Tanya Lukin Linklater

Tanya Lukin Linklater (born 1976) is half Alutiiq and enrolled in the Native Villages of Afognak and Port Lions in southwestern Alaska. She is an artist-choreographer. Her work consists of performance collaborations, videos, photographs and installations.

Tanya Lukin Linklater
Born
Kodiak Island
Alma mater
Known forcollaborative performances, installations
Websitewww.tanyalukinlinklater.com

Biography

Linklater is Alutiiq and was raised in Afognak and Port Lions on Kodiak Island in Alaska.[1] She now lives and works in North Bay, Ontario.[2] Her practice includes performance, video, and installation, and it emphasizes collaboration with other Indigenous artists.[3] Linklater's work is informed by the relationships between bodies, histories, poetry, pedagogy, Indigenous conceptual spaces, including Indigenous languages, and institutions.[4]

Linklater was selected as the first Annual Indigenous Artist-In-Residence at All My Relations Arts in Minneapolis, MN. She served in the role from February 26 to March 5, 2017.[5] That same year she was named artist-in-residence at the Art Gallery of Ontario (AGO). During her August residency, she collaborated with dancers on the performance Sun Force as a response to the AGO's exhibition Rita Letendre: Fire and Light.[6]

In 2017 she co-founded the Wood Land School at the SBC Gallery of Contemporary Art along with her husband, the artist Duane Linklater, curator cheyanne turions and artist-author Walter Kaheró:ton Scott.[7] Wood Land School: Kahatenhstánion tsi na’tetiatere ne Iotohrkó:wa tánon Iotohrha / Drawing Lines from January to December was explained by the collection as a "single year-long exhibition that will unfold through a series of gestures—clusters of activity that bring works into and out of the gallery space—such that the exhibition is in a constant state of becoming."[8]

Linklater is pursuing a Ph.D in cultural studies at Queens University in Kingston, Ontario. She holds a M.Ed from the University of Alberta and an A.B. (honours) from Stanford University.[9]

Awards

In 2013 Linklater received the K.M. Hunter Artist Award in Literature.[10] She has also been awarded multiple grants from the Ontario Arts Council.[11] In 2018 Linklater was awarded the Inaugural Wanda Loop Research Fund, presented by Canadian Art magazine.[12]

Select exhibitions

Solo

Group
  • Indigenous geometries (with Tiffany Shaw-Collinge, composer Laura Ortman, dancers Ivanie Aubin-Malo and Ceinwen Gobert), Chicago Architecture Biennial, Chicago. (2019)[16]
  • Soft Power, San Francisco Museum of Modern Art, San Francisco, California. (2019)[17]
  • Soundings: An Exhibition in Five Parts, curated by Candice Hopkins (Tlingit) and Dylan Robinson (Stó:lō), Agnes Etherington Arts Centre, Kingston, Ontario. (2019)[18]
  • Are You My Mother?, Dunlop Art Gallery, Regina, Saskatchewan. (2019) [19]
  • Inaabiwin (with Scott Benesiinaabandan, Hannah Claus, Meryl McMaster, and Greg Staats), curated by Danielle Printup, The Robert McLaughlin Gallery, Oshawa, Ontario. (2018) [touring exhibition] [20] [21]
  • Art for a New Understanding: Native Voices, 1950s to Now, Crystal Bridges Museum of American Art, Bentonville, Arkansas. (2018) [22]
  • In Dialogue, organized by John G. Hampton, Art Gallery of Southwestern Manitoba, Brandon, Manitoba. Co-produced by the Art Museum at the University of Toronto, the Art Gallery of Southwestern Manitoba, and the Carleton University Art Gallery. (2018)[23]
  • Wood Land School: Kahatenhstánion tsi na’tetiatere ne Iotohrkó:wa tánon Iotohrha / Drawing Lines from January to December, SBC Gallery of Contemporary Art, Montreal, Quebec. (2017)[24]
  • Wood Land School: Under the Mango Tree, Documenta 14, Athens, Greece, and Kassel, Germany. (2017)[25]
  • INSURGENCE/RESURGENCE, Winnipeg Art Gallery, Winnipeg, Manitoba. (2017)[26]
  • Traces, Urban Shaman, Winnipeg, Manitoba. (2017)[27]
  • A Few Similar Things, Truck Gallery, Calgary, Alberta. (2017)[28]
  • Le Grand Balcon, Musée d'art contemporain de Montréal, Montreal, Quebec. (2016).[29]

Publications
  • Three Parts on Poetry: Orality and Action, The Edges and the Centre, Voices On Her Cures, Tanya Lukin Linklater, Hanne Lippard, and Tiziana La Melia, C Magazine, Issue 127.[30]
  • The Insistence of a Crow Archivist: Wendy Red Star, Tanya Lukin Linklater, BlackFlash Magazine, 2017.

