Trade card

A trade card is a square or rectangular card that is small, but bigger than the modern visiting card, and is exchanged in social circles, that a business distributes to clients and potential customers, as a kind of business card. Trade cards first became popular at the end of the 17th century in Paris, Lyon and London. They functioned as advertising and also as maps, directing the public to the merchants' stores (no formal street address numbering system existed at the time).

Not to be confused with Trading card.
One of the oldest trade cards, printed in Lyon and designed by Thomas Blanchet in 1674 for the firm of Antoine Guerrier

Definition

The term, trade card, refers to a varied group of items made of paper or of card of varying sizes and shapes. Trade cards evolved in different ways in Britain, America and Europe, giving rise to wide variation in their format and design. The characteristic features of a trade card are that it is a small printed item, used by merchants and traders to give to their customers for their use as an aid to memory. Trade cards were sufficiently small so that they could be carried in the gentleman's pocket or lady's purse.[1]

History

In its original sense, the "trade" in trade card refers to its use by the proprietor of a business to announce his trade, or line of business. Trade cards were widely used by retailers and tradesmen from around the late 17th-century in Paris, Lyon and London. In the period before mass media, they functioned as advertising and also as maps, directing the public to the merchants' stores (no formal street address numbering system existed at the time). The trade card is an early example of the modern business card. The use of trade cards in America became widespread from the mid-19th-century in the period following the Civil war.[2]

The earliest trade cards were not cards at all, instead they were printed on paper and did not include illustrations. Later they were printed on the more substantial card and typically bore the tradesmen's name and address, and before street numbering was in common use, often included a long-winded set of directions on how to locate the store or premises. With the advent of commercial engraving and lithography, illustrations became a standard feature of even the most humble trade card. Eventually trade cards evolved into business cards, which are still in use today.[3]

Eighteenth century traders wanted cards with impact and sophistication. Accordingly, they often hired notable designers and engravers to design their cards. In 1738, for instance, when leading Parisian art dealer Edme-François Gersaint changed the name of his business to A la Pagode, he hired the engraver, François Boucher to design his card.[4] In 1767, the French painter, Gabriel de Saint-Aubin, designed a trade card for quincailler (ironmonger), Perier, whose premises were situated at the sign of the Moor's Head on the Quai de la Megisserie in Paris.[5] Other artists who accepted commissions for trade cards included: Hogarth, Bartolozzi and Bewick.[6] The demand for trade cards, and also for catalogs fuelled demand for creative services such as etching, engraving and print-making in the first half of the eighteenth century.

Examples of early trade cards

  • Trade card for a London furniture store, 1730–42
  • Trade card for Thomas Johnston, Japaner of London, 1732
  • Trade card Samuel Grant of Boston, 1736
  • Trade card of Thomas Jeffreys, 1750
  • Trade Card, for John Comm, London stationer, ca. 1750
  • Trade card for Mary Elliott, milliner, 1757
  • Trade Card for George Adams, instrument maker, date unknown, bef. 1773

Fuelled by the advent of color lithography and multi-color printing, trade cards entered their heyday in the late 19th-century.[7] Businesses began to create increasingly sophisticated designs, using color printing. A few American companies specialized in producing stock cards, usually with an image on one side and space on the other side for the business to add its own information.[8] In around 1850, Aristide Boucicaut, the founder of the department store Au Bon Marché used color printing to great effect when he seized on the idea of using the new chromolithography to offer a weekly advertising color print to children accompanied by their parents. This plan was so successful that it was soon emulated by other Parisian department stores. Cards for La Belle Jardiniére and La Galerie Lafayette soon followed.

The attractive and colorful designs spawned a passion for collecting trade cards, which became a popular hobby in the late 19th century. By moving into the realm of collecting, trade cards gave rise to the trading card, the meaning now shifting to the exchange or trade of cards by enthusiasts. Some cards, particularly those produced by tobacco companies featuring baseball players, later developed into collectibles and lost their function as a business advertisement.

  • Lithographed trade card advertising Murray & Lanman Florida Water Cologne
  • Back of a German Liebig Extract of Meat Trade Card from 1885
  • Early 19th-century English-language trade card of John Maria Farina, cologne manufacturer, showing Farina Haus, Köln.

The interest in collecting trade cards has ensured that many examples have survived. Collections of rare trade cards, dating from the 17th-century to the 19th century can be found at the British Library, Bodleian Library, Oxford, and Waddesdon Manor, Buckinghamshire.[9] Another important collection of medical trade cards is the Wellcome Collection.[10]

See also

References
  1. "Trade Cards," in The Encyclopedia of Ephemera: A Guide to the Fragmentary Documents of Everyday Life for the Collector, Curator, and Historian, Maurice Rickards (ed), Psychology Press, 2000, pp 334-335
  2. Hale, M., "A New and Wonderful Invention: The Nineteenth-Century American Trade Card," Harvard Business School, [Working Knowledge Collection], 9 May 2000
  3. "Trade Cards," in The Encyclopedia of Ephemera: A Guide to the Fragmentary Documents of Everyday Life for the Collector, Curator, and Historian, Maurice Rickards (ed), Psychology Press, 2000, pp 334-335
  4. "Trade Card of Edme Gersaint, Jeweller, A La Pagode," Waddesson Rothschild Collection, Aylesbury, Buckinghamshire, https://waddesdon.org.uk/the-collection/item/?id=13776
  5. Conlin, J., Tales of Two Cities: Paris, London and the Birth of the Modern City, Atlantic Books, 2013, Chapter 2
  6. "Trade Cards," in The Encyclopedia of Ephemera: A Guide to the Fragmentary Documents of Everyday Life for the Collector, Curator, and Historian, Maurice Rickards (ed), Psychology Press, 2000, p. 334
  7. "Trade Cards: A Short History," [Article for the Trade Cards: An Illustrated History Exhibition,] Cornell University, <Online: http://rmc.library.cornell.edu/tradecards/exhibition/history/index.html#modalClosed>
  8. "Trade Cards," in The Encyclopedia of Ephemera: A Guide to the Fragmentary Documents of Everyday Life for the Collector, Curator, and Historian, Maurice Rickards (ed), Psychology Press, 2000, p. 335
  9. Berg, M. and Clifford, H., "Selling Consumption in the Eighteenth Century: Advertising and the Trade Card in Britain and France," Cultural and Social History, Vol.4, No. 2, 2007, pp 145-170; Scott, K., "The Waddesdon Manor Trade Cards: More Than One History," Journal of Design History, Vol. 17, No. 1, 2004, pp. 91-104
  10. Wellcome Collection of trade cards, 18th century to present

Further reading
  • Kit Barry, Reflections: Ephemera from Trades, Products, and Events, [Vols. I and II], Kit Barry Ephemera Auctions, Brattleboro, VT, 1993, 1994
  • Maxine Berg and Helen Clifford, "Selling Consumption in the Eighteenth Century: Advertising and the Trade Card in Britain and France," Cultural & Social History (2007) 4#2 pp 145–170
  • Robert Jay, The Trade Card in Nineteenth-Century America, Columbia, University of Missouri Press, 1987.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.