Vlada Petrić

Vladimir “Vlada” Petrić (11 March 1928 - November 13, 2019) was a film studies professor at Harvard University, an author, playwright, and co-founder of the Harvard Film Archive.[1][2][3]

Books and studies

• The Magical Screen (Чаробни екран, 1962)
• Shakespeare in Film (Шекспир на филму, 1963)
• Introduction to Film (Увођење у филм, 1968)
• The Development of Film Genres (Развој филмских врста и жанрова, 1969)
• Television – The Eighth Force (Телевизија – осма сила, 1970)
• Griffith’s Masterpiece: A Corner in Wheat (1976)
• Film and Dreams: An Approach to Bergman (1981)
• Constructivism in Film: The Man With the Movie Camera (1987)
• Dreyer’s Concept of Cinematic Abstraction (1975)
• Film Scholarship and Impressionistic Film Criticism (1976)
• The Vorkapich Effect (1978)
• Dziga Vertov as Theorist (1979)
• Bergman and Dreams (1981)
• The Avenging Conscience: An Early Dream Film (1972)
• How Bergman Conveys Nightmares in a Cinematic Way (1973)
• A Page of Madness: A Structural Analysis of the Japanese Film (1984)
• Tarkovsky’s Oneiric Visions (1990), Ideology and Cinema (1995)
• Function of Form in Fellini’s Eight and a Half (1996)
• Memories of a Movie Monk (1999)

References

1. "The man with a movie passion: remembering Vlada Petric". The Boston Globe. November 21, 2019.
2. Marquard, Bryan (December 20, 2019). "Vlada Petric, Cofounder and Curator of Harvard Film Archive; at 91". Boston Globe.
3. Bradić, Nebojša (January 13, 2018). "Povratak Vlade Petrića". Radio Television of Serbia.

Further reading

• "Vlada Petrić (1928-2019)". International Federation of Film Archives. Retrieved 2020-10-02.