Walter Gilbert (sculptor)

Walter Gilbert (1871–1946) was an English sculptor. He first studied at Birmingham Municipal School of Art and then the National Art Training School, now the Royal College of Art. After a short career as an instructor, Gilbert worked at the Bromsgrove Guild, where he was a director, and then at H. H. Martyn. While at the Guild, Gilbert collaborated with Louis Weingartner. When he had moved over to H.H. Martyn, his son, Donald Gilbert, was also employed by the firm, and father and son collaborated on many works. He retired in 1940 and died six years later.

Walter Gilbert
A collage of the war memorial in the grounds of Towneley Hall, near Burnley, Lancashire
Born12 August 1871
Died23 January 1946
Littlehampton, England
NationalityEnglish
EducationBirmingham Municipal School of Art, Royal College of Art

Background

The son of Henry Edward Gilbert and Jane Isabella Gilbert, Walter Gilbert was born on 12 August 1871 in Rugby, Warwickshire. Gilbert and his wife, Ina MacGeoch, had two children. Margot and Donald were both encouraged to pursue artistic careers and both assisted their father on the Queen Mary's interior decoration in the 1920s. Donald worked with his father on many commissions.[1][2]

Education

Gilbert had an educational career that spanned western Europe, India and the United States. First, and under Benjamin Creswick, Gilbert studied at the Birmingham Municipal School of Art and from 1890 to 1893 at the then National Art Training School. Having completed his studies at these two schools, Gilbert sought out training around the world: in India, the United States, Belgium, France and Germany.[2]

Career

Freemasons' Hall's Grand Temple bronze doors

In 1891 he was drawing master at Rugby School and was then an instructor and headmaster at Bromsgrove School in Worcestershire from 1898 to 1900. In 1898 he co-founded the Bromsgrove Guild with William Whitehouse and the Birmingham architectural firm, Crouch and Butler. From the early 1900s Gilbert often worked in partnership with Swiss modeller Louis Weingartner[nb 1] on commissions for art metal work.[1][2]

Their collaborations included, among others:[1][2]

Gilbert was director of the Guild from 1899 until 1918,[nb 2] then he went to H. H. Martyn where until 1940 he was assistant manager.[2] Weingartner ceased working at the Bromsgrove Guild about the same time as Gilbert. Donald Gilbert became a modeller for H.H. Martyn, collaborating on works with his father. Gilbert retired in 1940.[1]

Walter Gilbert participated in many exhibitions including those at the Walker Art Gallery in Liverpool in 1884 and Leeds City Art Gallery in 1902 and 1906.[2] During his lifetime Gilbert also involved himself with garden furnishings and the design of glass.[1]

Later years

On 23 January 1946 at Littlehampton, Sussex, Gilbert died. St Mary the Virgin, Hanbury, Worcestershire has a memorial that Donald created in memory of his father and Weingartner.[1]

Notes

  1. Weingartner was Swiss and from Lake Lucerne and an accomplished modeller. He was a jeweller at the School of Art in Birmingham and moved to Bromsgrove in around 1903. He left the Bromsgrove Guild with Gilbert in around 1921. He returned to Lucerne in Switzerland in 1930 and died in 1934.[1]
  2. Per Phillip Medhurst: "Somewhat surprisingly Gilbert was only ejected from the company of his Bromsgrove employers in 1922 when it became apparent that he was using his Guild expenses to obtain orders for Martyn’s." In addition to providing potential motivation for the move, this contradicts the dates of employment from the Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951.[1][2]

References

  1. Medhurt, Phillip. Hubert Donald Macgeoch Gilbert Works Arranged and Executed by Walter Gilbert in association with Louis Weingartner and Donald Gilbert. Internet Archive. p. 1. Retrieved 29 August 2012.
  2. Gilbert Biography Mapping the Practice and Profession of Sculpture. Retrieved 29 August 2012.

Further reading

  • Phillip Medhurst, "Walter Gilbert: The Romance in Metalwork”. ISBN 978-1-4793-1087-6
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