Umhlanga (ceremony)

Umhlanga [um̩ɬaːŋɡa], or Reed Dance ceremony, is an annual Swazi and Zulu event.[1] In Eswatini, tens of thousands of unmarried and childless Swazi girls and women travel from the various chiefdoms to the Ludzidzini Royal Village to participate in the eight-day event.[2] The young, unmarried girls were placed in female age-regiments; girls who had fallen pregnant outside wedlock had their families fined a cow.[1]

For the town north of Durban, see Umhlanga, KwaZulu-Natal.

A woman at the Reed Dance ceremony

Umhlanga was created in the 1940s in Eswatini under the rule of Sobhuza II, and is an adaptation of the much older Umcwasho ceremony.[1] The reed dance continues to be practised today in Eswatini. In South Africa, the reed dance was introduced in 1991 by Goodwill Zwelithini, the current King of the Zulus. The dance in South Africa takes place in Nongoma, a royal kraal of the Zulu king.[3][4]

South Africa
Umkhosi woMhlanga in Nongoma, South Africa.

In South Africa, the ceremony is known as Umkhosi woMhlanga, and takes place every year in September at the Enyokeni Royal Palace in Nongoma Enyokeni, KwaZulu-Natal.[4] The girls come from all parts of Zululand, and in recent years there are also smaller groups from Eswatini, as well as more distant places such as Botswana and Pondoland.[5]

All girls are required to undergo a virginity test before they are allowed to participate in a royal dance.[4] In recent years the testing practice has been met with some opposition.[6]

The girls wear traditional attire, including beadwork, and izigege,izinculuba and imintsha that show their bottoms.[7] They also wear anklets, bracelets, necklaces, and colourful sashes. Each sash has appendages of a different colour, which denote whether or not the girl is betrothed.[8]

As part of the ceremony, the young women dance bare-breasted for their king, and each maiden carries a long reed, which is then deposited as they approach the king.[9] The girls take care to choose only the longest and strongest reeds, and then carry them towering above their heads in a slow procession up the hill to Enyokeni Palace.[5] The procession is led by the chief Zulu princess, who takes a prominent role throughout the festival.[5] If the reed should break before the girl reaches that point, it is considered a sign that the girl has already been sexually active.[9]

The ceremony was reintroduced by King Goodwill Zwelethini in 1991, as a means to encourage young Zulu girls to delay sexual activity until marriage, and thus limit the possibility of HIV transmission.[3] In 2007, about 30,000 girls took part to the event.[9] The organisers of the ceremony have occasionally enforced strict rules on photographers, as some of them have been accused of publishing pictures of the rites on pornographic websites.[10]

In past years, the event was attended by former President of South Africa, Jacob Zuma (himself a Zulu), and former Premier of KwaZulu-Natal, Zweli Mkhize.[11]

Eswatini
HRH Princess Sikhanyiso Dlamini (centre), dancing at Umhlanga, 2006. She wears a red feather crown, distinguishing her as a royal female.
The 2006 Reed Dance in Lobamba.

In Eswatini, girls begin the rite by gathering at the Queen Mother's royal village, which currently is Ludzidzini Royal Village.[1] After arriving at the Queen Mother's royal residence, the women disperse the following night to surrounding areas and cut tall reeds. The following night, they bundle the reeds together and bring them back to the Queen Mother to be used in repairing holes in the reed windscreen surrounding the royal village.

After a day of rest and washing, the women prepare their traditional costumes consisting of a bead necklace, rattling anklets made from cocoons, a sash, and skirt. Many of them carry the bush knives, which they had earlier used to cut the reeds, as symbols of their virginity.

The women sing and dance as they parade in front of the royal family as well as a crowd of dignitaries, spectators, and tourists. After the parade, groups from select villages take to the centre of the field and put on a special performance for the crowd. The King's many daughters and royal princesses also participate in the reed dance ceremony and are distinguished by the crown of red feathers they wear in their hair.

During the ceremony, the king, with the help of his mother and elder sister, chooses 365 girls. A large part of the 365 girls will live in a palace in the center of Mbabane. Of these 365, the king can choose a new wife, which he does not do every year. He has these girls at his disposal sexually during one year to choose.

The present form of the Reed Dance developed in the 1940s from the Umcwasho custom, where young girls were placed in age regiments to ensure their virginity.[12] Once they had reached marriageable age, they would perform labour for the Queen Mother followed by dancing and a feast. The official purpose of the annual ceremony is to preserve the women's chastity, provide tribute labour for the Queen Mother, and produce solidarity among the women through working together.[1]

Nudity controversy

The reed dance videos were once classified as age-restricted content by YouTube, which angered the users who had uploaded them. This included Lazi Dlamini, the head of TV Yabantu, an online video production company that aims to produce content that “protects, preserves and restores African values”. Working with more than 200 cultural groupings across the country and in neighbouring Eswatini, Dlamini organised a series of protests against Google to force them to rethink their position. YouTube apologized, and allowed the showing of bonafide African traditional videos. According to a representative for the company, they lifted the restriction, as it is not Google's policy to "restrict nudity in such instances where it is culturally or traditionally appropriate.”[13][14]

References
  1. Patricks, Richard M. (July 2000). "Cultural Resources – Swazi Culture – The Umhlanga or Reed Dance". SNTC website. Swaziland National Trust Commission. Retrieved 4 October 2009.
  2. "Umhlanga / Reed Dance". STA website. Swaziland Tourism Authority. Archived from the original on 6 January 2007. Retrieved 4 October 2009.
  3. McNeill, Fraser G. (2011). AIDS, Politics, and Music in South Africa. Cambridge University Press. p. 27. ISBN 978-1-139-49959-0. Retrieved 21 August 2013.
  4. Milena Ivanovic (2008). Cultural Tourism. Juta and Company Ltd. p. 155. ISBN 978-0-7021-7185-7. Retrieved 21 August 2013.
  5. "Nongoma". Zululand Tourism. Archived from the original on 19 July 2013. Retrieved 20 August 2013.
  6. "The Zulu Reed Dance – A Celebration of Purity". Howzit MSN News. Retrieved 20 August 2013.
  7. "Zulu Reed Dance". Eshowe. Archived from the original on 18 August 2013. Retrieved 20 August 2013.
  8. "Dance History And Theory" (PDF). Gauteng Province Education. Archived from the original (PDF) on 31 May 2013. Retrieved 21 August 2013.
  9. Steven Dubin (7 January 2013). Spearheading Debate: Culture Wars & Uneasy Truces. Jacana Media. p. 61. ISBN 978-1-4314-0737-8. Retrieved 21 August 2013.
  10. "Goodwill says virginity testing here to stay". Sowetan LIVE. Retrieved 20 August 2013.
  11. "Trees planted at Reed Dance". The Witness. Retrieved 20 August 2013.
  12. "Umcwasho maidens 1895". Swaziland Digital Archives. Swaziland National Trust Commission. Retrieved 18 October 2009.
  13. "YouTube lifts Swazi bare-breasted dancer restrictions". BBC.
  14. "'Hey Google, our breasts aren't sexual'". Mail and Guardian. 12 October 2017.
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