Grey Gallery. 2016-05-18. Retrieved 2019-03-23.
  12. "PRESS RELEASERadical Presence: Black Performance in Contemporary Art". Grey Gallery. 2016-05-18. Retrieved 2019-03-23.
  13. "Tameka Norris | Radical Presence NY". Retrieved 2019-03-23.
  14. Yerba Buena Center for the Arts (2015-08-05), Tameka Norris: Untitled | Radical Presence | YBCA, retrieved 2019-03-24
  15. "Animating the Archive: Black Performance Art's Radical Presence". Hyperallergic. 2013-10-10. Retrieved 2019-03-23.
  16. Johnson, Ken (2013-09-19). "Riffs on Race, Role and Identity". The New York Times. ISSN 0362-4331. Retrieved 2019-03-23.
  17. Bomb, Pelican. "Review: Tameka Norris at the Contemporary Arts Center". Pelican Bomb. Retrieved 2020-02-25.
  18. "Lombard Freid Gallery: Tameka Norris: Too Good For You (Introducing Meka Jean) | Jane Lombard Gallery | Artsy". www.artsy.net. Retrieved 2019-03-23.
  19. "Tameka Norris - Almost Acquaintances, Ronchini Gallery". Ronchini. Retrieved 2019-03-23.
  20. "Tameka Norris: Not Acquiescing | 1708 Gallery | A Nonprofit Space for New Art | Richmond, VA". www.1708gallery.org. Retrieved 2019-03-23.
  21. Ruiz, Alma. "New American Paintings MFA Annual (#99) Sneak Peek". New American Paintings. Retrieved April 18, 2012.
  22. Tameka Norris exhibition: 'Between Bloodlines and Floodlines'. Savannah College of Art and Design. Accessed October 23, 2017.
  23. "Tameka Norris on Meka Jean: How She Got Good". Fresh Art International. 2015-03-19. Retrieved 2019-03-23.
  24. "On Becoming". Art21 Magazine. Retrieved 2020-02-25.
  25. Walking in an Exaggerated Manner, study (Norris 2010-11)(Nauman 1967-68), retrieved 2020-02-25
  26. Bomb, Pelican. "Review: Tameka Norris at the Contemporary Arts Center". Pelican Bomb. Retrieved 2020-02-25.
  27. Gotthardt, Alexxa (2016-08-22). "In a New Show in Chelsea, Four Artists Blur the Lines between Art and Music". Artsy. Retrieved 2019-03-24.
  28. "Meka Jean: Schooling Us All with Ivy League Ratchet By Rebecca Goyette". Retrieved 2019-03-24.
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