The Cowherd and the Weaver Girl

The Cowherd and the Weaver Girl is a Chinese folk tale. The tale of the cowherd and the weaver girl is a love story between Zhinü (織女; the weaver girl, symbolizing the star Vega) and Niulang (牛郎; the cowherd, symbolizing the star Altair).[1] Their love was not allowed, thus they were banished to opposite sides of the heavenly river (symbolizing the Milky Way).[1][2] Once a year, on the 7th day of the 7th lunar month, a flock of magpies would form a bridge to reunite the lovers for one day.[1] There are many variations of the story.[1]”The Cowherd and the Girl Weaver” originated from people’s worship of natural celestial phenomena, and later developed into the Qixi Festival. During the holidays, ancient women would make wishes to the stars of Vega and Altair in the sky, hoping to have a wise mind, dexterous hand and a good marriage.[3]

The Cowherd and the Weaver Girl
The reunion of the couple on the bridge of magpies. Artwork in the Long Corridor of the Summer Palace, Beijing
Chinese name
Traditional Chinese	牛郎織女
Simplified Chinese	牛郎织女
Literal meaning	Cowherd [and] Weaver Girl
Transcriptions Standard Mandarin Hanyu Pinyin Niúláng Zhīnǚ
Korean name
Hangul	견우직녀
Hanja	牽牛織女
Transcriptions Revised Romanization Gyeonu-Jingnyeo McCune–Reischauer Kyŏnu-Chingnyŏ
Japanese name
Kanji	牛郎織女
Transcriptions Revised Hepburn Gyūrō Shokujo
Vietnamese name
Vietnamese	Ngưu Lang Chức Nữ

The earliest-known reference to this famous myth dates back to over 2600 years ago, which was told in a poem from the Classic of Poetry.[4] The tale of the Cowherd and the Weaver Girl has been celebrated in the Qixi Festival in China since the Han dynasty.[5] It has also been celebrated in the Tanabata festival in Japan, and in the Chilseok festival in Korea.[6]

The story was selected as one of China's Four Great Folktales by the "Folklore Movement" in the 1920s—the others being the Legend of the White Snake, Lady Meng Jiang, and Liang Shanbo and Zhu Yingtai—but Idema (2012) also notes that this term neglects the variations and therefore diversity of the tales, as only a single version was taken as the true version.[7]

Literature

The tale has been alluded to in many literary works. One of the most famous was the poem by Qin Guan (1049–1100) during the Song dynasty:

鵲橋仙 纖雲弄巧， 飛星傳恨， 銀漢迢迢暗渡。 金風玉露一相逢， 便勝卻人間無數。 柔情似水， 佳期如夢， 忍顧鵲橋歸路。 兩情若是久長時， 又豈在朝朝暮暮。

Meeting across the Milky way Through the varying shapes of the delicate clouds, the sad message of the shooting stars, a silent journey across the Milky Way. One meeting of the Cowherd and Weaver amidst the golden autumn wind and jade-glistening dew, eclipses the countless meetings in the mundane world. The feelings soft as water, the ecstatic moment unreal as a dream, how can one have the heart to go back on the bridge made of magpies? If the two hearts are united forever, why do the two persons need to stay together—day after day, night after night?[8]

Du Fu (712–770) of the Tang dynasty wrote a poem about the heavenly river:

天河 常時任顯晦， 秋至輒分明。 縱被微雲掩， 終能永夜清。 含星動雙闕， 伴月落邊城。 牛女年年渡， 何曾風浪生。	The Heavenly River Most of the time it may be hidden or fully visible, but when autumn comes, it gets immediately bright. Even if covered over by faint clouds, in the long run it can be clear through the long night. Full of stars, it stirs by paired palace gates, moon’s companion, it sinks by a frontier fort. Oxherd and Weaver cross it every year, and when have storms ever arisen thereon?[9]

Influence and variations

The story with differing variations is also popular in other parts of Asia. In Southeast Asia, the story has been conflated into a Jataka tale detailing the story of Manohara,[10] the youngest of seven daughters of the Kinnara King who lives on Mount Kailash and falls in love with Prince Sudhana.[11]

In Korea, it revolves around the story of Jingnyeo, the weaver girl who falls in love with Gyeonu, the herder. In Japan, the story revolves around the romance between the deities, Orihime and Hikoboshi. In Vietnam, the story is known as Ngưu Lang Chức Nữ and revolves around the story of Chức Nữ and Ngưu Lang. The Vietnamese version is also titled The Weaver Fairy and the Buffalo Boy.[12]

Chinese folklorist and scholar Ting Nai-tung classified the versions of the Cowherd and the Weaver Girl under the Aarne–Thompson–Uther Index ATU 400, "The Quest for the Lost Wife".[13] The tale also holds similarities with widespread tales of the swan maiden (bird maiden or bird princess).[14]

The story has similarities with the Mesopotamian Dumuzid and Inanna.

