Toxic (graffiti artist)

Torrick Ablack, also known as Toxic (born January 16, 1965) is an American artist who was part of the Graffiti movement of the early 1980s in New York City. He transitioned from street art to exhibiting his paintings in galleries and museums internationally.

Life and career

Ablack was born in Bronx, New York on January 16, 1965.[1] His mother was Puerto Rican and his father's family came from Trinidad.[2] In his youth he was given the nickname Toxic Battery, which became his graffiti tag.[1] He began painting graffiti at the age of 13 with A-One and Kool Koor. They joined Rammellzee's graffiti crew Tag Master Killers, which also consisted of Delta2.[3] Each member designed their own style for arming letters based on Rammellzee's theory of Gothic Futurism, which describes graffiti as the weaponization of letters in a battle to reclaim language from a "diseased culture" of social control.[4] In the early 1980s, they were among the graffiti artists bringing original art and music from the Bronx and Queens to the downtown art scene.[5] In 1982, Toxic, A-One, and Kool Koor participated in the group show Camouflaged Panzerism at Fashion Moda in South Bronx.[1]

Toxic met artist Jean-Michel Basquiat soon after Basquiat's exhibit at Annina Nosei Gallery in 1982.[2] Basquiat became his mentor and hired him as an occasional studio assistant.[4] In late 1982, Toxic and Rammellzee accompanied Basquiat to Los Angeles while he prepared for his show at the Gagosian Gallery.[6] While in Los Angeles, where they were struck by how the film industry portrayed African Americans, especially during the Golden Age of Hollywood.[5] In response, they dubbed themselves the Hollywood Africans as a social and political statement to counter the stereotypical portrayals of African Americans in Hollywood. The trio are depicted in Basquiat's paintings Hollywood Africans in front of the Chinese Theater with Footprints of Movie Stars (1983) and Hollywood Africans (1983).[7]

Toxic stayed true to the graffiti spraying technique and worked on canvases pinned to the wall. His work became more abstract that the tags he wrote on subway cars. Toxic was part of the exhibit Rapid Enamel at the University of Chicago in 2014, which was the first showcasing of graffiti in an American institution.[8] His artwork has since appeared in the collections of major museums, including the Brooklyn Museum, the Groninger Museum and the Museum of the City of New York.[9] In 2013, he was featured in the exhibit Last of the Hollywood Africans: Toxic, Rammellzee and Jean-Michel Basquiat at Londonewcastle Project Space in London.[5] In 2015, he was featured in the group exhibit Le Pressionnisme at Pinacothèque de Paris. That year, he participated in the exhibit Graffiti, New York meets the Dam at the Amsterdam Museum.[1] In 2020, his painting, Ransom Note: CEE (1984), was included in the exhibit Writing the Future: Basquiat and the Hip-Hop Generation at the Museum of Fine Arts, Boston.[10]

Toxic designed a wallpaper, a printed linen, and a wall panel in collaboration with French textile house Pierre Frey.[11][12]

He is based in France, but spends his time between Paris, Florence, and New York.[1]

References
  1. Niso, Carolina (January 30, 2016). "Asi llego Toxic a galerias de arte y museos". El Tiempo. p. 21.
  2. Lark, Jasmine (September 11, 2013). "Toxic / Torrick Ablack". Widewalls. Retrieved 2021-01-03.
  3. "Rammellzee: Graffiti Writer, Artist and Deity "Racing For Thunder"". Brooklyn Street Art. July 25, 2018. Retrieved 2021-01-04.
  4. "Dive into "Writing the Future"". Museum of Fine Arts, Boston. Retrieved 2021-01-05.
  5. "Last of the Hollywood Africans: Toxic, Rammellzee and Jean-Michel Basquiat". Very Nearly Almost. February 8, 2013. Retrieved 2021-01-03.
  6. Hoffman, Fred (March 13, 2005). "Basquiat's L.A." Los Angeles Times.
  7. Saggese, Jordana Moore (2014). Reading Basquiat: Exploring Ambivalence in American Art. Univ of California Press. pp. 23–24. ISBN 978-0-520-27624-6.
  8. "Rapid Enamel: The Art of Graffiti | Exhibitions". The Renaissance Society. Retrieved 2021-01-03.
  9. "Ransom Note: CEE". Brooklyn Museum. Retrieved 2021-01-03.
  10. Saenger, Peter (October 19, 2020). "Art From the Streets of New York". Wall Street Journal. ISSN 0099-9660. Retrieved 2021-01-03.
  11. Sherman, Rebecca (December 10, 2015). "A Toxic Win: Graffiti Artist and a Storied French House Unexpectedly Team Up". PaperCity Magazine. Retrieved 2021-01-04.
  12. Martin, Hannah (December 31, 2014). "Pierre Frey's Favorite Street Artists". Architectural Digest. Retrieved 2021-01-04.
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