A Waste of Shame
A Waste of Shame (aka A Waste of Shame: The Mystery of Shakespeare and His Sonnets) is a 90-minute television drama on the circumstances surrounding William Shakespeare's composition of his sonnets. It takes its title from the first line of Sonnet 129. It was first broadcast on BBC Four on 22 November 2005 as part of the supporting programming for the BBC's ShakespeaRe-Told season, but only loosely connected to the rest of the series.[1]
| A Waste of Shame | |
|---|---|
 Rupert Graves as Shakespeare | |
| Genre | Period drama, biopic |
| Written by | William Boyd |
| Directed by | John McKay |
| Starring | Rupert Graves Tom Sturridge Indira Varma |
| Composer | Kevin Sargent |
| Country of origin | United Kingdom |
| Original language | English |
| Production | |
| Executive producers | Richard Fell Sally Woodward Gentle |
| Producer | Chrissy Skinns |
| Production location | Richard May |
| Cinematography | Tim Palmer |
| Editor | Anne Sopel |
| Camera setup | Steve Alcorn |
| Running time | 90 minutes |
| Release | |
| Original network | BBC Four |
| Original release | 22 November 2005 |
Its screenplay was written by William Boyd and the film was directed by John McKay.[2] Lines from the sonnets are presented as thoughts running through Shakespeare's mind.
Production
The BBC asked Boyd to dramatise the Sonnet's love triangle as a free adaptation of Shakespeare's life.[3]
Reception and critical history
As a depiction of Shakespeare as a character, it received critical attention in Paul Franssen's Shakespeare's Literary Lives: The Author as Character in Fiction and Film (2016). Franssen primarily sees the plot's love triangle—between Shakespeare, William Herbert (the Fair Youth), and "Lucy Negro" (the Dark Lady)—as inherently misogynistic: Shakespeare and Herbert both exploit Negro as a proxy for their own relationship. He views Boyd's choice of a British-Indian actress (Indira Varma), her portrayal as "half Moorish, half French",[4] and costumed in a traditional Tuareg headdress (playing on the western world's post-9/11 fear of the Muslim world) as a deliberate othering such that Shakespeare and Herbert's exploitation of her becomes a metaphor for the west's meddling in and exploitation of other cultures (a post-colonialist perspective).[5] In "Shakespeare's Life on Film and Television: Shakespeare In Love and A Waste of Shame" (2016) he also contrasted A Waste of Shame with Shakespeare in Love (1998) to examine "the question of how two such different visions of Shakespeare were produced within a decade of each other … from the perspectives of genre, themes, historical referentiality, and polyphony."[6]
Jane Kingsley-Smith, in "Shakespeare's sonnets and the claustrophobic reader: making space in modern Shakespeare fiction" (2013),[7] argues that claustrophilia is a thematic and structural motif in the Sonnets, based on analysis of A Waste of Shame and Anthony Burgess' Nothing Like the Sun: A Story of Shakespeare's Love Life (1964).[7]
Plot
1609: Shakespeare is struggling to complete his sonnets while plague rages. He sees the body of a young child and remembers the moment in 1596 when he learned of the illness of his son Hamnet while rehearsing a play in London. Returning to Stratford-upon-Avon he was subjected to abuse from his shrewish wife Anne for neglecting them by living in the capital. His son died, and an embarrassing argument between his father John and Anne disrupted the funeral. John later told him that the family was in financial difficulties. William agreed to pay off the debt, but to do so he had to return to London.
1597: Shakespeare receives a bag of money from Mary Sidney, Countess of Pembroke, for writing the procreation sonnets, to encourage her son, the young William Herbert to marry. He meets the young aristocrat and becomes strangely attracted to him. Herbert says that he will meet Shakespeare again when he comes to London.
Disturbed by his attraction to the youth, Shakespeare gets drunk in a brothel run by his friend George Wilkins. Wilkins tempts him with a new dusky-skinned "half caste" called Lucie, just come from France. Shakespeare has sex with her.