References
  1. Wunker, Erin. "An Interview with Tanya Lukin-Linklater". cwila.com. Canadian Women in the Literary Arts. Retrieved 26 October 2017.
  2. Riddle, Emily (July 31, 2017). "Forms of Freedom". Canadian Art. Retrieved 26 October 2017.
  3. Cwynar, Kari (16 November 2016). "Tanya Lukin Linklater's Choreography of Space". Inuit Art Quarterly. Retrieved 26 October 2017.
  4. "Indigenous artists featured at GNO". Sudbury Star. May 30, 2017. Retrieved 2018-03-24.
  5. "All My Relations Arts". www.allmyrelationsarts.com. Retrieved 26 October 2017.
  6. "Tanya Lukin Linklater". Art Gallery of Ontario. 2017. Retrieved 26 October 2017.
  7. Hampton, John (2 May 2017). "Inside a Year-Long Experiment in Indigenous Institutional Critique". Canadian Art. Retrieved 26 October 2017.
  8. "Wood Land School : Kahatenhstánion tsi na'tetiatere ne Iotohrkó:wa tánon Iotohrha Drawing Lines from January to December". SBC Gallery of Contemporary Art. Retrieved 26 October 2017.
  9. "BIO". Tanya Lukin Linklater. Retrieved 26 October 2017.
  10. "2013 K.M. Hunter Artist Award Winners". www.kmhunterfoundation.ca. Retrieved 26 October 2017.
  11. "Ontario Arts Council, Aboriginal Arts Projects Results Announcement, 2016". www.arts.on.ca. 2016. Retrieved 26 October 2017.
  12. "Tanya Lukin Linklater Receives Inaugural Wanda Koop Research Fund". Canadian Art. Retrieved 2018-03-24.
  13. "Tanya Lukin Linklater Explores Silence in the Art of Indigenous Storytelling". Hyperallergic. 2018-10-12. Retrieved 2019-03-14.
  14. "Determined by the river". Remai Modern. Retrieved 21 October 2017.
  15. Sutherland, Erin (2016). A Parallel Excavation: Duane Linklater and Tanya Lukin Linklater. Art Gallery of Alberta.
  16. "Tanya Lukin Linklater & Tiffany Shaw-Collinge « Contributors « Chicago Architecture Biennial". chicagoarchitecturebiennial.org. Retrieved 2020-06-26.
  17. Loos, Ted (2019-10-23). "In San Francisco, Wielding Influence (Gently) Through Art". The New York Times. ISSN 0362-4331. Retrieved 2020-02-27.
  18. "Soundings: An Exhibition in Five Parts | Agnes Etherington Art Centre". agnes.queensu.ca. Retrieved 2019-03-14.
  19. "Are You My Mother? | Regina Public Library". www.reginalibrary.ca. Retrieved 2019-03-14.
  20. "Inaabiwin". Retrieved 2019-03-14.
  21. "Starting a Conversation About Indigenous Art". Carleton Newsroom. Retrieved 2019-03-14.
  22. "Art for a New Understanding". Crystal Bridges Museum of American Art. Retrieved 2019-03-14.
  23. "In Dialogue | Art Gallery of Southwestern Manitoba". agsm.ca. Retrieved 2019-03-14.
  24. "Inside a Year-Long Experiment in Indigenous Institutional Critique". Canadian Art. Retrieved 21 October 2017.
  25. "Wood Land School Goes to Documenta: A Discussion on Indigenous Institutional Critique, Part 2". Canadian Art. Retrieved 21 October 2017.
  26. Zoratti, Jen (2017-09-22). "Shaking the foundations". Winnipeg Free Press. Retrieved 21 October 2017.
  27. "Tanya Lukin Linklater, Dion Kaszas, and Jaime Black: Traces". Galleries West. 2017-04-26. Retrieved 21 October 2017.
  28. "Truck - Contemporary Art in Calgary". www.truck.ca. Retrieved 21 October 2017.
  29. http://www.bnlmtl2016.org/en/artists/
  30. "Three Parts on Poetry: Orality and Action, The Edges and the Centre, Voices On Her Cures". C Magazine. Autumn 2015. Retrieved 2018-03-24.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.