Cultural references

Reference to the story is also made by Carl Sagan in his book Contact. The tale and the Tanabata festival are also the basis of the Sailor Moon side story entitled Chibiusa's Picture Diary-Beware the Tanabata!, where both Vega and Altair make an appearance. The Post-Hardcore band La Dispute named and partially based their first album, Somewhere at the Bottom of the River Between Vega and Altair, after the tale. The JRPG Bravely Second: End Layer also uses the names Vega and Altair for a pair of story-important characters who shared a love interest in each other years before the game's story began, Deneb being their common friend. South Korean girl group Red Velvet's song "One of These Nights" from their 2016 EP, The Velvet, also references the legend of the two lovers. J-pop band Supercell also references the story on its song "Kimi no Shiranai Monogatari". The novel Bridge of Birds by Barry Hughart is centered around the tale, but incorporates many more Chinese folk stories while retelling the tale.

Similar to the Chang'e space program being named after the Chinese goddess of the moon, the Queqiao relay satellite of Chang'e 4 is named after the "bridge of magpies" from the Chinese tale of the cowherd and weaver girl.[15] The Chang'e 4 landing site is known as Statio Tianhe, which refers to the heavenly river in the tale.[16] The nearby far-side lunar craters Zhinyu and Hegu are named after Chinese constellations associated with the weaver girl and the cowherd.[16]

Gallery

• 
  Zhinü with a shuttle in her hand, painted by Zhang Ling, Ming dynasty
• 
  Zhinü crossing the River of Heaven, as painted by Gai Qi, 1799
• 
  Zhinü as depicted on the ceiling of Muxuyuan Station, Nanjing.
• 
  Zhinü and Niulang, by the Japanese painter Tsukioka Yoshitoshi.
• 
  Depiction of the creation of the River of Heaven (Milky Way), painted by Guo Xu, Ming dynasty

See also

• Qixi Festival

References

1. Brown, Ju; Brown, John (2006). China, Japan, Korea: Culture and customs. North Charleston: BookSurge. p. 72. ISBN 978-1-4196-4893-9.
2. Lai, Sufen Sophia (1999). "Father in Heaven, Mother in Hell: Gender politics in the creation and transformation of Mulian's mother". Presence and presentation: Women in the Chinese literati tradition. New York: St. Martin's Press. p. 191. ISBN 978-0312210540.
3. "CULTURAL DISCOURSE ON XUE SUSU, A COURTESAN IN LATE MING CHINA". International Journal of Asian Studies; Cambridge.
4. Schomp, Virginia (2009). The ancient Chinese. New York: Marshall Cavendish Benchmark. p. 89. ISBN 978-0761442165.
5. Schomp, Virginia (2009). The ancient Chinese. New York: Marshall Cavendish Benchmark. p. 70. ISBN 978-0761442165.
6. Hearn, Lafcadio; Rogers, Bruce (1905). The romance of the Milky Way : and other studies & stories. Wellesley College Library. Boston : Houghton Mifflin.
7. Idema, Wilt L. (2012). "Old Tales for New Times: Some Comments on the Cultural Translation of China's Four Great Folktales in the Twentieth Century" (PDF). Taiwan Journal of East Asian Studies. 9 (1): 26. Archived from the original (PDF) on 2014-10-06.
8. Qiu, Xiaolong (2003). Treasury of Chinese love poems. New York: Hippocrene Books. p. 133. ISBN 9780781809689.
9. Owen, Stephen [translator & editor], Warner, Ding Xiang [editor], Kroll, Paul [editor] (2016). The Poetry of Du Fu , Volume 2. De Gruyter Mouton. Pages 168–169. ISBN 978-1-5015-0189-0
10. Cornell University (2013). Southeast Asia Program at Cornell University: Fall Bulletin 2013. Page 9. "It is generally accepted that the tale of Manora (Manohara) told in Southeast Asia has become conflated with the story of the cowherd and the celestial Weaver girl, popular in China, Korea, and Japan. This conflation of tales, in which Indian and Chinese concepts of sky nymphs cohere, suggests a consummate example of what historian Oliver Wolters refers to as “localization” in Southeast Asia.
11. Jaini, Padmanabh S. (ed.) (2001). Collected Papers on Buddhist Studies Page 297-330. ISBN 81-208-1776-1.
12. Vuong, Lynette Dyer. Sky legends of Vietnam. New York, NY: HarperCollins. 1993. pp. 54-80.ISBN 0-06-023000-2
13. Nai-tung TING. A Type Index of Chinese Folktales in the Oral Tradition and Major Works of Non-religious Classical Literature. (FF Communications, no. 223) Helsinki, Academia Scientiarum Fennica, 1978.
14. Haase, Donald. The Greenwood Encyclopedia of Folktales and Fairy Tales: A-F. Greenwood Publishing Group. 2007. p. 198.
15. Wall, Mike (18 May 2018). "China Launching Relay Satellite Toward Moon's Far Side Sunday". Space. Future plc. Archived 18 May 2018 at the Wayback Machine
16. Bartels, Meghan (15 February 2019). "China's Landing Site on the Far Side of the Moon Now Has a Name". Space. Future plc. Archived 15 February 2019 at the Wayback Machine

Further reading

• Yu, Eric Kwan-wai. “Of Marriage, Labor and the Small Peasant Family: A Morphological and Feminist Study of the Cowherd and Weaving Maid Folktales.” Comparative Literature and Culture 3 (1998): 11-51.