At a performance of Hamlet, Herbert and his young friends meet up with Shakespeare. They are keen to experience the seedy side of London life, so Shakespeare takes them to Wilkins' brothel. There they enjoy the pleasures on offer but Herbert is shocked to see Wilkins help some men to beat up one of the girls. Shakespeare tells him to ignore it and that the girl is being punished for giving a client syphilis.
Shakespeare becomes increasingly close to Herbert and entranced by him, but discovers that his rival Ben Jonson is now one of Herbert's cronies. He also becomes more deeply involved with Lucie. Lucie tells him that she is leaving Wilkins. She now has her own place paid for by another client, but kindly tells Shakespeare that he, not her patron, is her true favorite. Later, Shakespeare visits Herbert's house, but is brushed off by a servant. He realises that Herbert is avoiding him. He follows him and discovers that Lucie has become Herbert's mistress, and that he pays for her lodging. Embittered, he writes Measure for Measure.
He meets Herbert again at a performance of the play. He learns that Lucie has gone back to France. The two part awkwardly.
A new outbreak of plague leads to the closure of the theatres. Shakespeare, Richard Burbage and William Kempe discuss the options for their acting troupe. However, Shakespeare starts to notice worrying signs of illness on his body. He returns to Stratford to get a diagnosis from John Hall and is told that he does not have the plague, but he does have syphilis. He writes up his sonnets for publication.
Cast
- Rupert Graves – William Shakespeare
- Tom Sturridge – William Herbert ("the Fair Youth")
- Indira Varma – Lucie ("the Dark Lady")
- Zoë Wanamaker – Countess of Pembroke
- Anna Chancellor – Anne Hathaway
- Andrew Tiernan – Ben Jonson
- Nicky Henson – John Shakespeare
- Alan Williams – George Wilkins
- Nicholas Rowe – Richard Burbage
- John Voce – William Kempe
- Tom Hiddleston – John Hall
- Christopher Fairbank – Physician
- Ian Hughes – Thomas Thorpe
- Clem Tibber – Hamnet Shakespeare
- Tom Mison – Young Blood
- Evie Butcher – Judith Shakespeare
- Alice Butcher – Susanna Shakespeare
References
- Földváry 2013, p. 55.
- BFI n.d.
- Jeffries 2006.
- Franssen 2016a, p. 152.
- Franssen 2016a, pp. 152–156.
- Franssen 2016b, p. 101.
- Kingsley-Smith 2013.
Sources
- "A Waste of Shame: The Mystery of Shakespeare and His Sonnets (2005)". Film Forever. British Film Institute. n.d. Retrieved 15 May 2018.
- Franssen, Paul (2016a). Shakespeare's Literary Lives: The Author as Character in Fiction and Film. Cambridge: Cambridge University Press. doi:10.1017/CBO9781316410851. ISBN 9781316410851 – via Cambridge Core.CS1 maint: ref=harv (link)
- Földváry, Kinga (2013). "'Brush up your Shakespeare': Genre-Shift from Shakespeare to the Screen". In Brown, Sarah Annes; Lublin, Robert I.; McCulloch, Lynsey (eds.). Reinventing the Renaissance: Shakespeare and his Contemporaries in Adaptation and Performance. Springer. pp. 47–62. ISBN 9781137319401.CS1 maint: ref=harv (link)
- Franssen, Paul (2016b). "Shakespeare's Life on Film and Television: Shakespeare In Love and A Waste of Shame". In Minier, Márta; Pennacchia, Maddalena (eds.). Adaptation, Intermediality and the British Celebrity Biopic. Routledge. pp. 101–115. ISBN 9781317185550.CS1 maint: ref=harv (link)
- Jeffries, Stuart (21 January 2006). "William Boyd". Screen player. The Guardian. Retrieved 16 May 2018.CS1 maint: ref=harv (link)
- Kingsley-Smith, Jane (2013). "Shakespeare's sonnets and the claustrophobic reader: making space in modern Shakespeare fiction". Shakespeare. Taylor & Francis. 9 (2): 187–203. doi:10.1080/17450918.2013.784796. eISSN 1745-0926. ISSN 1745-0918.CS1 maint: ref=harv (link)